Canon EOS R5 Mark II Advanced User's Manual

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Advanced User Guide

CT2-D306-A

Table of Contents

Troubleshooting

Summary of Contents for Canon EOS R5 Mark II

Page 2: Table Of Contents
Contents Introduction..........10 Package Contents.
Page 3 A+: Fully Automatic Techniques (Scene Intelligent Auto)....133 Fv: Flexible-Priority AE......... . 135 P: Program AE.
Page 4 Multiple Exposures..........264 Focus Bracketing.
Page 5 Standby: Low Resolution........452 Canon Log HDMI Output Range........453 Metadata.
Page 6 Customizing AF Functions........557 Focus Preset.
Page 7 Connecting to EOS Utility........751 Uploading Images to image.canon....... . . 764 Syncing Time Between Cameras.
Page 8 Save/Load Communication Settings on Card......944 Resetting Communication Settings....... . 948 Set-up.
Page 9 Battery Information..........1027 Copyright Information.
Page 10: Introduction
Also be aware that certain public performances, exhibitions, etc. may prohibit photography even for private enjoyment. Connecting other devices Use the included interface cable or a Canon cable when connecting the camera to a computer or other device. When connecting an interface cable, also use the included cable protector ( •...
Page 11: Package Contents
Package Contents Before use, make sure the following items are included in the package. If anything is missing, contact your dealer. Camera (with body cap (Camera Cover R-F-5) and shoe cover ER-SC3) Battery Pack LP-E6P (with protective cover) Battery Charger LC-E6/LC-E6E* Strap Interface Cable Cable Protector...
Page 12 The transmission rate when the included interface cable is used is equivalent to SuperSpeed USB (USB 5Gbps). When you need Lens Instruction Manuals, download them from the Canon website Lens Instruction Manuals (PDF files) are for lenses sold separately, and when a lens kit is purchased, some accessories included with the lens may not match those listed in the Lens Instruction Manual.
Page 13: Supplemental Information
Supplemental Information Refer to the following website for information on lenses compatible with camera features, and for supplemental information about the camera. https://cam.start.canon/H001/...
Page 14: Compatible Accessories
Compatible Accessories Check the following website for details on compatible accessories. https://cam.start.canon/H002/...
Page 15: Instruction Manuals
Be sure to read before use. Advanced User Guide Complete instructions are provided in this Advanced User Guide. For the latest Advanced User Guide, refer to the following website. https://cam.start.canon/C017/ Lens Instruction Manuals View or download from the following website. https://cam.start.canon/...
Page 16: Quick Start Guide
Quick Start Guide Insert the battery ( Upon purchase, charge the battery to start using ( Insert the cards ( You can insert two cards. Attach the lens ( Align the red mount index on the lens with the red mount index on the camera to attach the lens.
Page 17 Set the focus mode to AF ( Set the lens's focus mode switch to < >. For lenses without a focus mode switch, set [ : Focus mode] to [AF]. Set the power switch to < > ( Flip out the screen ( When the language setting screen is displayed, see Language.
Page 18 Set the shooting mode to [ Press the < > button, then turn the < > dial to select [ Focus on the subject ( A tracking frame [ ] appears over any face detected. Press the shutter button halfway, and the camera will focus on the subject.
Page 19 Review the picture. The image just captured will be displayed for approx. 2 sec. on the screen. To display the image again, press the < > button (...
Page 20: About This Guide
About This Guide Icons in This Guide Basic Assumptions for Operational Instructions and Sample Photos Icons in This Guide Indicates the Main dial. < > Indicates Quick control dial 1. < > Indicates Quick control dial 2. < > Indicates the Multi-controller. <...
Page 21 Basic Assumptions for Operational Instructions and Sample Photos Before following any instructions, make sure the power switch is set to < > ( and the Multi-function lock feature is off ( It is assumed that all the menu settings and Custom Functions are set to their defaults. Illustrations in this guide show the camera with the RF24-105mm F4 L IS USM lens attached as an example.
Page 22: Operation Of Battery Packs And Power Accessories
Operation of Battery Packs and Power Accessories ○: Fully functional △: Partially functional ×: Not compatible With one power source in the battery grip, or without a battery grip Without a Battery Grip Cooling Fan Battery Grip Battery Grip Battery Grip BG-R20 CF-R20EP BG-R20EP...
Page 23 Caution DC Coupler DR-E6 and Wireless File Transmitter WFT-R10 cannot be used. Note With Battery Pack LP-E6NH/LP-E6N loaded or Battery Grip BG-R10 attached, a message about restricted operation is displayed on startup and when unavailable functions are selected. For optimal camera performance, use Battery Pack LP-E6P and Battery Grip BG-R20/BG-R20EP.
Page 24: Compatible Cards
Compatible Cards The following cards can be used with the camera. If the card is new or was previously formatted (initialized) by another camera or computer, format it with this camera ( CFexpress cards * Type-B compatible SD/SDHC/SDXC memory cards * UHS-II and UHS-I cards compatible Caution You cannot use CFexpress cards with a capacity larger than 2TB.
Page 25: Safety Instructions
Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING: Denotes the risk of serious injury or death. Keep the product out of the reach of young children.
Page 26 Observe the following instructions when using commercially available batteries or provided battery packs. • Use batteries/battery packs only with their specified product. • Do not heat batteries/battery packs or expose them to fire. • Do not charge batteries/battery packs using non-authorized battery chargers. •...
Page 27 CAUTION: Follow the cautions below. Otherwise physical injury or property damage may result. Do not fire the flash near the eyes. It may hurt the eyes. Do not look at the screen or through the viewfinder for prolonged periods of time. This may induce symptoms similar to motion sickness.
Page 28: Handling Precautions
If you accidentally drop the camera into water or are concerned that moisture (water), dirt, dust, or salt may have gotten inside it, promptly consult the nearest Canon Service Center. Never leave the camera near anything having a strong magnetic field such as a magnet or electric motor.
Page 29 If you have not used the camera for some time or if there is an important shoot such as a foreign trip coming up, have the camera checked by your nearest Canon Service Center or check the camera yourself and make sure it is working properly.
Page 30 Besides dust entering the camera from outside, in rare cases, lubricant from the camera's internal parts may adhere to the front of the sensor. If smudges are visible on images, have the sensor cleaned by a nearest Canon Service Center. Battery Tips for using the battery and charger Store in a cool, dry, well-ventilated location.
Page 31: Part Names
Part Names Attaching the Strap Using the Cable Protector...
Page 32 < > Mode button Movie shooting button Strap mount < > Main dial Shutter button < > Multi-function/FTP server image transfer button Self-timer lamp/AF-assist beam Grip (battery compartment) DC coupler cord hole (10) Depth-of-field preview button (11) Contacts (12) Lens mount (13) Shoe cover (14)
Page 34 LCD panel Eyecup Speaker Microphone < > Still photo shooting/movie recording switch Terminal cover < > External microphone IN terminal < > Digital terminal Exhaust vent (10) < > Headphone terminal (11) < > HDMI OUT terminal (12) < > Sync terminal (13) <...
Page 35 Viewfinder eyepiece Screen Accessory positioning hole Intake vent Tripod socket Serial number (body number) Accessory positioning hole Access lamp Dioptric adjustment knob (10) < > Magnify/reduce button (11) < > Info button (12) < > Quick Control button (13) Card slot cover (14) Battery compartment cover lock (15)
Page 36 LCD panel information display Information displayed varies depending on camera status. For icon details, see Information Display. Viewfinder information display Information displayed varies depending on camera status.
Page 37 Battery Charger LC-E6 Charger for Battery Pack LP-E6P/LP-E6NH/LP-E6N/LP-E6 ( Battery slots Charge lamp Power plug...
Page 38 Battery Charger LC-E6E Charger for Battery Pack LP-E6P/LP-E6NH/LP-E6N/LP-E6 ( Charge lamp Battery pack slot Power cord Power cord socket...
Page 39 Attaching the Strap Pass the end of the strap through the strap mount from the bottom, then pass it through the strap buckle as shown. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle.
Page 40 Using the cable protector helps prevent accidental disconnection and terminal damage. When connecting the camera to a computer, use a Canon cable (included or sold separately). When connecting the camera to a television or other display device, use a commercially available HDMI cable.
Page 41 Cable insertion/connection Insert the cables in the clamp, attach the clamp to the protector, then connect the cables to the camera. With both a Canon interface cable and an HDMI cable Pass each cable through the clamp. (3) Canon interface cable (4) HDMI cable Attach the clamp to the protector.
Page 42 Connect each cable to the camera. With only a Canon interface cable or HDMI cable Pass the cable through the clamp (2) as shown, then attach the clamp to the protector. Caution Using the camera when an interface cable or HDMI cable is connected without the cable protector may damage the camera terminal.
Page 43: Software/Apps
Canon XF Utility For transferring movie files to a computer, as well as playback and still photo extraction. Canon RAW Plugin for Avid Media Access For importing RAW movies into Avid Media Composer. Canon RAW Plugin for Final Cut Pro...
Page 44 Canon Plugin for ProRes RAW For importing RAW movies recorded with Atomos recorders in ProRes RAW format into Apple Final Cut Pro. Smartphone apps Camera Connect Enables you to transfer captured images from the camera to a smartphone over a wired or wireless connection, set various camera settings from the smartphone, and shoot remotely from the smartphone.
Page 45 Download the software. Connect to the internet from a computer and access the following Canon website. https://cam.start.canon/ Depending on the software, you may need to enter the camera's serial number. The serial number is on the bottom of the camera.
Page 46 Installing Smartphone Apps Always install the latest version. Apps can be installed from Google Play or App Store. You can also access Google Play and App Store from the following Canon website. https://cam.start.canon/...
Page 47 Software Instruction Manuals Check the following website for software instruction manuals. https://cam.start.canon/...
Page 48: Preparation And Basic Operations
Preparation and Basic Operations This chapter describes preparatory steps before you start shooting and the basic camera operations. • Charging the Battery • Inserting/Removing Batteries • Inserting/Removing Cards • Using the Screen • Turning on the Power • Attaching and Detaching RF/RF-S Lenses •...
Page 49: Charging The Battery
Charging the Battery Detach the protective cover provided with the battery. Fully insert the battery into the charger. Do the opposite to remove the battery.
Page 50 Charge the battery. LC-E6 Flip out the charger prongs as shown and plug the charger into a power outlet. LC-E6E Connect the power cord to the charger and insert the plug into a power outlet. Recharging starts automatically and the charge lamp blinks in orange. Charge Lamp Charge Level Color...
Page 51 Charging a depleted battery takes approx. 3 hr. at room temperature (23°C/73°F). The time required to charge the battery will vary greatly depending on the ambient temperature and the battery's remaining capacity. For safety, charging in low temperatures (5–10°C/41–50°F) takes longer (up to approx. 4 hr.).
Page 52: Inserting/Removing Batteries
Inserting/Removing Batteries Insertion Removal Insert a fully charged Battery Pack LP-E6P into the camera. Insertion Slide the battery compartment cover lock and open the cover. Insert the battery. Insert the end with the electrical contacts. Insert the battery until it locks in place. For details on compatible battery packs, see Operation of Battery Packs and Power...
Page 53 Close the cover. Press the cover until it snaps shut.
Page 54 Removal Open the cover and remove the battery. Press the battery lock lever as shown by the arrow and remove the battery. To prevent short-circuits, always attach the included protective cover ) to the battery.
Page 55: Inserting/Removing Cards
Inserting/Removing Cards Insertion Formatting Cards Removal This camera accepts two cards. Recording is possible as long as there is at least one card in the camera. With two cards inserted, you can select one card to record to, or you can record the same image to both cards at once ( Caution Make sure the SD card's write-protect switch (1) is set upward to enable...
Page 56 Insert the card. Card 1 (CFexpress card) Card 2 (SD card) The card in the rear card slot is [ ] (CFexpress card), and the one in front of it is [ ] (SD card). CFexpress card: With the card label facing you, insert the open side of the card (2) into the card slot.
Page 57 Set the power switch to < > ( (3) Card selection icon (4) Card 1 (CFexpress card) (5) Card 2 (SD card) Icons representing loaded cards are shown on the shooting screen ) accessed by pressing the < > button and on the Quick Control screen ( ).
Page 58 Formatting Cards If a card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera (...
Page 59 Removal Open the cover. Set the power switch to < > and make sure the access lamp (6) is off. Pull the card slot cover toward you to open it. If [Saving...] is displayed on the screen, close the cover. Remove the card.
Page 60 Note The number of shots available varies depending on remaining card capacity and settings such as image quality and ISO speed. Setting [ : Release shutter without card] to [Disable] will prevent you from forgetting to insert a card ( Caution When the access lamp is lit or blinking, it indicates that images are being written to, read from, or erased from the card, or data is being transferred.
Page 61: Using The Screen
Using the Screen You can change the direction and angle of the screen. Flip out the screen. Rotate the screen. When the screen is out, you can tilt it up or down or rotate it to face the subject. Indicated angles are only approximate. Face it toward you.
Page 62 Caution Avoid forcing the screen into position as you rotate it, which puts undue pressure on the hinge. When a cable is connected to a camera terminal, the rotation angle range of the flipped-out screen will be limited. Note Keep the screen closed and facing the camera body when the camera is not in use. You can protect the screen.
Page 63: Turning On The Power
Turning on the Power Changing the Interface Language Setting the Date, Time, and Time Zone Connecting the Camera to a Smartphone Automatic Sensor Cleaning Battery Level Indicator < > The camera turns on. < > The camera turns on. Multi-function locking is engaged ( <...
Page 64 Changing the Interface Language Set the Language if the [Language ] setting screen appears after you turn on the camera. Setting the Date, Time, and Time Zone Set the Date/Time/Zone if the [Date/Time/Zone] setting screen appears. Connecting the Camera to a Smartphone Instructions for connecting to a smartphone are displayed if you select [OK] when the setup screen appears ( Automatic Sensor Cleaning...
Page 65 Battery Level Indicator When the power switch is set to < >, the battery level will be indicated. Display Level (%) 100–70 69–50 49–20 19–10 9–1 Caution Remaining capacity may not be displayed correctly under some shooting conditions. Battery performance may decrease at low temperatures. Under these conditions, keep the camera warm in a pocket or similar container until you will use it.
Page 66: Attaching And Detaching Rf/Rf-S Lenses
Attaching and Detaching RF/RF-S Lenses Attaching a Lens Detaching a Lens Caution Do not look at the sun directly through any lens. Doing so may cause loss of vision. When attaching or detaching a lens, set the camera's power switch to < >.
Page 67 Attaching a Lens Remove the caps. Remove the rear lens cap (1) and body cap (2) by turning them as shown by the arrows. Attach the lens. Align the red mount index on the lens with the red mount index on the camera and turn the lens as shown by the arrow until it clicks in place.
Page 68 Set the focus mode to AF. AF stands for autofocus. MF stands for manual focus. Autofocus is disabled. For RF lenses with a focus mode switch Set the lens's focus mode switch to < >. For RF lenses without a focus mode switch Set [ : Focus mode] to [AF].
Page 69 Detaching a Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the lens you removed.
Page 70: Attaching And Detaching Ef/Ef-S Lenses
Attaching and Detaching EF/EF-S Lenses Attaching a Lens Detaching a Lens All EF and EF-S lenses can be used by attaching an optional Mount Adapter EF-EOS R. The camera cannot be used with EF-M lenses. Note With EF-S lenses, an approx. 1.6× crop factor is applied to the center of the regular image area.
Page 71 Attach the lens to the adapter. Align the red or white mount index on the lens with the corresponding mount index on the adapter and turn the lens as shown by the arrow until it clicks into place. (3) Red index (4) White index Attach the adapter to the camera.
Page 72 Set the lens's focus mode switch to < >. < > stands for autofocus. < > stands for manual focus. Autofocus will not operate. Remove the front lens cap.
Page 73 Detaching a Lens While pressing the lens release button, turn the adapter as shown by the arrow. Turn the lens until it stops, then detach it. Detach the lens from the adapter. Hold down the lens release lever on the adapter and turn the lens counterclockwise.
Page 74: Multi-Function Shoe
Multi-Function Shoe Using the Multi-Function Shoe The multi-function shoe is a hot shoe that supplies power to accessories and offers advanced communication functionality. Using the Multi-Function Shoe Removing the shoe cover Place your finger on the shoe cover (1) as shown in the figure and press down on part (A) as you pull the cover off in the direction shown.
Page 75 Attaching the shoe cover After removing accessories from the multi-function shoe, reattach the shoe cover to protect the contacts from dust and water. Slide the shoe cover in the direction shown, as you press down on part (A), until part (B) is fully inserted.
Page 76: Using The Viewfinder
Using the Viewfinder Dioptric Adjustment Using Eyecup ER-kE (Sold Separately) Look through the viewfinder to activate it. You can also restrict display to either the screen or viewfinder ( Dioptric Adjustment Adjust the diopter for clear viewfinder display. Turn the dioptric adjustment knob left or right. Caution The viewfinder and screen cannot be activated at the same time.
Page 77 Using Eyecup ER-kE (Sold Separately) Outdoors, using Eyecup ER-kE may improve eye control accuracy and viewfinder visibility. Attach Eyecup ER-kE. Hold Eyecup ER-kE as shown in both hands. Insert the side of Eyecup ER-kE with ▼ markings into the groove around the camera eyecup, then press down from above until the accessory is fully attached.
Page 78 With Eyecup ER-kE fully inserted, press the lower part toward the camera. You can rotate Eyecup ER-kE as necessary for adjustment. It clicks every 90° and can be rotated 360°. To remove Eyecup ER-kE: Press firmly on the top and bottom of Eyecup ER-kE. Pull the top toward you and remove it from the camera eyecup.
Page 79 Caution Speedlites or similar accessories cannot be attached or removed while Eyecup ER-kE is attached. Remove Eyecup ER-kE temporarily before attaching or removing other accessories. The dioptric adjustment knob cannot be operated while Eyecup ER-kE is attached. Adjust the diopter before attaching Eyecup ER-kE. Note Eyecup ER-kE has a strap mount (B) to prevent the eyecup from being dropped.
Page 80: Using Eye Control
Using Eye Control Performing Calibration Using Eye Control for AF Configuring Pointer Display Managing Calibration Data You can control focusing by looking at AF points to select them in viewfinder shooting (eye control). Caution Eye control is only available in still photo shooting. Performing Calibration The process of registering characteristics of your line of sight for accurate detection of eye movement by the camera in viewfinder shooting is called calibration.
Page 81 Calibration operations After adjusting the viewfinder ( ), perform calibration under the same conditions as when you will shoot (such as with or without glasses or contact lenses). During calibration, keep your eye near the viewfinder. Select [ : Eye control Select [Calibration (CAL)].
Page 82 Look through the viewfinder. Holding the camera horizontally, look through the viewfinder so that the four corners of the screen appear evenly spaced. Press the < > button. Start calibration. Look at the indicator displayed and press the < > button. Keep looking at the indicator without blinking until it disappears.
Page 83 Perform calibration for vertical shooting. For higher eye control accuracy, select [Refine] and perform calibration for vertical shooting. Holding the camera vertically, look through the viewfinder so that the four corners of the screen appear evenly spaced, then repeat step 5. If you will also shoot vertically with the camera grip facing the other direction, perform calibration while holding the camera that way.
Page 84 Adding calibration data To register calibration data for other users or eyewear conditions (such as with or without glasses or contact lenses), select an available number to assign the data to from the numbers labeled with [ ] on the [CAL no.] screen, then perform calibration.
Page 85 Using Eye Control for AF Caution Always use eye control under the same eyewear conditions as when you performed calibration (such as with or without glasses or contact lenses). Note Also read General eye control precautions Enhancing eye control accuracy. Menu settings Select [ : Eye control...
Page 86 Select [CAL no.]. Select a calibration number matching your eyewear conditions (such as with or without glasses or contact lenses). Select calibration data to use. Press < >.
Page 87 Operations in viewfinder shooting Look at the subject. A pointer (1) is displayed when you look through the viewfinder. After the subject set in [ : Subject to detect] is detected, a tracking frame [ ] (2) is also displayed. Look at the position where you wish to focus.
Page 88 Confirm the subject to start focusing. Pressing the shutter button halfway confirms the subject to focus on. With [ : AF area] set to [Whole area AF], the camera focuses in the area near the pointer. With the AF area set to an option other than [Whole area AF], the camera focuses after moving the AF area near the pointer.
Page 89 With [ : AF operation] set to [ Once the subject is in focus, the AF point turns green. Pressing the shutter button halfway sets the focus on the current position. Shoot. Press the shutter button completely to take the picture. Caution If the AF point does not move to your specified position after you confirm the subject, hold the camera away from your face, then look through the viewfinder...
Page 90 Using eye control to display the focus guide By setting [ : Focus guide] to [On], you can use eye control to display the focus guide for assistance when focusing manually. Look at the subject. Look at the subject to focus on. Press the shutter button halfway.
Page 91 General eye control precautions When multiple people will use eye control on the same camera, each person should select a different calibration number and perform calibration. Similarly, when the same person will use eye control with and without glasses or contact lenses, a different calibration number should be selected and calibration performed for each situation.
Page 92 Enhancing eye control accuracy The camera can learn about eye characteristics from the calibration data it collects. Eye control accuracy can be improved by repeating calibration under various levels of brightness (such as indoors, outdoors, during the day, and at night) for the same calibration number.
Page 93 Configuring Pointer Display You can configure pointer display, including whether the pointer is visible or not. Pointer display Pointer visibility can be set to [On], [Shtg standby], or [Off]. • Select [Shtg standby] to keep the pointer visible from when you look through the viewfinder until the moment you confirm the subject to focus on using eye control.
Page 94 Managing Calibration Data Entering names You can enter names to identify calibration data. Select a calibration data number. Select the number and press the < > button. Enter text. Use the < > or < > dial or < > to select a character, then press <...
Page 95 Saving and loading calibration data Registered calibration data can be saved to a card. You can also load calibration data from a card to use it. Select [Calibration (CAL)]. Select [Save/load (card)]. Select [Save to card]. Select [Save to card] to save all calibration data on the camera to the card.
Page 96 Deleting calibration data Eye control is less accurate if the same calibration number is used for calibration under different eyewear conditions (such as with or without glasses or contact lenses) or by multiple users. In this case, delete the calibration data and perform calibration again. Select [Calibration (CAL)].
Page 97: Basic Operations
Basic Operations Holding the Camera Shutter Button < > Main Dial < > Quick Control Dial 1 < > Quick Control Dial 2 < > Multi-Controller < > Mode Button < > Multi-Function/FTP Server Image Transfer Button < > AF Start Button <...
Page 98 Holding the Camera Viewing the screen as you shoot As you shoot, you can tilt the screen to adjust it. For details, see Using the Screen. (1) Normal angle (2) Low angle (3) High angle Shooting through the viewfinder To obtain sharp images, hold the camera still to minimize camera shake. (1) Horizontal shooting (2) Vertical shooting 1.With your right hand, hold the camera firmly by the camera grip.
Page 99 Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture value. The exposure value (shutter speed and aperture value) is displayed on the screen, in the viewfinder, or on the LCD panel for 8 sec.
Page 100 Note The camera will still pause before taking a picture if you press the shutter button completely without pressing it halfway first, or if you press the shutter button halfway and immediately press it completely. Even during menu display or image playback, you can return to shooting standby by pressing the shutter button halfway.
Page 101 < > Main Dial (1) After pressing a button, turn the < > dial. Press a button such as < > or < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. After the <...
Page 102 < > Quick Control Dial 1 (1) After pressing a button, turn the < > dial. Press a button such as < > or < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. After the <...
Page 103 Note The operations in (1) can be performed even when controls are locked with the Multi-function lock (...
Page 104 < > Quick Control Dial 2 (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as switching between main tabs on the menu screen.
Page 105 < > Multi-Controller < > is an eight-direction key with center button. To use it, press lightly with the tip of your thumb. Examples of using the Multi-controller • AF point/magnified frame movement in still photo shooting or movie recording •...
Page 106 < > Mode Button You can set the shooting mode. Press the < > button, then use < >, < >, < >, or < > to select a shooting mode.
Page 107 < > Multi-Function/FTP Server Image Transfer Button Shooting screen By default, the < > button works in conjunction with dials to enable you to adjust settings used in shooting or recording. Settings you can configure in conjunction with dials White balance ( Drive mode* ( Flash exposure compensation* ( Picture Style (...
Page 108 Note To set the AF area, you can also press the < > button and then the < > button. Playback screen Pressing the < > button on the playback screen transfers images to the FTP server.
Page 109 < > AF Start Button Equivalent to pressing the shutter button halfway (except in [ ] mode).
Page 110 < > Multi-Function Lock Switch Configuring [ : Multi function lock] ( ) and setting the power/multi-function lock switch to < > prevents settings from being changed by accidentally touching the Main dial, Quick control dials, Multi-controller, control ring, or touch-screen panel.
Page 111 < > LCD Panel Info Switching/Illumination/Cropping Button Each press of the < > button changes the information on the LCD panel. Illuminate the LCD panel by holding down the < > button ( Pressing the < > button on the playback screen switches to [ : Cropping] settings.
Page 112 < > Control Ring By default, exposure compensation can be set by turning the control ring of RF lenses or mount adapters while pressing the shutter button halfway in [Fv], [P], [Tv], [Av], or [M] mode. Otherwise, you can assign a different function to the control ring by configuring [ ] in : Customize dials/control ring] (...
Page 113 < > Info Button Each press of the < > button changes the information shown. The following sample screens are for still photos. (5) and (6) are not shown in the viewfinder.
Page 114: Menu Operations And Settings
Menu Operations and Settings Menu Screen in [ ] Mode Menu Screen in [Fv]/[P]/[Tv]/[Av]/[M]/[BULB] Mode Menu Setting Procedure Dimmed Menu Items ( 1 ) ( 2 ) ( 3 ) ( 4 ) ( 5 ) ( 6 ) ( 7 ) ( 8 ) <...
Page 115 Menu Screen in [ ] Mode In [ ] mode, some tabs and menu items are not displayed.
Page 116 Menu Screen in [Fv]/[P]/[Tv]/[Av]/[M]/[BULB] Mode Main tabs Secondary tabs Secondary tab name Menu items : Shooting : Autofocus : Playback : Communication functions : Set-up (10) : Control customization (11) : Custom Functions (12) : My Menu (13) Menu settings...
Page 117 Menu Setting Procedure Press the < > button. The menu is displayed. Select a tab. Each time you turn the < > dial, the main tab (group of functions) will switch. You can also switch tabs by pressing the < >...
Page 118 Select an option. Turn the < > dial to select an option. The current setting is indicated in blue. Set an option. Press < > to set it. Exit the setting. Press the < > button to return to shooting standby. Note The description of menu functions hereafter assumes that you have pressed the <...
Page 119 Dimmed Menu Items Example: When focus bracketing has been set Dimmed menu items cannot be set. Use of these items has been limited by other functions that have been set. To investigate the limiting function, select a dimmed item and press < >.
Page 120: Quick Control
Quick Control Quick Control in Still Photo Shooting or Playback Quick Control in Movie Recording You can directly and intuitively select and set the settings displayed. Quick Control in Still Photo Shooting or Playback Press the < > button (...
Page 121 Select a setting item and set your preferred option. To select an item, turn the < > dial or press < > up or down. To adjust the setting, turn the < > or < > dial, or press < >...
Page 122 Quick Control in Movie Recording As in still photo shooting, press the < > button to access the Quick Control screen. Each press of the < > button switches between screens if you have selected ([ ]) both [Display 1] and [Display 2] in [ : Quick Ctrl screen] ( ), but only the selected screen is displayed if one is selected ([ ]).
Page 123 Switch pages as needed. Turn the < > or < > dial to switch pages. You can also switch pages by tapping (A) or swiping left or right. Select an item. Turn the < > dial or press < > vertically or horizontally to select an item, then press the <...
Page 124 Select an option. To select an option, turn the < >, < >, or < > dial or press < > up or down (or in some cases, left or right). Detailed settings screen Turn the < > dial to select a tab (1). Press <...
Page 125 Exit the setting. Press the < > button to return to shooting standby.
Page 126: Touch-Screen Operation
Touch-Screen Operation Tapping Dragging Tapping Sample screen (Quick Control) Use your finger to tap (touch briefly and then remove your finger from) the screen. For example, when you tap [ ], the Quick Control screen appears. By tapping [ you can return to the preceding screen. Note To have the camera beep for touch operations, set [ : Beep] to [Enable] ( Responsiveness to touch operations can be adjusted in [...
Page 127 Dragging Sample screen (Menu screen) Slide your finger while touching the screen.
Page 128: Shooting Mode
Shooting Mode This chapter describes shooting modes. • A+: Fully Automatic Shooting (Scene Intelligent Auto) • A+: Fully Automatic Techniques (Scene Intelligent Auto) • Fv: Flexible-Priority AE • P: Program AE • Tv: Shutter-Priority AE • Av: Aperture-Priority AE • M: Manual Exposure •...
Page 129: A+: Fully Automatic Shooting (Scene Intelligent Auto)
A+: Fully Automatic Shooting (Scene Intelligent Auto) ] is a fully automatic mode. The camera analyzes the scene and sets the optimum settings automatically. It can also adjust focus automatically on either the still or moving subject by detecting the motion of the subject. Set the shooting mode to [ Press the <...
Page 130 Focus on the subject. Press the shutter button halfway to focus. You can also focus by tapping a person's face or other subject on the screen (Touch AF). Under low light, the AF-assist beam ( ) is automatically activated if needed.
Page 131 Note AF operation (One-Shot AF or Servo AF) is set automatically when you press the shutter button halfway. Note that AF operation cannot be switched during shooting. ] mode makes the colors look more impressive in nature, outdoor, and sunset scenes.
Page 132 Focus has been achieved at all those points. The shutter speed display is blinking. Since it is too dark, taking the picture may result in a blurred subject due to camera shake. Using a tripod or a Canon EL/EX series Speedlite (sold separately, ) is recommended.
Page 133: A+: Fully Automatic Techniques (Scene Intelligent Auto)
A+: Fully Automatic Techniques (Scene Intelligent Auto) Shooting Moving Subjects Scene Icons Shooting Moving Subjects Pressing the shutter button halfway tracks moving subjects to keep them in focus. Keep the subject on the screen as you hold down the shutter button halfway, and at the decisive moment, press the shutter button completely.
Page 134 Scene Icons The camera detects the scene type and sets everything automatically to suit the scene. The detected scene type is indicated in the upper left of the screen. For icon details, see Scene Icons.
Page 135: Fv: Flexible-Priority Ae
Fv: Flexible-Priority AE Enables the shutter speed, aperture value, and ISO speed to be set automatically or manually. Equivalent to shooting in [P], [Tv], [Av], or [M] mode without needing to switch to these modes. * [Fv] stands for Flexible value. * AE stands for Auto Exposure.
Page 136 Set the amount of exposure compensation. Turn the < > dial and select the exposure level indicator. [ ] or ] appears to the left of the exposure level indicator. Turn the < > or < > dial to set the level. To reset the setting to [±0], press the <...
Page 137 Note Values for shutter speed, aperture value, and ISO speed that are set to [AUTO] are underlined. You can set shutter speed, aperture value, and ISO speed to [AUTO] and exposure compensation amount to [±0] in step 2 or 3 by holding down the < >...
Page 138: P: Program Ae
P: Program AE The camera automatically sets the shutter speed and aperture value to suit the subject's brightness. * [P] stands for Program. Set the shooting mode to [P]. Press the < > button, then turn the < > dial to select [P]. Focus on the subject.
Page 139 Take the picture. Compose the shot and press the shutter button completely. Caution If a slow shutter speed and low aperture value blink, the subject is too dark. Increase the ISO speed or use flash. If a fast shutter speed and high aperture value blink, the subject is too bright. Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of light entering the lens.
Page 140: Tv: Shutter-Priority Ae
Tv: Shutter-Priority AE In this mode, you set the shutter speed and the camera automatically sets the aperture value to obtain the standard exposure matching the brightness of the subject. A faster shutter speed can freeze the action of a moving subject. A slower shutter speed can create a blurred effect, giving the impression of motion.
Page 141 Set the desired shutter speed. Turn the < > dial to set it. Focus on the subject. Press the shutter button halfway. The aperture value is set automatically. Check the display and shoot. As long as the aperture value is not blinking, the standard exposure will be obtained.
Page 142 Note ["] in shutter speed display stands for “seconds.” ([0"5] → 0.5 sec., [15"] → 15 sec., etc.)
Page 143: Av: Aperture-Priority Ae
Av: Aperture-Priority AE Depth-of-Field Preview In this mode, you set the desired aperture value and the camera sets the shutter speed automatically to obtain the standard exposure matching the subject brightness. A higher f/ number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus.
Page 144 Set the desired aperture value. Turn the < > dial to set it. Focus on the subject. Press the shutter button halfway. The shutter speed is set automatically. Check the display and shoot. As long as the shutter speed is not blinking, the standard exposure will be obtained.
Page 145 Note Aperture value display The higher the value, the smaller the aperture opening will be. The aperture value displayed varies depending on the lens. If no lens is attached to the camera, [F00] will be displayed for the aperture. Depth-of-Field Preview Press the depth-of-field preview button to stop down the lens to the current aperture value setting and check the area in focus (depth of field).
Page 146: M: Manual Exposure
M: Manual Exposure Exposure Compensation with ISO Auto In this mode, you set both the shutter speed and aperture value as desired. To determine the exposure, refer to the exposure level indicator or use a commercially available exposure meter. * [M] stands for Manual. Set the shooting mode to [M].
Page 147 Focus on the subject. Press the shutter button halfway. Check the exposure level mark [ ] to see how far the current exposure level is from the standard exposure level. (1) Standard exposure index (2) Exposure level mark Set the exposure and take the picture. Check the exposure level indicator and set the desired shutter speed and aperture value.
Page 148 Note In [M] mode with ISO Auto, [ ] (evaluative metering), and [ : AE lock meter. mode after focus] set to the default setting ( ), holding down the shutter button halfway locks the ISO speed after the camera focuses with One-Shot AF. When ISO Auto is set, you can press the <...
Page 149: Bulb: Long (Bulb) Exposures
BULB: Long (Bulb) Exposures Bulb Timer In this mode, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. Use bulb exposures for night scenes, fireworks, astrophotography, and other subjects requiring long exposures. Set the shooting mode to [BULB].
Page 150 Take the picture. The exposure will continue for as long as you keep the shutter button pressed completely. Elapsed exposure time is displayed on the LCD panel. Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source.
Page 151 Bulb Timer You can set the exposure time for bulb exposures in advance. This feature eliminates the need to keep holding down the shutter button during bulb exposures, which can reduce camera shake. Note that the bulb timer can only be set and will only take effect in [BULB] (bulb exposure) mode.
Page 152 Select [OK]. Take the picture. After you press the shutter button completely, the bulb exposure continues for your specified time. ] and the exposure time are displayed on the LCD panel during bulb timer shooting. To clear the timer setting, select [Disable] in step 2. Caution Bulb exposure stops if you press the shutter button completely and release it during the timer.
Page 153: Shooting And Recording
Shooting and Recording This chapter describes shooting and recording and introduces menu settings on the shooting [ ] tab. • Still Photo Shooting • Movie Recording...
Page 154: Still Photo Shooting
Still Photo Shooting To prepare for still photo shooting, set the still photo shooting/movie recording switch to < >, then press the < > button and choose a shooting mode. to the right of titles indicates functions only available in [Fv], [P], [Tv], [Av], [M], or [BULB] mode.
Page 155 • Custom White Balance • White Balance Correction • Lens Aberration Correction • Long Exposure Noise Reduction • High ISO Speed Noise Reduction • Dust Delete Data Acquisition • Multiple Exposures • Focus Bracketing • Pre-Continuous Shooting • Interval Timer Shooting •...
Page 156 • Manual Exposure Compensation • Exposure Lock (AE Lock) • General Still Photo Shooting...
Page 157: Tab Menus: Still Photo Shooting
Tab Menus: Still Photo Shooting Image quality/size quality Img type/size Cropping/aspect ratio Exposure Expo.comp./AEB ISO speed settings Anti-flicker shoot. HF anti-flicker shooting External Speedlite control Metering mode Detect priority AE while AF...
Page 158 Color/tone/Dynamic range (1) Picture Style • Picture Style Selection • Picture Style Customization • Picture Style Registration Color space Clarity HDR shooting (PQ) Auto Lighting Optimizer Highlight tone priority White balance/Quality correction White balance Set Custom WB WB Shift/Bkt. Lens aberration correction Long exp.
Page 159 Various shooting Multiple exposure Focus bracketing Shutter control Drive mode Pre-cont. shooting Interval timer Bulb timer Silent shutter function Shutter mode Release shutter without card...
Page 160 Assist shooting IS (Image Stabilizer) mode Customize Quick Controls Metering timer Assist shooting Image review High speed display Blackout-free display Display simulation OVF sim. view assist HDR/C.Log View Assist. Caution : IS (Image Stabilizer) mode] is not displayed when an IS-equipped lens is attached.
Page 161 Assist shooting Shooting info. disp. Display frame rate set. VF display format Reverse display Auto pwr off temp.
Page 162: Image Quality
Image Quality Image Size Selection RAW Images Guide to Image Quality Settings Maximum Burst for Continuous Shooting JPEG/HEIF Quality Note “Image quality” in this guide refers to both image size and JPEG/HEIF quality ( Image Size Selection You can specify , , or for JPEG/HEIF images and for RAW...
Page 163 Set the image size. Standard/Auto switch card/Record to multiple For RAW images, turn the < > dial to select the size, and for JPEG/HEIF images, turn the < > dial. Press < > to set it. Record separately When [ Rec options] in [ : Record func+card/folder sel.] is set to [Rec.
Page 164 Note is set if you set both RAW and JPEG/HEIF to [ Two versions of each shot are recorded at your specified image quality when you have selected both RAW and JPEG/HEIF. Both images have the same file number but each has a different file extension, with .JPG for JPEG, .HIF for HEIF and .CR3 for RAW.
Page 165 (DPP). RAW images from this camera cannot be used with older versions of DPP. Download the latest version of DPP from the Canon website and install it, which will overwrite the previous version ( Commercially available software may not be able to display RAW images captured...
Page 166 Guide to Image Quality Settings Still photo file size / Number of possible shots / Maximum burst for continuous shooting for details on file size, number of shots available, maximum burst, and other estimated values.
Page 167 Maximum Burst for Continuous Shooting The approximate maximum burst is displayed at the upper left of the shooting screen and lower right of the viewfinder. Note If the maximum burst is displayed as “99”, it indicates that you can shoot 99 or more shots continuously.
Page 168 JPEG/HEIF Quality Select [ quality] ( Select the desired image size. Select the image size, then press < >. Set the desired quality (compression). Select the number, then press < >. Higher numbers offer higher quality (lower compression). Quality of 6–10 is indicated by < >, and 1–5, by <...
Page 169: Still Photo Cropping/Aspect Ratio
Still Photo Cropping/Aspect Ratio When using an RF or EF lens, you can change the aspect ratio before shooting. You can use [1.6x (crop)] to shoot as if using a telephoto lens, because this option magnifies the center of the image (an area equivalent to APS-C size). With RF-S/EF-S lenses, [1.6x (crop)] is set automatically.
Page 170 Select how the shooting area is displayed. On the screen in step 2, press the < > button. Select the type of display, then press < >. Caution image quality options are not available when [1.6x (crop)] is set, or with RF-S/EF-S lenses. Shooting with [1.6x (crop)] and image quality set to produces images, respectively.
Page 171 Take the picture. Setting examples When is set When is set or an RF-S or EF-S lens is used When is set When is set...
Page 172 When [1.6x (crop)] is set or an RF-S/EF-S lens is used, an image magnified approx. 1.6× is displayed. When [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)] is set, the image within the black masked or outlined area is captured. Caution Areas outside the cropped area are not recorded in RAW shooting when [1.6x (crop)] is set, or with RF-S/EF-S lenses.
Page 173: Auto Exposure Bracketing (Aeb)
Auto Exposure Bracketing (AEB) In exposure bracketing, three consecutive images are captured at different exposures by automatically adjusting the shutter speed, aperture value, and ISO speed. * AEB stands for Auto Exposure Bracketing. Select [ : Expo.comp./AEB] ( Set the AEB range. Turn the <...
Page 174 Take the picture. Standard exposure Decreased exposure Increased exposure Three bracketed shots are taken, according to the specified drive mode, in this sequence: Standard exposure, decreased exposure, and increased exposure. AEB will not be automatically canceled. To cancel AEB, follow step 2 to turn off the AEB range display.
Page 175: Iso Speed Settings For Still Photos
ISO Speed Settings for Still Photos ISO Speed Range When Set Manually ISO Speed Range Used with ISO Auto Minimum Shutter Speed for ISO Auto Set the ISO speed (image sensor's sensitivity to light) to suit the ambient light level. In [ mode, ISO speed is set automatically.
Page 176 Setting ISO speed from a screen of options Access the screen of ISO speed options. Tap the ISO speed in the lower right of the screen. Select an option. Turn the < > dial or select a registered setting value. You can register frequently used ISO speed setting values by specifying an option other than [AUTO] and selecting [Register].
Page 177 ISO speed guide Low ISO speeds reduce image noise but may increase the risk of camera/subject shake or reduce the area in focus (shallower depth of field), in some shooting conditions. High ISO speeds enable low-light shooting, a larger area in focus (deeper depth of field), and longer flash range but may increase image noise.
Page 178 ISO Speed Range When Set Manually You can set the manual ISO speed setting range (minimum and maximum limits). Select [ ISO speed settings] ( Select [ISO speed range]. Set [Minimum]. Select the [Minimum] box, then press < >. Select the ISO speed, then press < >.
Page 179 Set [Maximum]. Select the [Maximum] box, then press < >. Select the ISO speed, then press < >. Select [OK].
Page 180 ISO Speed Range Used with ISO Auto You can set the automatic ISO speed range for ISO Auto. Select [Auto range]. Set [Minimum]. Select the [Minimum] box, then press < >. Select the ISO speed, then press < >. Set [Maximum]. Select the [Maximum] box, then press <...
Page 181 Select [OK]. Note The [Minimum] and [Maximum] settings will also function as the minimum and maximum speeds for ISO speed safety shift (...
Page 182 Minimum Shutter Speed for ISO Auto To prevent shutter speeds from being set too low automatically, you can set the minimum shutter speed for ISO Auto. This is effective in [P] or [Av] mode when shooting subjects in motion with a wide-angle lens, or when using a telephoto lens.
Page 183 Set the desired minimum shutter speed. Auto If you select [Auto], turn the < > dial to set the difference relative to standard speed (toward Slower or Faster), then press < >. Manual If you select [Manual], turn the < >...
Page 184: Anti-Flicker Shooting
Anti-Flicker Shooting Uneven exposure and color may appear in continuous shooting at fast shutter speeds under flickering light sources such as fluorescent lights, due to uneven vertical exposure. Anti- flicker shooting enables you to take pictures when exposure and colors are less affected by flickering.
Page 185 Caution When [Enable] is set and you shoot under a flickering light source, the shutter- release time lag may become longer. Flicker at a frequency other than 50 Hz or 60 Hz cannot be detected. Also, if the flickering frequency of the light source changes during continuous shooting, effects of the flicker cannot be reduced.
Page 186: High-Frequency Anti-Flicker Shooting
High-Frequency Anti-Flicker Shooting Recommended Tv Setting Manual Setting Images may be affected by banding if you shoot under light sources that flicker at high frequencies. High-frequency anti-flicker shooting enables you to take pictures at suitable shutter speeds for high-frequency flickering, which minimizes the effect of this flickering on images.
Page 187 Select [Enable]. Select an item.
Page 188 Recommended Tv Setting The camera detects 50.0–8193.7 Hz light sources and displays a suitable shutter speed for shooting under light sources that flicker at high frequencies. You can then switch to the indicated shutter speed. Set the desired shutter speed. Set the shutter speed you would prefer to shoot at.
Page 189 Switch to the indicated shutter speed. Select [Yes] to switch to the indicated shutter speed. Selecting [Yes (move to Tv settings)] will display the [Manual setting] screen. Go to step 2 in Manual Setting. Take the picture. Caution Shutter speeds displayed will be in a range of 1/50.0–1/8192.0 sec. Do the following if [No flicker detected] is displayed, or if switching shutter speeds does not eliminate banding.
Page 190 Manual Setting Check on the screen for image areas affected by light sources that flicker at high frequencies, then find a suitable shutter speed. Select [Manual setting]. Adjust the shutter speed. Do the following if banding is not eliminated at the shutter speed set by the recommended Tv setting.
Page 191 Caution Shutter speeds you can set manually are in a range of 1/50.0–1/8192.0 sec. Maximum sync speed in flash photography is limited to 1/181.0 sec. in shutter modes other than [Electronic In [Electronic ] shutter mode, maximum sync speed in flash photography is limited to 1/128.0 sec.
Page 192: Shooting With Speedlites
Shooting with Speedlites EL/EX Series Speedlites for EOS Cameras Canon Speedlites Other Than the EL/EX Series Non-Canon Flash Units Quick Flash Group Control EL/EX Series Speedlites for EOS Cameras Features of EL/EX series Speedlites (sold separately) can be used in flash photography with the camera.
Page 193 Flash exposure compensation You can adjust flash output (flash exposure compensation). With an image displayed on the screen, press the < > button and use a dial to set the amount of flash exposure compensation ( ). You can set the flash exposure compensation up to ±3 stops in 1/3-stop increments.
Page 194 Canon Speedlites Other Than the EL/EX Series With an EZ/E/EG/ML/TL series Speedlite set to A-TTL or TTL autoflash mode, the flash can be fired at full output only. Set the camera's shooting mode to [M] or [Av] and adjust the aperture value before shooting.
Page 195 Non-Canon Flash Units Sync speed Sync speed for non-Canon compact flash units varies by shutter mode. Before shooting, confirm that flash sync is performed correctly. Sync Speed : Shutter mode] Setting Mechanical 1/200 sec. or slower Elec. 1st-curtain 1/250 sec. or slower 1/160 sec.
Page 196 Quick Flash Group Control As you view the shooting screen in wireless multi-flash photography, you can configure the settings for each flash group by pressing the button assigned to [Quick flash group control] in [ : Customize buttons for shooting]. This example is based on assigning the <...
Page 197: Flash Function Settings
Flash Function Settings Flash Firing E-TTL Balance E-TTL II Flash Metering Continuous Flash Control Sync Speed Priority Slow Synchro Flash Function Settings Flash Custom Function Settings Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Functions of EL/EX Series Speedlites compatible with flash function settings can be set via a camera menu screen.
Page 198 Select an option. Flash Firing To enable flash photography, set to [Enable]. To enable only the AF-assist beam of the Speedlite, set to [Disable].
Page 199 E-TTL Balance You can set your preferred appearance (balance) for flash shots. This setting enables you to adjust the ratio of ambient light to Speedlite light output. Set the balance to [Ambience priority] to lower the proportion of flash output and uses ambient light to produce lifelike shots with a natural mood.
Page 200 E-TTL II Flash Metering Set to [Eval (FacePrty)] for flash metering suitable for shots of people. Set to [Evaluative] for flash metering that emphasizes firing in continuous shooting. If [Average] is set, the flash exposure will be averaged for the entire metered scene. Note Depending on the scene, flash exposure compensation may be necessary.
Page 201 Continuous Flash Control Set to [E-TTL each shot] to perform flash metering for each shot. Set to [E-TTL 1st shot] to perform flash metering for only the first shot before continuous shooting. The flash output level for the first shot is applied to all subsequent shots.
Page 202 Sync Speed Priority You can use a faster than normal sync speed in flash photography. Available when [Flash mode] is set to [E-TTL II flash metering]. Flash sync speeds vary as follows when this feature is set to [Enable], depending on the combination of other camera settings.
Page 203 Slow Synchro You can set the flash-sync speed for flash photography in [P] or [Av] mode. Note that the maximum flash sync speed varies depending on the combination of settings for [ Shutter mode] and [ Cropping/aspect ratio]. 1/*-30sec. auto The shutter speed is set automatically in the following range to suit the brightness.
Page 204 1/* sec. (fixed) Shutter speed is fixed as follows, which is more effective in preventing subject blur and camera shake than with [1/*-1/60sec. auto]. However, in low light, the subject's background will come out darker than with [1/*-1/60sec. auto]. Shutter mode Shutter Speed Cropping/aspect ratio 1/200 sec.
Page 205 Flash Function Settings The information displayed on the screen, position of display, and available options vary depending on the Speedlite model, its Custom Function settings, the flash mode, and other factors. For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual. Sample display Flash mode Wireless functions / Firing ratio control (RATIO)
Page 206 Flash mode You can select the flash mode to suit your desired flash photography. [E-TTL II flash metering] is the standard mode of EL/EX series Speedlites for automatic flash photography. [Manual flash] is for setting the Speedlite's [Flash output level] yourself. Regarding other flash modes, refer to the Instruction Manual of a Speedlite compatible with the respective flash mode.
Page 207 Firing ratio control (RATIO) With a macro flash, you can set the firing ratio control. For details on firing ratio control, refer to the Instruction Manual of the macro flash. Flash zoom (flash coverage) With Speedlites having a zooming flash head, you can set the flash coverage.
Page 208 Shutter synchronization Normally, set this to [First-curtain synchronization] so that the flash fires immediately after the shooting starts. Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking shots of subject motion trails, such as car headlights. Set to [High-speed synchronization] for flash photography at higher shutter speeds than the maximum flash sync shutter speed.
Page 209 Note If flash exposure compensation is set with the Speedlite, you cannot set the flash exposure compensation with the camera. If it is set with both the camera and Speedlite, the Speedlite's setting overrides the camera's.
Page 210 Flash exposure bracketing Speedlites equipped with flash exposure bracketing (FEB) can change the external flash output automatically as three shots are taken at once.
Page 211 Flash Custom Function Settings For details on the Speedlite's Custom Functions, refer to the Instruction Manual of the Speedlite. Select [Flash C.Fn settings]. Set the desired functions. Select the number. Select an option. Caution EX series Speedlites always fire at full output when the [Flash metering mode] Custom Function is set to [1:TTL] (autoflash).
Page 212 Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Select [Clear settings]. Select the settings to be cleared. Select [Clear flash settings] or [Clear all Speedlite C.Fn's]. Select [OK] on the confirmation screen to clear all flash settings or Custom Function settings.
Page 213: Picture Style Selection
Picture Style Selection Picture Style Characteristics Symbols Just by selecting a preset Picture Style, you can obtain image characteristics effectively matching your photographic expression or the subject. In [ ] mode, [ ] (Auto) is set automatically. Select [ : Picture Style] ( Select a Picture Style.
Page 214 Picture Style Characteristics Auto The color tone will be adjusted automatically to suit the scene. The colors will look vivid for blue skies, greenery and sunsets, particularly in nature, outdoor, and sunset scenes. Note If the desired color tone is not obtained with [Auto], use another Picture Style. Standard The image looks vivid, sharp, and crisp.
Page 215 User Def. 1–3 You can add a new style based on presets such as [Portrait] or [Landscape] or a Picture Style file, then adjust it as needed ( ). With any User Defined Picture Style that has not yet been registered, pictures will be taken with the same characteristics settings as with the default settings of [Standard].
Page 216 Symbols Icons on the Picture Style selection screen represent [Strength], [Fineness], and [Threshold] for [Sharpness] as well as [Contrast] and other parameters. The numbers indicate the values for these settings specified for the respective Picture Style. Sharpness Strength Fineness Threshold Contrast Saturation Color tone...
Page 217: Picture Style Customization
Picture Style Customization Settings and Effects Monochrome Adjustment You can customize any Picture Style by changing it from the default settings. For details on customizing [Monochrome], see Monochrome Adjustment. Select [ : Picture Style] ( Select a Picture Style. Select the Picture Style to adjust, then press the < >...
Page 218 Set the effect level. Adjust the effect level, then press < >. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. Any settings you change from default values are displayed in blue. Note For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set (not displayed).
Page 219 Settings and Effects Sharpness Strength 0: Weak outline emphasis 7: Strong outline emphasis Fineness* 1: Fine 5: Grainy Threshold* 1: Low 5: High Contrast –4: Low contrast +4: High contrast Saturation –4: Low saturation +4: High saturation Color tone –4: Reddish skin tone +4: Yellowish skin tone * 1: Indicates the edge thinness that enhancement applies to.
Page 220 Monochrome Adjustment Filter effect Even with the same monochrome image, you can make white clouds, green trees, or other elements stand out more by applying a filter effect. Filter Sample Effects N:None Normal black-and-white image with no filter effects. Ye:Yellow Blue sky will look more natural, and white clouds will look crisper.
Page 221: Picture Style Registration
Picture Style Registration You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired, and register it under [User Def. 1] – [User Def. 3]. Useful when creating several Picture Styles with different settings. Picture Styles that you have registered on the camera using EOS Utility (EOS software, can also be modified here.
Page 222 Select a base Picture Style. Select the base Picture Style, then press < >. Also select styles this way when adjusting styles registered to the camera with EOS Utility (EOS software). Select an option. Select an option, then press < >.
Page 223 Set the effect level. Adjust the effect level, then press < >. For details, see Picture Style Customization. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. The base Picture Style will be indicated on the right of [User Def. *]. Blue style names in [User Def.
Page 224: Hdr Shooting (Pq)
HDR Shooting (PQ) HDR shooting (PQ)] enables you to capture HDR images conforming to the PQ specification (referring to the input signal gamma curve for HDR image display) defined in ITU-R BT.2100 and SMPTE ST.2084. Note Captured as HEIF or RAW images. For optimal viewing, use an HDR display device.
Page 225: Color Space
Color Space Adobe RGB The range of reproducible colors is called the “color space.” For normal shooting, sRGB is recommended. In [ ] mode, [sRGB] is set automatically. Select [ : Color space] ( Set a color space option. Select [sRGB] or [Adobe RGB], then press < >.
Page 226: Clarity
Clarity You can adjust image clarity, as determined by the contrast of image edges. Set toward the negative end to make images look softer or toward the positive end for a sharper appearance. Select [ : Clarity] ( Set the effect level. Caution Setting clarity may darken or lighten the areas around boundaries in high-contrast images.
Page 227: Auto Lighting Optimizer
Auto Lighting Optimizer Brightness and contrast can be corrected automatically if shots look dark or contrast is too low or high. In [ ] mode, [Standard] is set automatically. Select [ : Auto Lighting Optimizer] ( Set a correction option. Caution Noise may increase and apparent resolution may change, under some shooting conditions.
Page 228: Highlight Tone Priority
Highlight Tone Priority You can reduce overexposed, clipped highlights. Select [ : Highlight tone priority] ( Set an option. [Enable]: Improves gradation in highlights. The gradation between the grays and highlights becomes smoother. [Enhanced]: Reduces overexposed highlights even more than [Enable], under some shooting conditions.
Page 229: White Balance
White Balance White Balance ] Auto White Balance ] Setting a Color Temperature White balance (WB) is for making the white areas look white. Normally, [Auto White Balance )] provides suitable white balance. If natural-looking colors cannot be obtained with auto white balance, you can select the white balance to match the light source or set it manually by shooting a white object.
Page 230 (Approx.) Display Mode Color Temperature (K: Kelvin) Auto: Ambience priority 3000–7000 Auto: White priority Daylight 5200 Shade 7000 Cloudy, twilight, sunset 6000 Tungsten light 3200 White fluorescent light 4000 When using Flash Automatically set* Custom 2000–10000 Color temperature 2500–10000 * Applicable with Speedlites having a color temperature transmission function. Otherwise, it will be fixed to approx.
Page 231 White Balance The human eye adapts to changes in lighting so that white objects look white under all kinds of lighting. Digital cameras determine white from the color temperature of lighting and, based on this, apply image processing to make color tones look natural in your shots.
Page 232 ] Auto White Balance With [ ] (Ambience priority), you can slightly increase the intensity of the image's warm color cast when shooting a tungsten-light scene. If you select [ ] (White priority), you can reduce the intensity of the image's warm color cast.
Page 233 ] Setting a Color Temperature A value can be set representing the white balance color temperature. Access the WB screen. Follow steps 1–2 in White Balance. Set the color temperature. With [ ] selected, turn the < > dial to select a color temperature. Press <...
Page 234: Custom White Balance
Custom White Balance Registering Custom White Balances Selecting and Shooting with Custom White Balances Naming Custom White Balances With custom white balance, you can set the white balance using an image captured under the same lighting as at the shooting location. Registering Custom White Balances To register custom white balances, you can either register a picture taken during this process or register an image recorded on a card.
Page 235 Select [Custom]. Select [ *], then press < >. Select a custom white balance number to register the white balance data to. Turn the < > dial or press < > left or right to select a number from 1 to 5, then press the < >...
Page 236 Registration from the menu Select [ : Set Custom WB] ( Select a custom white balance number to register the white balance data to. Press < >. Turn the < > dial or press < > up or down to select a number for ] (from 1 to 5), then press <...
Page 237 Shoot a plain white object ( The custom white balance is registered to the camera. To shoot with the registered custom white balance, see Selecting and Shooting with Custom White Balances.
Page 238 Registering from an existing image on a card Shoot a plain white object. Shoot a plain white object as described in Shooting to register custom white balances. Select [ : Set Custom WB] ( Select a custom white balance number to register the white balance data to.
Page 239 Select an image to register as the custom white balance. Turn the < > dial to select the image captured in step 1, then press < >. Register the image data as a custom white balance on the camera. Select [OK] after the message, and your custom white balance will be registered to the camera.
Page 240 Shooting to register custom white balances Note the following when shooting a plain white object to register the color as a custom white balance. Your selected number (1) blinks in the upper left of the screen and on the LCD panel. Aim the camera at a plain white object so that white fills the area in (2).
Page 241 Selecting and Shooting with Custom White Balances Setting from the Quick Control screen Press the < > button. Select the [White balance] setting item. Select [Custom]. Select the custom white balance number. Turn the < > dial or press < >...
Page 242 Take the picture. Setting from the menu Select [ : Set Custom WB] ( Select the custom white balance number. (1) Registered image On the [Set Custom WB] screen, select the number of the registered custom white balance. Select [Set as white balance]. The white balance setting changes to [...
Page 243 Take the picture. The picture is taken with the [ *] setting applied.
Page 244 Naming Custom White Balances You can add a name (caption) to the five registered custom white balances (custom white balance nos. 1–5). Select [ : Set Custom WB] ( Select the custom white balance number. On the [Set Custom WB] screen, select the number of the registered custom white balance to add a name to.
Page 245 Enter text. Use < >, < >, or < > to select a character, then press < > to enter it. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < >...
Page 246: White Balance Correction
White Balance Correction White Balance Correction White Balance Auto Bracketing You can correct the white balance that is set. This adjustment will have the same effect as using a commercially available color temperature conversion filter or color compensating filter. White Balance Correction Select [ : WB Shift/Bkt.] (...
Page 247 Set the white balance correction. Sample setting: A2, G1 Use < > to move the “■” mark on the screen to your preferred position. B is for blue, A for amber, M for magenta, and G for green. White balance is corrected in the direction you move the mark. The direction and amount of correction are indicated in the upper right of the screen.
Page 248 White Balance Auto Bracketing White balance bracketing (WB Bkt.) enables you to capture three images at once with different color tones. Select [ : WB Shift/Bkt.] ( Set the white balance bracketing amount. Sample setting: B/A bias, ±3 levels Turning the < >...
Page 249 Note The bracketing sequence is (1) Standard white balance, (2) Blue (B) bias, and (3) Amber (A) bias, or (1) Standard white balance, (2) Magenta (M) bias, and (3) Green (G) bias. You can also set white balance correction and AEB together with white balance bracketing.
Page 250: Lens Aberration Correction
Lens Aberration Correction Peripheral Illumination Correction Distortion Correction Focus Breathing Correction Digital Lens Optimizer Chromatic Aberration Correction Diffraction Correction Vignetting, image distortion, and other issues may be caused by lens optical characteristics. The camera can compensate for these phenomena by using [Lens aberration correction]. Select [ : Lens aberration correction] ( Select an option.
Page 251 Select a setting. Confirm that the name of the attached lens and [Correction data available] are displayed. If [Correction data not available] or [ ] is displayed, see Digital Lens Optimizer. Peripheral Illumination Correction Vignetting (dark image corners) can be corrected. Caution Depending on shooting conditions, noise may appear on the image periphery.
Page 252 Distortion Correction Distortion (image warping) can be corrected. Caution To correct distortion, the camera captures a narrower image area than the area seen in viewfinder shooting, which crops the image a little and slightly lowers the apparent resolution. Applying distortion correction may change the angle of view slightly. The amount of image cropped may vary between still photos and movies.
Page 253 Movies with abrupt changes to the angle of view may be recorded if you move the focusing distance range switch during recording. Correction artifacts may occur, depending on the lens and shooting conditions. For details on lenses compatible with this feature, visit the Canon website (...
Page 254 Digital Lens Optimizer Various aberrations from lens optical characteristics can be corrected, along with diffraction and low-pass filter-induced loss of resolution. If [Correction data not available] or [ ] is displayed by [Digital Lens Optimizer], you can use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS Utility Instruction Manual.
Page 255 Chromatic Aberration Correction Chromatic aberration (color fringing around subjects) can be corrected. Note [Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is set to [Standard] or [High].
Page 256 General precautions for lens aberration correction Lens aberration correction cannot be applied to existing JPEG/HEIF images. When using a non-Canon lens, setting the corrections to [Disable] is recommended even if [Correction data available] is displayed. Magnifying the periphery of the image may display parts of the image that will not be recorded.
Page 257 Note General notes for lens aberration correction Effects of lens aberration correction vary by lens and shooting conditions. Also, the effect may be difficult to discern depending on the lens used, shooting conditions, etc. If the correction is difficult to discern, magnifying and checking the image after shooting is recommended.
Page 258: Long Exposure Noise Reduction
Long Exposure Noise Reduction Noise such as dots of light or banding that tends to occur in long exposures at shutter speeds of one sec. or slower can be reduced. Select [ : Long exp. noise reduction] ( Set a reduction option. Auto For images exposed for 1 sec.
Page 259: High Iso Speed Noise Reduction
High ISO Speed Noise Reduction You can reduce the image noise generated. This function is especially effective when shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker parts of the image (shadow areas) can further be reduced. Select [ : High ISO speed NR] ( Set the level.
Page 260: Dust Delete Data Acquisition
Dust Delete Data Acquisition Preparation Dust Delete Data Appending Dust Delete Data used to erase dust spots can be appended to images in case sensor cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo Professional (EOS software) to erase the dust spots automatically.
Page 261 Select [OK]. After the automatic self-cleaning of the image sensor is performed, a message will appear. Although there will be a mechanical sound of the shutter during the cleaning, no picture is taken.
Page 262 Shoot a plain white object. Shoot with a plain white object (such as a new sheet of white paper) filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.). Since the image will not be saved, the data can still be obtained even if there is no card in the camera.
Page 263 Dust Delete Data Appending The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring Dust Delete Data immediately before shooting is recommended. For details about using Digital Photo Professional (EOS software) to erase dust spots automatically, refer to the Digital Photo Professional Instruction Manual.
Page 264: Multiple Exposures
Multiple Exposures Merging Multiple Exposures with a JPEG Image Recorded on the Card Checking and Deleting Multiple Exposures During Shooting As you shoot multiple exposures (2–9), you can see how the images will be merged into a single image. Select [ : Multiple exposure] ( Set [Multiple exposure].
Page 265 Set [Multi-expos ctrl]. Select a merging option, then press < >. Additive The exposure of each single image captured is added cumulatively. Based on [No. of exposures], set negative exposure compensation. Follow these basic guidelines to set the exposure compensation amount.
Page 266 Set [No. of exposures]. Select the number of exposures, then press < >. Specify the images to save. To save all single exposures and the multiple-exposure image, select [All images] and press < >. To save only the multiple-exposure image, select [Result only] and press <...
Page 267 Set [Continue Mult-exp]. Select an option, then press < >. With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. With [Continuously], multiple-exposure shooting continues until the setting in step 2 is set to [Disable]. Shoot the first exposure. When [On:Func/Ctrl] is set, the captured image will be displayed.
Page 268 Shoot the next exposures. Images captured so far are displayed merged. For only image display, press the < > button repeatedly. Multiple-exposure shooting will end when the set number of exposures are taken. Note With [On:Func/Ctrl], you can press the < >...
Page 269 Merging Multiple Exposures with a JPEG Image Recorded on the Card You can select a JPEG image recorded on the card as the first single exposure. The selected JPEG image will remain intact. Select [Select image for multi. expo.]. Select the first image. Turn the <...
Page 270 Take the picture. When you select the first image, the number of remaining exposures as set with [No. of exposures] will decrease by 1. Images you can select You can select a JPEG image shot at the same angle of view as the first selected JPEG. Images captured at a full-frame angle of view Images captured using RF/EF lenses and with [ Cropping/aspect ratio] set to...
Page 271 Checking and Deleting Multiple Exposures During Shooting To view the multiple-exposure image so far, check exposure, and see how the images are merged, you can press the < > button before you finish shooting your specified number of exposures (when [On:Func/Ctrl] is set, but not with [On:ContShtng]). Pressing the <...
Page 272 Are there any restrictions on the image quality? Multiple exposures are captured as JPEG [ ] images. Even when [ : Img type/ size] is set to RAW only, these images are captured as JPEG [ ] images. Can I merge images recorded on the card? With [Select image for multi.
Page 273: Focus Bracketing
Focus Bracketing Focus bracketing enables continuous shooting with the focal distance changed automatically after each shot. These images enable you to create a single image in focus over a deep depth of field. Compositing is also possible using an application that supports depth compositing, such as Digital Photo Professional (EOS software).
Page 274 Set [Focus increment]. Specify how much to shift the focus. This amount is automatically adjusted to suit the aperture value at the time of shooting. Larger aperture values increase the focus shift and make focus bracketing cover a wider range under the same focus increment and number of shots.
Page 275 Set [Depth composite]. Select [Enable] for in-camera depth compositing. Both the depth- composited image and the source images are saved. Select [Disable] if you prefer not to perform in-camera depth compositing. Only captured images are saved. Set [Crop depth comp.]. Select [Enable] for cropping before compositing, to prepare any images without a sufficient angle of view for compositing alignment by cropping them to correct the angle of view.
Page 276 Speedlites for precautions on continuous firing. Consider setting a longer interval when using multiple compatible Speedlites in wireless flash photography. With non-Canon flash units, set a suitable interval time for the flash recharging time and durability. Also refer to Non-Canon Flash Units.
Page 277 Shooting with a wider angle of view is recommended. After depth compositing, you can crop the image if necessary. For details on lenses and flash units compatible with this feature, visit the Canon website ( Suitable [Focus increment] settings vary by subject. An unsuitable [Focus increment] setting may cause unevenness in composite images, or shooting may take more time because more shots are taken.
Page 278 Depth compositing image quality setting and images saved Composited images are saved as JPEG or HEIF images with image quality. RAW composited images are not produced. When [ Rec options] in [ : Record func+card/folder sel.] is set to [Rec. separately], source images for both slots are saved with the same image quality as set for the card selected in [ Play] in the [ : Record func+card/folder sel.] setting.
Page 279: Pre-Continuous Shooting
With variable maximum aperture zoom lenses, exposure may change if you zoom while pressing the shutter button halfway or completely. Even with constant maximum aperture zoom lenses, exposure may change if you zoom while pressing the shutter button halfway or completely. For details, refer to the Canon website (...
Page 280 Note The electronic shutter is used in shooting. The amount of preliminary shooting varies depending on the continuous shooting speed. (For example, at a continuous shooting speed of approx. 30 shots/sec., the camera shoots for about 0.5 sec. before you press the button completely.)
Page 281: Interval Timer Shooting
Interval Timer Shooting With the interval timer, you can set the shooting interval and number of shots, so that the camera takes individual shots repeatedly according to your interval until your specified number of shots are taken. Select [ : Interval timer] ( Select [Enable].
Page 282 Set the shooting interval and number of shots. Select an option to set (hours : minutes : seconds / number of shots). Press < > to display [ ]. Set the desired number, then press < >. (Returns to [ Interval Can be set in a range of [00:00:01]–[99:59:59].
Page 283 Take the picture. First shot is taken and shooting continues according to the interval timer settings. During interval timer shooting, [ ] will blink. After the set number of shots are taken, the interval timer shooting will stop and be automatically canceled. Note Using a tripod is recommended.
Page 284 Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. In < > focus mode, the camera will not shoot unless subjects are in focus. Consider setting the mode to manual focus and focusing manually before shooting.
Page 285: Silent Shutter Function
Silent Shutter Function Disables shutter release sounds, operating sounds, and firing and illumination of the flash and other light sources. The following settings are used and cannot be changed. Shutter mode: [Electronic Shutter release sound, focused beep: only headphone output Touch sounds, self-timer sounds: silent Shutter at shutdown: open Long exposure noise reduction: [Disable]...
Page 286: Shutter Mode
Shutter Mode You can choose the method of shutter release. Select [ : Shutter mode] ( Select an option. Mechanical Shooting activates the mechanical shutter. Recommended when shooting with the aperture of a bright lens wide open. Elec. 1st-curtain Camera vibration blur may be reduced more than with the mechanical shutter, under some shooting conditions.
Page 287 : Silent shutter function] to [On] sets the shutter mode to [Electronic Zooming during continuous shooting may cause changes in exposure even at the same f/number. For details, refer to the Canon website ( Depending on the lens used, consider shooting with [Elec. 1st-curtain] or [Electronic ] to ensure effective image stabilization.
Page 288: Enabling Shutter Release Without A Card
Enabling Shutter Release Without a Card Set to [Disable] to avoid shooting unless there are cards in the camera. Select [ : Release shutter without card] ( Select [Disable].
Page 289: Image Stabilizer (Is Mode)
Image Stabilizer (IS Mode) Focal Length This menu is displayed for configuration of camera IS mode settings when you are using a non-IS lens. With IS-equipped lenses, setting the lens Image Stabilizer switch to < > combines stabilization by the lens and camera. Select [ : IS (Image Stabilizer) mode] ( Select [IS mode].
Page 290 Caution In some cases, this may not provide sufficient stabilization for certain lenses. Note For details on image stabilization for movie recording, see Movie Digital Focal Length Image stabilization based on your specified lens focal length is possible by setting the focal length when using lenses that do not support lens communication.
Page 291 Select [OK]. Caution Set [ : Release shutter w/o lens] to [Enable]. [Disable] prevents image stabilization. [Focal length] is not displayed when lenses are attached that support lens communication. Note Focal length can be set in a range of 1–1000 mm (in 1 mm increments).
Page 292: Customizing Quick Controls
Customizing Quick Controls Quick Control items and the layout are customizable. Select [ : Customize Quick Controls] ( Select [Edit layout]. Select items to remove. Turn the < > dial or use < > to select an item to remove, then press <...
Page 293 Select items to add. Turn the < > dial or use < > to select an item to add, then press < >. To change the layout, press the < > button. Change the layout. Use the < > dial to select an item to move, then press < >.
Page 294 Select [Save and exit]. Review the screen. Press the < > button to check the screen with your settings applied. Resetting the Custom Quick Control Screen or Clearing All Items Select [Reset settings] to restore the default Quick Control screen items and layout. Select [Clear all items] to remove all items from the layout, so that no Quick Control screen is displayed when the <...
Page 295: Shooting With The Touch Shutter
Shooting with the Touch Shutter Just by tapping the screen, you can focus and take the picture automatically. Enable the Touch Shutter. Tap [ ] in the lower left of the screen. Each time you tap the icon, it will toggle between [ ] and [ ] (Touch Shutter: Enable) The camera will focus on the spot you tap, then the picture will be...
Page 296 Tap the screen to shoot. Tap the face or subject on the screen. On the point you tap, the camera focuses (Touch AF) using your specified Area. When [ ] is set, the AF point turns green when focus is achieved, then the picture is taken automatically.
Page 297: Image Review
Image Review Review Duration Viewfinder Display Review Duration To keep the image displayed immediately after you shoot, set to [Hold], and if you prefer not to have the image displayed, set to [Off]. Select [ : Image review] ( Select [Review duration]. Set a time option.
Page 298 Note When [Hold] is set, images are displayed as long as the time set in the [Screen off] option of [ : Power saving].
Page 299 Viewfinder Display Set to [Enable] for viewfinder display of your shots immediately after you shoot. Select [ : Image review] ( Select [Viewfinder display]. Select an option. Note [Viewfinder display] settings take effect when [Image review] is set to an option other than [Off].
Page 300: High-Speed Display
High-Speed Display High-speed display that switches between each shot and the live image is available when shooting in [ ] (high-speed continuous shooting) drive mode and in a shutter mode other than electronic shutter. Select [ High speed display] ( Select an option.
Page 301: Metering Timer
Metering Timer You can set how long the metering timer runs (which determines the duration of exposure value display/AE lock) after it is triggered by an action such as pressing the shutter button halfway. Select [ : Metering timer] ( Set a time option.
Page 302: Hdr/C. Log View Assist
View Assist Display Conditions HDR shooting (PQ)] is set to [HDR PQ] [Gamma/Color Space] in [ : Custom Picture] is set as follows • Canon Log 2 / C.Gamut • Canon Log 3 / C.Gamut • PQ / BT.2020 • HLG / BT.2020 * HLG stands for Hybrid Log-Gamma.
Page 303 View Assist Display Settings Select [ HDR/C.Log View Assist.] ( Select screen or viewfinder display. Use View Assist display on the screen [ ] and viewfinder [ HDMI Use view-assisted display on non-HDR display devices connected via HDMI.
Page 304 Select an option. Screen and viewfinder On (BT.709 during When the camera is set to [HDR PQ], converted images are displayed that resemble how the images would look on an HDR display device. Image display with a custom picture applied involves basic conversion to a standard gamma/color space.
Page 305 Note ] is shown on the information display screen during movie recording with View Assist. View Assist is also used with magnified view. View Assist display settings do not affect the images captured.
Page 306: Display Simulation
Display Simulation With display simulation, display of image brightness and depth of field more closely matches the actual brightness (exposure) of your shots. Select [ : Display simulation] ( Select an option. Exposure+DOF ( Image brightness and depth of field as displayed closely matches the actual brightness (exposure) of your shots.
Page 307 ] is dimmed if either exposure or depth of field simulation stops, or if both simulations stop. Zooming with certain lenses may change the exposure. For details, refer to the Canon website ( Depth-of-field previewing is canceled when you press the shutter button halfway.
Page 308: Optical Viewfinder Simulation
Optical Viewfinder Simulation Natural-looking viewfinder and screen display, resembling the view from an optical viewfinder, is available in still photo shooting. Note that images displayed with this feature set to [On] may differ from actual shooting results. Select [ : OVF sim. view assist] ( Select an option.
Page 309: Blackout-Free Display
Blackout-Free Display This display option makes it easier to shoot fast-moving subjects by eliminating the momentary initial lack of viewfinder images (blackout) in continuous shooting. Select [ Blackout-free display] ( Select [On]. Caution Display may not be smooth in these cases. •...
Page 310: Shooting Information Display
Shooting Information Display Customizing Information on the Screen Customizing Information in the Viewfinder Viewfinder Vertical Display Grid Histogram Electronic Level Size Card Free Space (%) Display Lens Information Display Vertical Exposure Level Indicator Clearing Settings You can customize the details and screens of information shown on the screen or in the viewfinder when you shoot.
Page 311 Customizing Information on the Screen Select [ : Shooting info. disp.] ( Select [Screen info. settings]. Select screens. Turn the < > dial to select screens of information to show on the camera. For information you prefer not to display, press < >...
Page 312 Edit the screen. Turn the < > dial to select options to show on the screen of information. For items you prefer not to display, press < > to clear the checkmark [ ]. Select [OK] to register the setting.
Page 313 Customizing Information in the Viewfinder Select [ : Shooting info. disp.] ( Select [VF info/toggle settings]. Select screens. Turn the < > dial to select information screens to show in the viewfinder. For information you prefer not to display, press < >...
Page 314 Edit the screen. Turn the < > dial to select options to show in the viewfinder. For items you prefer not to display, press < > to clear the checkmark [ ]. Select [OK] to register the setting.
Page 315 Viewfinder Vertical Display You can select how viewfinder information is displayed when you are shooting still photos vertically. Select [ : Shooting info. disp.] ( Select [VF vertical display]. Information is automatically rotated, making it easier to read. Information is not automatically rotated.
Page 316 Grid A grid can be displayed on the screen and viewfinder. Select [ : Shooting info. disp.] ( Select [Grid display].
Page 317 Histogram You can select the content and display size of the histogram. Select [ : Shooting info. disp.] ( Select [Histogram disp]. Select an option. Select the content ([Brightness] or [RGB]) and display size ([Large] or [Small]).
Page 318 Electronic Level Size You can select the display size of the electronic level. Select [ : Shooting info. disp.] ( Select [Electronic level size].
Page 319 Card Free Space (%) Display You can display card free space on the screen. Select [ : Shooting info. disp.] ( Select [Card free space (%) display]. Select [On]. Note During still photo shooting or when writing to cards, the number of available shots is shown instead of the free space.
Page 320 Lens Information Display You can display information about the lens in use. Select [ : Shooting info. disp.] ( Select [Lens info display]. Select an option. Focus distance disp You can display focus distance when using RF or RF-S lenses. In focus distance display, you can select the timing and unit of measurement.
Page 321 Vertical Exposure Level Indicator You can show or hide the vertical exposure level indicator displayed on the right side of the screen. Select [ : Shooting info. disp.] ( Select [Vertical exp level]. Select an option. When set to [On], the metering value is shown in real time on the vertical exposure level indicator in all shooting modes except [BULB].
Page 322 Clearing Settings Select [ : Shooting info. disp.] ( Select [Reset]. Select [OK].
Page 323: Reverse Display
Reverse Display A mirror image can be displayed when you shoot with the screen rotated toward the subject (toward the front of the camera). Select [ : Reverse display] ( Select an option. Select [Off] if you prefer not to reverse display when the screen is facing the subject.
Page 324: Display Frame Rate
Display Frame Rate You can set the display frame rate for the shooting screen in still photo shooting. Choose whether to conserve battery power or use a high frame rate for display. Select [ Display frame rate set.] ( Select an option. When set to [Smooth] By pressing the <...
Page 325 Caution Shooting under low light with [Suppress lower frame rate] set for shooting screen display may affect performance as follows. • Faster battery consumption • Fewer shots available • Lower image display brightness • Difficulty in autofocusing • Lower metering precision •...
Page 326: Viewfinder Display Format
Viewfinder Display Format You can select how information is presented in the viewfinder. Select [ : VF display format] ( Select an option.
Page 327: Auto Power Off Temperature
Auto Power Off Temperature You can set the maximum camera body temperature at which the camera automatically turns off. Setting this level higher than the standard temperature can extend the available shooting time by removing some operating restrictions. Select [ : Auto pwr off temp.] ( Select [High].
Page 328 Caution The camera and memory cards may become hotter when [ : Auto pwr off temp.] is set to [High]. • We recommend using a tripod or the like to avoid handheld shooting, which may cause problems such as low-temperature contact burns. •...
Page 329: Metering Mode Selection
Metering Mode Selection You can select how the camera determines subject brightness. In [ ] mode, evaluative metering is set automatically. Setting from the Quick Control screen Press the < > button ( With an image displayed on the screen, press the < >...
Page 330 Setting from the menu Select [ : Metering mode] ( Select the metering mode. Evaluative metering General-purpose metering mode suited even for backlit subjects. The camera adjusts the exposure automatically to suit the scene. Partial metering Effective where there are much brighter lights around the subject due to backlight, etc. Spot metering Effective when metering a specific part of the subject.
Page 331 Center-weighted average The metering across the screen is averaged, with the center of the screen weighted more heavily. Note By default, the camera will set the exposure as follows. With [ ], holding down the shutter button halfway locks the exposure value (AE lock) after the camera focuses with One-Shot AF.
Page 332: Ae For Priority Subjects During Af
AE for Priority Subjects During AF Performs metering for subjects detected based on the [ : Subject to detect] setting. Select [ : Detect priority AE while AF] ( Select an option. [Enable]: Metering is based on the AF point or AF area where the subject was detected.
Page 333: Manual Exposure Compensation
Manual Exposure Compensation Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Exposure compensation can be set in [Fv], [P], [Tv], [Av], and [M] shooting modes. For details on exposure compensation when [M] mode and ISO Auto are both set, see Manual Exposure, and for details on [Fv] mode, see Fv: Flexible-Priority...
Page 334 Note The exposure compensation amount will remain in effect even after you set the power switch to < >.
Page 335: Exposure Lock (Ae Lock)
Exposure Lock (AE Lock) Effect of AE Lock To keep shooting at the same exposure, such as when you will set the focus and exposure separately, you can press the < > button for AE lock. It is effective for shooting backlit subjects, etc.
Page 336 Recompose and take the picture. When you are to take more pictures while maintaining the AE lock, keep holding down the < > button and press the shutter button to take another picture. Note AE lock is not possible with bulb exposures. Effect of AE Lock AF Point Selection Metering Mode...
Page 337: General Still Photo Shooting
General Still Photo Shooting Information Display General Still Photo Shooting Precautions Information Display For details on the icons displayed for still photo shooting, see Information Display. Note White display of the [ ] icon indicates that your shots will be about as bright as the image displayed.
Page 338 General Still Photo Shooting Precautions Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Image quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable.
Page 339 Images and display Under low- or bright-light conditions, the displayed image may not reflect the brightness of the captured image. Although noise may be noticeable in images under low light (even at low ISO speeds), there will be less noise in your shots, due to differences in image quality between displayed and captured images.
Page 340: Movie Recording
Movie Recording To prepare for movie recording, set the still photo shooting/movie recording switch to < >, then press the < > button and choose a recording mode. to the right of titles indicates functions only available in [ ], [ ], [ ], or [ ] mode.
Page 341 Movie Auto Level • False Color Settings • Zebra Settings • Shooting Information Display • Quick Control Screen • Standby: Low Resolution • Canon Log HDMI Output Range • Metadata • Time Code • Other Menu Functions • General Movie Recording Precautions...
Page 342: Tab Menus: Movie Recording
Tab Menus: Movie Recording Image quality/size Movie rec. size High Frame Rate Main rec. format Movie cropping Dual shooting (still&movie) Sound-rec. settings Sound recording Audio format Audio settings Audio Status...
Page 343 Exposure Exposure comp. ISO speed settings HF anti-flicker shooting Av 1/8-stop incr. Auto slow shutter Detect priority AE while AF Color/tone/Dynamic range Custom Picture (2) Picture Style • Picture Style Selection • Picture Style Customization • Picture Style Registration Clarity HDR shooting (PQ) HDR Movie Mode Auto Lighting Optimizer...
Page 344 White balance/Quality correction White balance Set Custom WB WB correction Lens aberration correction High ISO speed NR Various shooting Pre-recording set. Time-lapse movie...
Page 345 Shutter control/Assist shooting Movie self-timer Tally lamp IS (Image Stabilizer) mode Auto level Customize Quick Controls Metering timer Assist shooting Metadata Time code HDR/C.Log View Assist. False color set. Zebra settings...
Page 346 Assist shooting Shooting info. disp. Quick Ctrl screen VF display format Reverse display Assist shooting/HDMI Auto pwr off temp. Standby: Low res. Shutdown warning guidance HDMI display HDMI RAW output HDMI output range for C. Log...
Page 347: Movie Recording
Movie Recording Autoexposure Recording Shutter-Priority AE Aperture-Priority AE Scene Icons ISO Speed in [ ] Mode Manual Exposure Recording ISO Speed in [ ] Mode Shutter Speed Still Photo Shooting Information Display (Movie Recording) Autoexposure Recording Exposure is controlled automatically to suit the brightness. Set the recording mode to [ ] or [ Press the <...
Page 348 Focus on the subject. Before recording a movie, focus with AF ( ) or manual focus ( The camera focuses continuously under default settings, with [Movie Servo AF] in [ : Movie Servo AF] set to [Enable] ( By default, pressing the < >...
Page 349 Record the movie. Press the movie shooting button to start recording a movie. You can also start recording a movie by tapping [ ] on the screen. While the movie is being recorded, [ REC] (1) is displayed, the screen is outlined in red, and the tally lamp is lit. Sound is recorded by the microphone (2).
Page 350 Shutter-Priority AE ] recording mode enables you to set your preferred shutter speed for movies. ISO speed and aperture values are set automatically to suit the brightness and obtain standard exposure. Set the recording mode to [ Press the < >...
Page 351 Caution Avoid adjusting shutter speed while recording movies, which will record changes in exposure. When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec. to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the subject's movement will look.
Page 352 Aperture-Priority AE ] recording mode enables you to set your preferred aperture value for movies. ISO speed and shutter speed are set automatically to suit the brightness and obtain standard exposure. Set the recording mode to [ Press the < >...
Page 353 Caution Avoid adjusting the aperture value while recording movies, which will record changes in exposure caused by aperture adjustment. Note Notes for [ ], [ ], [ ], and [ ] modes You can lock the exposure (AE lock) by pressing the < >...
Page 354 Scene Icons In [ ] recording mode, the camera detects the type of scene and sets all settings accordingly. The detected scene type is indicated in the upper left of the screen. For icon details, see Scene Icons.
Page 355 ISO Speed in [ ] Mode ISO speed is set automatically. See ISO speed (recommended exposure index) in movie recording.
Page 356 Manual Exposure Recording You can manually set the shutter speed, aperture value, and ISO speed for movie recording. Set the recording mode to [ Press the < > button, then turn the < > dial to select [...
Page 357 Set the shutter speed, aperture value, and ISO speed. Press the shutter button halfway and check the exposure level indicator. Turn the < > dial to set the shutter speed (1), the < > dial to set the aperture value (2), and the < >...
Page 358 Focus and record the movie. Same as steps 2 and 3 for Autoexposure Recording. Caution ISO speed cannot be expanded to L (equivalent to ISO 50) in movie recording. During movie recording, avoid changing the shutter speed, aperture value, or ISO speed, which may record changes in the exposure or create more noise at high ISO speeds.
Page 359 ISO Speed in [ ] Mode You can set the ISO speed manually or select [ ] to set it automatically. For details on ISO speed, see ISO speed (recommended exposure index) in movie recording.
Page 360 Shutter Speed Available shutter speeds in [ ] and [ ] mode vary depending on the frame rate of your specified movie recording quality. Shutter Speed (Sec.) Frame Rate Normal Movie Recording High Frame Rate Movie Recording – 1/250–1/8000 1/125–1/8000 –...
Page 361 Still Photo Shooting If you will shoot still photos while recording movies, set up [ : Dual shooting (still&movie)]. After this, shoot still photos as you would normally do.
Page 362 Information Display (Movie Recording) For details on the icons on the movie recording screen, see Information Display. Caution The remaining time displayed for movie recording is only a guideline. Movie recording may stop before the initially displayed recording time elapses if the red [ ] icon appears due to high internal camera temperature during recording (...
Page 363: Movie Recording Size
Movie Recording Size 8K/4K Movie Recording Image Area Frame Rate (fps: frames per second) Compression Method Cards That Can Record Movies Movie Files Exceeding 4 GB Total Movie Recording Time and File Size Per Minute You can set the resolution, frame rate, and compression method in [ : Movie rec.
Page 364 Available resolutions Resolution Image Size Aspect Ratio Restrictions 8192×4320 Approx. 17:9 • Available when [ : Main rec. format] is set to [XF-HEVC S]. • 8K recording is not available when [ : High Frame 7680×4320 16:9 Rate] or [ : Movie cropping] is set to [Enable], or with RF-S or EF-S lenses.
Page 365 With [ : Main rec. format] set to [RAW] ( You can set the resolution, frame rate, and type of RAW for RAW movie output. The following combinations of movie recording quality options are available. System Frequency Resolution Image Size Frame Rate Type of RAW 54.94 Hz: NTSC...
Page 366 With [ : HDMI RAW output] set to [On] ( You can set the resolution, frame rate, and type of RAW for HDMI RAW movie output. The following combinations of movie recording quality options are available. System Frequency Resolution Image Size Frame Rate Type of RAW 54.94 Hz: NTSC...
Page 367 Note To obtain better performance with the card, formatting the card with the camera before recording movies is recommended ( Movies cannot be recorded in HD or VGA quality. 8K/4K Movie Recording Recording 8K or 4K movies requires a stable card with a fast writing speed. For details, Cards That Can Record Movies.
Page 368 Image Area The movie image area varies depending on factors such as movie recording quality and cropped shooting settings and the lens used. RF or EF lenses: With [ : Movie cropping] set to [Disable] (8K RAW) (8192×4320) / (4K RAW) (4096×2160) / (2048×1080) (7680×4320) /...
Page 369 Frame Rate (fps: frames per second) : 239.76 fps / : 119.88 fps / : 59.94 fps / : 29.97 fps For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). : 200.00 fps / : 100.00 fps / : 50.00 fps / : 25.00 fps...
Page 370 Compression Method : High (Intra-frame) Compresses each frame, one at a time, for recording. Although file sizes are larger than with Long GOP, movies are more suitable for editing. Available when [ : Main rec. format] is set to [XF-AVC S YCC422 10bit]. : Standard (Intra-frame) Because file sizes are smaller than with [ ], movie recording over longer periods is...
Page 371 Cards That Can Record Movies For details on cards that can record movies, see Cards That Can Record Movies. Estimated recording time, movie bit rate, file size, and card performance requirements for details on SD cards. Test cards by recording a few movies to make sure they can record correctly at your specified size ( Caution Before recording 8K or 4K movies, format cards by selecting [Low level format] in...
Page 372 Movie Files Exceeding 4 GB Individual movie files exceeding 4 GB cannot be recorded to SD cards. With SDHC cards, once the movie file size reaches 4 GB, a new movie file is created automatically. During playback, these files are automatically played consecutively. With CFexpress or SDXC cards, individual movies are recorded as a single file, even if they exceed 4 GB.
Page 373 Total Movie Recording Time and File Size Per Minute Estimated recording time, movie bit rate, file size, and card performance requirements.
Page 374: High Frame Rate
High Frame Rate When set to [Enable], the camera can capture 239.76/200.00 fps or 119.88/100.00 fps to record movie files with a frame rate of 29.97/25.00 fps. The maximum recording time per movie is 89 min. 29 sec. Sound is not recorded. Note that playback is in slow motion. is available at resolutions of The compression method is Count-up of time code display during movie recording is based on 29.97/25.00 fps.
Page 375: Main Recording Format
Main Recording Format XF-HEVC S and XF-AVC S Movies RAW Movies Recording Proxy Movies You can specify the format of movie files recorded. Select [ : Main rec. format] ( Select an option.
Page 376 XF-HEVC S and XF-AVC S Movies XF-HEVC S and XF-AVC S movies are in original Canon video formats that are extensions of H.265/HEVC and MPEG-4 AVC/H.264, respectively. These formats maintain image quality while offering high data compression. Brightness, Main Hue,...
Page 377 DPP) is recommended. RAW images from this camera cannot be used with older versions of DPP. Download the latest version of DPP from the Canon website and install it, which will overwrite the previous version ( Commercially available software may not be able to display RAW movies recorded by this camera.
Page 378 Recording Proxy Movies To record one version of movies to card in the main recording format while recording another version to card in a lighter format, set [ Rec options] in [ : Record func +card/folder sel.] to [ Main Proxy].
Page 379 Note On the movie recording screen, the amount of time remaining for movie recording refers to the time for main movies. If card (for main movies) is not in the camera, the amount of time remaining for movie recording refers to the time for card (proxy movies).
Page 380: Movie Cropping
Movie Cropping With RF or EF lenses, you can record movies cropped around the center of the image area, as if captured with a telephoto lens. Recording movies with RF-S/EF-S lenses has the same effect as this movie cropping feature. Select [ : Movie cropping] ( Select [Enable].
Page 381: Dual Shooting (Still Photos And Movies)
Dual Shooting (Still Photos and Movies) Without interrupting movie recording, you can shoot still photos (single shooting or continuous shooting) by pressing the shutter button completely. This enables still photo shooting with higher image quality than extracting frames from movies. Caution When using this feature, make sure two cards are in the camera before turning it on.
Page 382 Select [On]. Set other options as needed. Drive mode Specify the amount of still photo shooting performed by pressing the shutter button completely. Turn the < > dial to make a selection. High speed • With [ : System frequency] set to [59.94Hz:NTSC]: Continuous shooting at up to approx.
Page 383 JPEG quality Set the level of image quality (1–10) in still photo shooting. Turn the < > dial to make a selection. Higher numbers offer higher quality (lower compression). Caution Still photos cannot be captured during movie recording when RF-S or EF-S lenses are attached.
Page 384: Sound Recording
Sound Recording Select [On] for sound recording during movie recording. The built-in microphone is used unless an external microphone is connected. Select [ : Sound recording] ( Select an option. Set the recording level and other settings as needed in [ : Audio settings] ( : Audio settings] is not available in [...
Page 385 Note Audio is also output when the camera is connected to televisions via HDMI, except when set to [Disable]. In case of feedback from television audio output, move the camera away from the television or turn down the volume. The volume balance between L/R (left/right) cannot be adjusted. Sound is recorded at a 48 kHz sampling rate.
Page 386 Four-channel recording The camera supports four-channel sound recording. Four-channel recording can include combinations of the following sources. Microphone designed for a multi-function shoe (2 channels) + external microphone (2 channels) Microphone designed for a multi-function shoe (2 channels) + built-in microphone (2 channels) External microphone (2 channels) + built-in microphone (2 channels) Built-in microphone (2 channels) + built-in microphone (2 channels)
Page 387: Audio Format
Audio Format You can choose the audio format used for sound in movie recording. Select [ : Audio format] ( Select an option. When set to [ Main Proxy] When [ Rec options] in [ : Record func+card/folder sel.] is set to [ Main Proxy], select the audio format for each card.
Page 388: Audio Settings
Audio Settings Recording Mode Recording Level Wind Filter Attenuator Microphone Directionality Configure microphones for sound recording in these settings. When using microphones that are external or designed for a multi-function shoe, also refer to the microphone instruction manual. Select [ : Audio settings] ( Select the device to use.
Page 389 Set the item. When set to [Built-in microphone] When set to [External microphone] When set to [Hot shoe input] Available setting items vary depending on the microphone used.
Page 390 Recording Mode Auto The sound-recording level is adjusted automatically. Auto level control will take effect automatically in response to the sound level. Manual You can adjust the sound-recording level as needed. Adjust the level in [Rec. level]. Caution Do not change the [Recording mode] settings when listening with headphones. This may cause sudden loud output that may hurt your ears.
Page 391 Recording Level Available when [Recording mode] is set to [Manual]. To adjust the sound-recording level, turn the < > dial while watching the level meter. Look at the peak hold indicator, and adjust so that the level meter sometimes lights up on the right of the “12”...
Page 392 Wind Filter Available when using the built-in microphone or multi-function shoe microphones that are compatible with wind filters. Set to [Enable] to reduce wind noise when there is wind outdoors. When the wind filter function takes effect, part of the low bass sounds will also be reduced.
Page 393 Attenuator As a function that suppresses sound distortion caused by loud noises during recording, the attenuator can be enabled or disabled when using microphones designed for a multi- function shoe. For details, refer to the microphone instruction manual.
Page 394 Microphone Directionality Available when using multi-function shoe microphones for which directivity can be switched. For details, refer to the microphone instruction manual.
Page 395: Audio Status
Audio Status Indicates audio status such as the active microphone and the headphone volume. Select [ : Audio Status] ( Check the details as needed. Note [Monitor CH] indicates channels set in [Shoot. monitor CH] for [Headphones] in [ : Audio monitor].
Page 396: Custom Pictures
Saving and Loading Custom Picture Files Using Look Files Canon Log Image Quality Custom picture files on the camera enable you to adjust color tones in movie recording by applying a combination of settings (gamma/color space, color matrix, and look files), mainly in preparation for post-production processing.
Page 397 Selecting Custom Picture Files Select [ : Custom Picture] ( Select [ function]. Select [On]. Select [Select File].
Page 398 C1: Canon Canon 709 / Suitable for display on BT.709 Neutral BT.709 compliant-monitors Also suitable without post- processing Uses Canon Log 2 gamma; post- C2: Canon Canon Log 2 / processing required Neutral Log 2 C.Gamut Superior tonality in dark image areas than Canon Log 3 Uses Canon Log 3 gamma;...
Page 399 Editing Custom Pictures You can edit settings of the selected custom picture file. Select [Edit File]. To edit a protected ([ ]) custom picture file, select [Unprotect] by [Protect] to enable editing. Edit the settings as needed. Select a setting to edit, then adjust it on the screen displayed ( To save an edited custom picture file with a new name, select [Rename] and enter a name.
Page 400 Protect the image. When you are finished editing, select [Protect].
Page 401 Gamma with a wide dynamic range that is also Canon 709 suitable without post-processing Suitable for viewing on BT.709 compliant-monitors Color space developed by Canon based on image sensor characteristics, covering a wider color C.Gamut gamut than that of BT.2020...
Page 402 Color equivalent to “traditional color” in ITU-R Vivid BT.2390 Black Black level adjustment Not available with [Gamma/Color Space] set to [Canon Log 2] or [Canon Log 3] Increases or decreases the black level. Higher Master –50 to +50 values brighten dark image areas but decrease Pedestal contrast.
Page 403 Black Gamma Lower gamma curve correction, for dark image areas Raises or lowers the black part of the gamma curve in the following ranges Available with [Gamma/Color Space] set to [BT.709 Standard] (1) Output (2) Input (3) Point (4) Level (5) Range Level –50 to +50...
Page 404 Knee Compression of bright image areas to prevent clipped highlights Available with [Gamma/Color Space] set to [BT.709 Standard] (1) Output (2) Input Slope Point Adjustment with each setting is enabled when set Activate On, Off to [On] Slope –35 to +50 Adjusts the slope above the knee point Point 50 to 109...
Page 405 Sharpness Sharpness adjustment Increases or decreases the level of edge Level –10 to +50 sharpness Sets the center frequency for edge enhancement Detail –8 to +8 Higher values increase the frequency, sharpening Frequency images Sets the contrast threshold between edges and surrounding image areas, which determines edge Coring –30 to +50...
Page 406 Color Correction Settings to correct image areas with certain color characteristics Areas for correction are detected accordingly With the settings configured, areas not detected are displayed in neutral colors (except when adjusting [Area A Revision Level], [Area B Revision Level], [Area A Revision Phase], and [Area B Revision Phase]) Specifies areas (A or B) for color correction Area A is corrected when set to [Area A] Select Area...
Page 407 Checking Custom Picture Settings You can review custom picture file settings from the [Custom Picture] menu. Select a custom picture file ( On the [Custom Picture] screen, select [Status]. Check the settings.
Page 408 Saving and Loading Custom Picture Files Edited custom picture files can be saved to a card and used with other cameras of the same model. Select a custom picture file to save ( On the [Custom Picture] screen, select [Save File].
Page 409 Using Look Files You can register 17- or 33-grid 3D LUT files in .cube format from the Blackmagic Design application DaVinci Resolve as look files in custom picture files to adjust the color tone of movies you record. Registering look files Before you begin, the look file to register should be copied to a card.
Page 410 Select [Register]. Look files on the card are listed. Select a look file. After applying the look file, select the gamma/color space. Select [OK]. Caution The following look files are not compatible. • Input range outside a range of 0–1 in the header (“LUT_3D_INPUT_RANGE”) •...
Page 411 Using look files for color adjustment You can use registered look files for color adjustment. On the [Edit File] screen, select [Look File]. Select [On]. To disable color adjustment based on look files, select [Off]. Removing look files Select a custom picture file ( Select [Edit File].
Page 412 Select [OK].
Page 413 Canon Log Image Quality With Canon Log, skies, white walls, and similar subjects may be affected by noise or uneven gradation, exposure, or colors, depending on the subject or shooting conditions. Banding or noise may also be noticeable in dark image areas.
Page 414: Hdr Movie Mode
HDR Movie Mode Shadow Compensation Saturation Limiting Maximum Brightness You can record high dynamic range movies that retain detail in highlights of high-contrast scenes. Select [ HDR Movie Mode] ( Set [HDR Movie Record.] to [Enable]. Caution The ISO speed range is ISO 800–12800. With HDR movie recording, skies, white walls, and similar subjects may be affected by noise or uneven gradation, exposure, or colors, depending on the subject or shooting conditions.
Page 415 Note For even better reproduction of bright image areas, also set the camera to [ HDR shooting (PQ)] (...
Page 416 Shadow Compensation You can brighten shadows and other dark image areas by using [Shadow comp.]. On the screen shown next, select an option while previewing the results. Caution Noise may increase and apparent resolution may change, under some shooting conditions. Subjects such as the sky or white walls may not be rendered with smooth gradation, and colors may look irregular.
Page 417 Saturation You can adjust overall color intensity by using [Saturation]. To select an adjustment value, use the < > or < > dial. Press < > when finished.
Page 418 Limiting Maximum Brightness This setting is available when [ HDR shooting (PQ)] is set to [HDR PQ]. With [Disable], maximum brightness is not limited. Recommended when you will review images on a monitor supporting display at brightnesses exceeding 1000 nits. With [1000 nits], maximum brightness is limited to approx.
Page 419: Time-Lapse Movies
Time-Lapse Movies Approx. Time Available for Recording Time-Lapse Movies Still photos captured at a set interval are combined to create a time-lapse movie. This provides an accelerated view of processes that normally happen slowly, such as changes in a landscape, plant growth, or celestial motion. Select [ : Time-lapse movie] ( Select [Time-lapse].
Page 420 Set [Interval]. As you set the number, refer to the [ ] time required (1) and [ playback time (2). Turn the < > dial to select an option (hours : minutes : seconds). Press < > to display [ ]. Set the desired number, then press <...
Page 421 Set [No. of shots]. As you set the number, refer to the time required ([ ]) and playback time ([ Turn the < > dial to select an option (digit). Press < > to display [ ]. Set the desired number, then press < >.
Page 422 Select [Movie rec. size]. Available movie recording sizes (a combination of resolution, frame rate, and compression) are displayed. Options vary depending on the [Main rec. format] setting. For details on main recording formats, resolutions, frame rates, and compression, see Main Recording Format Movie Recording Size.
Page 423 Select [Main rec. format]. The available main recording formats are listed. For details on these options, see Main Recording Format. Set [Auto exposure]. Fixed 1st frame When taking the first shot, metering is performed to set the exposure automatically to match the brightness. The exposure setting for the first shot will be applied to subsequent shots.
Page 424 Set [Screen auto off]. Disable Even during time-lapse movie recording, the image will be displayed. (The screen turns off only at the time of shooting.) Note that the screen will turn off when approx. 30 min. elapse after the shooting started. Enable The screen will turn off when approx.
Page 425 Set [Beep per taken]. Set to [0] to prevent the camera from beeping for each shot. Check the settings. Time required (1) Indicates the time required to shoot the set number of shots with the set interval. If it exceeds 24 hours, “*** days” will be displayed. Playback time (2) Length of the time-lapse movie.
Page 426 Read the message. Read the message and select [OK].
Page 427 Take a test shot. Press the < > button and double-check the time required (1) and interval (2) shown on the screen. Set the exposure and shooting functions, then focus. Press the shutter button completely to take a test shot, which is recorded to the card as a still photo.
Page 428 Press the movie shooting button. The camera is now ready to start recording a time-lapse movie. To return to step 13, press the movie shooting button again. Record the time-lapse movie. Press the shutter button completely to start recording the time- lapse movie.
Page 429 Note Using a tripod is recommended. Taking test shots as in step 13 or even recording test time-lapse movies beforehand is recommended. The movie's field of view coverage for both the 4K and Full HD time-lapse movie recording is approx. 100%. To cancel time-lapse movie recording in progress, either press the shutter button completely or press the movie shooting button.
Page 430 Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Time-lapse movies cannot be recorded when the camera is connected to a computer with the interface cable, or when an HDMI cable is connected.
Page 431 Set [ : Time-lapse movie] to [Disable] if you will connect the camera to a computer with the interface cable and use an application such as Camera Connect. Options other than [Disable] will prevent the camera from communicating with the computer.
Page 432 Approx. Time Available for Recording Time-Lapse Movies For guidelines on how long you can record time-lapse movies (until the battery runs out), Movie recording.
Page 433: Movie Self-Timer
Movie Self-Timer Movie recording can be started by the self-timer. Select [ : Movie self-timer] ( Select an option. Record the movie. After you press the movie shooting button or tap [ ], the camera beeps and displays the number of seconds left before recording. Note To cancel the self-timer, either tap the screen or press <...
Page 434: Tally Lamp
Tally Lamp The tally lamp lights up or blinks to indicate camera status. Select [ : Tally lamp] ( Select an option. When set to [On], the tally lamp lights up or blinks as follows. Movie recording in progress • Cannot record movies, due to a low battery level or insufficient card free space Blinking rapidly •...
Page 435: Pre-Recording Setting
Pre-Recording Setting With pre-recording, automatic movie recording is already in progress a specified amount of time before you manually start recording. This preliminary recording is referred to as pre-recording. The camera pre-records automatically during movie recording standby. Select [ : Pre-recording set.] ( Select [Pre-recording].
Page 436 Record the movie. Record the movie in the same way as normal movie recording. Movies are recorded with the pre-recorded part added. Caution Restrictions during pre-recording The following items are not displayed on the movie recording screen. • Electronic level •...
Page 437 Note Current information when recording begins is applied to movie Exif information.
Page 438: Image Stabilizer (Is Mode)
Image Stabilizer (IS Mode) Movie Digital IS The camera's IS mode and movie digital IS features reduce camera shake as movies are recorded. They can provide effective stabilization even when non-IS lenses are used. With IS-equipped lenses, setting the lens Image Stabilizer switch to < >...
Page 439 Movie Digital IS Select [ : IS (Image Stabilizer) mode] ( Select [ Digital IS]. Select an option. Off ( Image stabilization with Movie digital IS is disabled. On ( Camera shake will be corrected. The image will be slightly magnified. Enhanced ( Compared to when [On] is set, stronger camera shake can be corrected.
Page 440 With some lenses, even more effective stabilization (indicated by “+” next to the IS icon) is possible when the lens's IS is used in conjunction with [IS mode] and [Movie digital IS] on the camera. For details on lenses compatible with this feature, visit the Canon website (...
Page 441: Movie Auto Level
Movie Auto Level Auto leveling helps keep movies straight during recording. Caution Set [ Digital IS] in [ : IS (Image Stabilizer) mode] to [Off]. Select [ Auto level] ( Select an option.
Page 442: False Color Settings
False Color Settings False Color Display Color-coded display in six colors based on the brightness level is shown on the screen during movie recording. This can help you adjust the exposure. Select [ : False color set.] ( Select [False color]. Select [On].
Page 443 False Color Display False color display is applied to images on the camera screen and viewfinder. You can also check false color display details in [False color index]. Color Meaning White clipping Yellow Just below white clipping Pink One stop over 18% gray Green 18% gray Blue...
Page 444: Zebra Settings
Zebra Settings To simplify exposure adjustment before or during movie recording, you can display a striped pattern over or around image areas of a specified brightness. Select [ : Zebra settings] ( Select [Zebra]. Select [On]. Select [Zebra pattern]. [Zebra 1]: Displays left-slanting stripes around areas of the specified brightness.
Page 445 The maximum brightness value does not reach 100% when the [ : Custom Picture] gamma is set to [Canon Log 2] or [Canon Log 3]. Checking the zebra display level in advance is recommended when you will set [Zebra pattern].
Page 446: Shooting Information Display
Shooting Information Display Waveform Setting Recording Emphasis Aspect Marker You can customize the details and screens of information shown on the screen or in the viewfinder during movie recording. Note For details on the following topics, see Shooting Information Display for still photo shooting.
Page 447 Waveform Setting You can display a waveform monitor on the screen or in the viewfinder. It is displayed on external monitors during HDMI output. Select [ : Shooting info. disp.] ( Select [Waveform setting]. Set [Wave. monitor disp.] to [On].
Page 448 In [Type], select a waveform monitor option. Line Displays a waveform of the entire image, with horizontal coordinates of the image on the horizontal axis and brightness values on the vertical axis. RGB parade display, with horizontal coordinates of the image on the horizontal axis and RGB brightness values on the vertical axis.
Page 449 Recording Emphasis Select [ : Shooting info. disp.] ( Select [Recording emphasis]. The screen is outlined in red while movie recording is in progress. No frame is displayed to call attention to recording in progress.
Page 450 Aspect Marker If you will change the image aspect ratio when editing the recorded movie, you can display aspect markers on the movie recording screen (during standby and recording) to be aware of the final angle of view after editing. Select [ : Shooting info.
Page 451: Quick Control Screen
Quick Control Screen You can change the Quick Control ( ) views available during movie recording. Select [ : Quick Ctrl screen] ( Select the view to display. Turn the < > dial to select Quick Control display options. For items you prefer not to display, press < >...
Page 452: Standby: Low Resolution
Standby: Low Resolution Set to [On] to conserve battery power and control the rise of internal camera temperature during standby. Select [ : Standby: Low res.] ( Select an option. Caution Image appearance during standby may differ from the appearance during movie recording, but this setting does not affect recording quality.
Page 453: Canon Log Hdmi Output Range
Canon Log HDMI Output Range You can select the output range of video signals output via an HDMI connection. Select [ : HDMI output range for C. Log] ( Select an option. Prioritize Full Range Full-range output is used whenever possible. Note that the output range will be automatically adjusted to suit display specifications.
Page 454: Metadata
Metadata Preparing to Embed XML Files Embedding XML Files Clearing Metadata Settings Checking Metadata Status Embedding Custom Picture Files Movie files can be embedded with metadata that conforms to the NewsML-G2 specification. Before you begin, the metadata to embed should be saved to a card. Note Metadata can also be embedded using the Content Transfer Professional mobile app.
Page 455 Embedding XML Files Select [ : Metadata] ( Set [Add News Metadata] to [On]. Select [News Metadata]. This option is not available unless a card is loaded. Select the metadata. Turn the < > dial to make a selection. The first 8 characters of the XML file name are shown on the screen, along with a preview of the data itself.
Page 456 Clearing Metadata Settings You can clear (delete) metadata registered to the camera. Select [Clear Metadata settings]. Select [OK]. Metadata registered to the camera is cleared.
Page 457 Checking Metadata Status You can review details of the metadata registered to the camera. Select [Check News Metadata status]. Check the details as needed.
Page 458 Embedding Custom Picture Files Custom picture files can be embedded in movie files by setting [Add File] to [On] when function] in [ : Custom Picture] is set to [On]. Caution Custom picture files are not embedded in RAW movies. When you are recording both main and proxy movies, custom picture files are embedded in proxy movies if the main movies are RAW movies ( ).
Page 459: Time Code
Time Code Count Up Start Time Setting Movie Recording Count Movie Play Count HDMI Drop Frame Time codes record the time automatically as movies are recorded. Time codes always record elapsed hours, minutes, seconds, and frames. They are mainly used when movies are edited.
Page 460 Count Up Rec run The time code advances only during movie recording. Time codes in each movie file recorded continue from the last time code in the previous file. Free run The time code keeps advancing, even when you are not recording. Caution When set to [Free run], time codes are not added to High Frame Rate movies that you record.
Page 461 Start Time Setting You can set the initial time of the time code. Manual input setting Enables you to set any starting hour, minute, second, and frame. Reset Resets the time set with [Manual input setting] or [Set to camera time] to “00:00:00.” or “00:00:00:”...
Page 462 Movie Recording Count You can select how time is displayed on the movie recording screen. Rec time During recording standby, displays the available recording time. During recording, displays the time that has elapsed since recording began (1). Time code Displays the time code during movie recording (2).
Page 463 Movie Play Count You can select how time is shown in basic information display on the movie playback screen. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback. Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting.
Page 464 HDMI Time code Time codes can be added to movies as you record them to an external device via HDMI. No time code is added to HDMI video output. Time codes are added to HDMI video output. When [On] is set, [Rec Command] is displayed.
Page 465 Caution Time codes are not added to HDMI video output when you record High Frame Rate movies with [Count up] in [Time code] set to [Free run]. To determine compatibility of external recording devices with [Time code] and [Rec Command] functions, check with the device manufacturer. Even with [Time code] set to [Off], external recording devices may add time codes to movies, depending on their specifications.
Page 466 Drop Frame The time code's frame count will cause a discrepancy between the actual time and the time code if the frame rate is set to (239.76 fps), (119.88 fps), (59.94 fps), or (29.97 fps). You can choose whether to automatically compensate for this discrepancy.
Page 467: Other Menu Functions
Other Menu Functions 3 Exposure] 10 Assist shooting/HDMI] 3 Exposure] Exposure compensation Exposure compensation is available in [ ], [ ], [ ], and [ ] modes. For details on exposure compensation, see Manual Exposure Compensation. ISO speed settings ISO speed In [ ] mode, you can set the ISO speed manually.
Page 468 Av 1/8-stop incr. You can set aperture values on a finer scale when recording movies with RF or RF-S lenses. This feature is available in [ ] or [ ] recording mode. Select [Enable] to change the aperture increment from 1/3 stop (or 1/2 stop) to 1/8 stop. Caution Av 1/8-stop incr.] is not available (not displayed) when EF or EF-S lenses are used.
Page 469 Auto slow shutter You can choose whether to record movies that are brighter and less affected by image noise than when set to [Disable] by automatically slowing the shutter speed under low light. Available in [ ] or [ ] recording mode. Applies when the frame rate of the movie recording size is Disable Enables you to record movies with smoother, more natural movement, less affected by...
Page 470 10 Assist shooting/HDMI] Shutdown warning guidance Shutdown warning guidance (about auto shutdown during movie recording due to high internal temperature under certain movie recording settings) can be displayed on startup. If you prefer not to display shutdown warning guidance, set [ : Shutdown warning guidance] to [Off].
Page 471 HDMI display You can specify how movies are displayed as they are recorded via HDMI to an external device. Movie output itself corresponds to the [ : Movie rec. size] setting. The default setting is [ Enables movie display both on the camera screen and on the other device, via HDMI output.
Page 472 Caution HDMI output without information prevents display of warnings about the card space, battery level, or high internal temperature ( ) via HDMI. During HDMI output, display of the next image may take some time if you switch between movies of different recording qualities or frame rates. Avoid operating the camera when recording movies to external devices, which may cause information to be displayed in the HDMI video output.
Page 473 HDMI RAW output Set to [On] for RAW movie output at resolutions up to 8K from the HDMI terminal to compatible devices. As recording begins, movies are also recorded to card (if it is in the camera) in XF-AVC format. You can restrict recording to external recording devices when card is not inserted by setting [Rec Command] to [On] (...
Page 474 • Pre-recording setting • Movie digital IS • HDMI display • HDMI resolution • Canon Log HDMI Output Range • Magnified image display Note You can include time code in output to devices compatible with RAW movies by setting [Time code] in the [ : Time code] [HDMI] setting to [On].
Page 475: General Movie Recording Precautions
General Movie Recording Precautions Guidance Display Before Recording Warning Indicator Display in Movie Recording Guidance Display Before Recording Shutdown warning guidance may be displayed when the camera starts up, after settings are adjusted, or in other situations ( The guidance warns that the camera may become hot internally if movies are recorded under the current settings, and that if you continue recording, the camera may turn off automatically.
Page 476 Warning Indicator Display in Movie Recording A 10-level indicator (1) is displayed during movie recording in case of excessive internal camera temperature. As the internal temperature rises, the level on the indicator extends to the right. How fast the level increases will depend on shooting conditions. Levels 1–7 are marked in white, but once the temperature reaches level 8, the color changes.
Page 477 Caution Precautions for movie recording Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. If you record something that has fine detail, moire or false colors may result. If [ ] or [ ] is set and the ISO speed or aperture value changes during...
Page 478 Recording and image quality If the attached lens has an Image Stabilizer and you set the Image Stabilizer switch to < >, the Image Stabilizer will operate at all times even if you do not press the shutter button halfway. This will consume battery power, and it may reduce the total movie recording time.
Page 479 Audio restrictions The following restrictions apply in [ ] mode. • Sound will not be recorded for approx. the last two frames. • When you play back movies in Windows, movie images and sound may become slightly out of synchronization. Note Notes for movie recording Each time you record a movie, a new movie file is created on the card.
Page 480: Af/Drive
AF/Drive This chapter describes autofocus operation and drive modes and introduces menu settings on the AF [ ] tab. to the right of titles indicates functions only available in [Fv], [P], [Tv], [Av], [M], or [BULB] mode. Note < > stands for autofocus. < >...
Page 481: Tab Menus: Af (Still Photos)
Tab Menus: AF (Still Photos) AF operation/area AF operation AF area Whole area tracking Servo AF Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab. Subject detection Subject to detect Eye detection Register people priority Action Priority...
Page 482 Servo AF character. Case Auto Case Auto character. Case Manual Tracking sensitivity Accel./decel. tracking Customize AF operation Servo 1st image priority One-Shot AF release prior. Preview AF Lens drive when AF impossible AF-assist beam firing...
Page 483 Customized controls Limit AF areas Orientation linked AF point Limit subject to detect L/R eye detection MF related MF peaking settings Focus guide Lens electronic MF...
Page 484 Various settings/Various settings Register/recall AF-related settings AF Setting Guide URL...
Page 485: Tab Menus: Af (Movie Recording)
Tab Menus: AF (Movie Recording) AF operation/area Movie Servo AF AF area Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab. Subject detection Subject to detect Eye detection Register people priority Switching tracked subjects...
Page 486 Servo AF character. Movie Servo AF speed Movie Servo AF track sens. Customize AF operation/Customized controls Lens drive when AF impossible Limit AF areas Limit subject to detect L/R eye detection...
Page 487 MF related MF peaking settings Focus guide Lens electronic MF...
Page 488: Af Operation
AF Operation One-Shot AF for Still Subjects Servo AF for Moving Subjects AI Focus AF for Automatic AF Mode Switching You can select the AF operation characteristics to suit the shooting conditions or subject. Set the focus mode to AF. For RF lenses with a focus mode switch Set the lens's focus mode switch to <...
Page 489 Select an option. Note If focus is not achieved, the AF point will turn orange. With One-Shot AF, shooting is not possible even by pressing the shutter button completely. Recompose the shot and try to focus again. Or, see Shooting Conditions That Make Focusing Difficult.
Page 490 One-Shot AF for Still Subjects This AF operation is suited for still subjects. When you press the shutter button halfway, the camera will focus only once. When focus is achieved, the AF point will turn green and the beeper will sound. The focus remains locked while you hold down the shutter button halfway, allowing you to recompose the image before taking the picture.
Page 491 After the subject is in focus, keep the shutter button pressed halfway and recompose the shot. Press the shutter button completely to take the picture.
Page 492 Servo AF for Moving Subjects This AF operation is suited for moving subjects. While you hold down the shutter button halfway, the camera will keep focusing on the subject continuously. When focus is achieved, the AF point will turn blue. The beeper will not sound even when focus is achieved.
Page 493 AI Focus AF for Automatic AF Mode Switching The AF mode is automatically switched from [One-Shot AF] to [Servo AF] based on subject status while you are pressing the shutter button halfway or shooting continuously.
Page 494: Movie Servo Af
Movie Servo AF Subject Detection AF With this function enabled, the camera keeps focusing on the subject during movie recording. Set the still photo shooting/movie recording switch to < >. Select [ : Movie Servo AF] ( Select [Movie Servo AF].
Page 495 Select an option. Enable • The camera focuses on the subject continuously even when you are not pressing the shutter button halfway. • To keep the focus at a specific position, or if you prefer not to record mechanical sounds from the lens, you can temporarily stop Movie Servo AF by tapping [Movie Servo AF paused] (1) in the lower left of the screen.
Page 496 Caution Precautions when set to [Movie Servo AF: Enable] Shooting conditions that make focusing difficult • A fast-moving subject approaching or moving away from the camera. • A subject moving at a close distance to the camera. • When shooting with a higher aperture value. •...
Page 497 Subject Detection AF You can specify whether to use Movie Servo AF if the subject set in [ : Subject to detect] ( ) is not detected. Detect. priority Movie Servo AF is used for automatically selected subjects within the area set in [ AF area] ( Subjects set in [ : Subject to detect] are prioritized for automatic selection.
Page 498: Selecting The Af Area
Selecting the AF Area AF Area Selecting the AF Area Whole Area Tracking Servo AF Subject to Detect Eye Detection Action Priority Tracking with a Button Manually Setting AF Points or Zone AF Frames Adjusting the Zone AF Frame Size Registering AF Points (Home Position) Magnified View AF Shooting Tips...
Page 499 AF Area This section describes AF area operation with [ : Whole area tracking Servo AF] set to [Off]. Select the AF area by pressing the < > button. You can switch [ : Whole area tracking Servo AF] [On] or [Off] by pressing the <...
Page 500 : 1-point AF / 1-point AF The camera focuses using a single AF point [...
Page 501 : Expand AF area: Expand AF area: Focuses using one AF point [ ] and the AF area outlined here in blue. Effective for moving subjects, which are difficult to track with 1-point AF. Focusing on your preferred subject is easier than with Flexible Zone AF. When Servo AF is used, first you will focus using an AF point [...
Page 502 : Expand AF area: Around / Expand AF area: Around Focuses using one AF point [ ] and the surrounding AF area outlined here in blue, which makes it easier to focus on moving subjects than with Expand AF area: When Servo AF is used, first you will focus using an AF point [...
Page 503 : Flexible Zone AF 1 (default) With Flexible Zone AF 1, you can freely set the size of the Zone AF frame [ Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area, which makes focusing easier than with 1-point AF/Expand AF area and effective for moving subjects.
Page 504 : Flexible Zone AF 3 With Flexible Zone AF 3, you can freely set the size of the Zone AF frame [ Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area, which makes focusing easier than with 1-point AF/Expand AF area and effective for moving subjects.
Page 505 Selecting the AF Area You can select the AF area to suit the shooting conditions or subject. If you prefer to focus manually, see Manual Focus. Select [ : AF area] ( Select the AF area. The screen above is displayed when [ : Orientation linked AF point] ( ) is set to [Separate AF pts: Area+pt].
Page 506 Whole Area Tracking Servo AF You can set whether to switch to whole-area subject tracking during Servo AF (while the shutter button is pressed halfway with [ : AF operation] set to [Servo AF]). Select [ : Whole area tracking Servo AF] ( Select an option.
Page 507 Subject to Detect You can specify conditions for automatic selection of the main subject to track. Selecting an option other than [None] will display a tracking frame [ ] for the main subject detected. The tracking frame will move to track subjects that start moving. You can shoot with the subject's eyes in focus by setting [ : Eye detection] to an option other than [Disable] (...
Page 508 None The camera determines the main subject automatically from how you compose shots, without detecting subjects. Tracking frames are not displayed. Caution The following kinds of subjects may not be detected. • Extremely small or large • Too bright or dark •...
Page 509 Manually selecting a subject for focus Check the tracking frame. Aim the camera at the subject. An AF point (or Zone AF frame) appears on the screen if you have set [ : AF area] to an option other than [Whole area AF]. In this case, aim the AF point over the subject.
Page 510 Focus and shoot/record. A tracking frame is displayed (in green for One-Shot AF or blue for Servo AF) when you press the shutter button halfway, and the camera beeps (only for One-Shot AF). An orange tracking frame indicates that the camera could not focus on subjects.
Page 511 Caution In still photo shooting, tapping the screen to focus will focus with [One-Shot AF], regardless of the AF operation setting. If the subject's face is significantly out of focus, face detection will not be possible. Adjust the focus manually ( ) so that the face can be detected, then perform AF.
Page 512 Eye Detection You can shoot with the eyes of people or animals in focus. Select [ : Eye detection] ( Select an option. Disable Eye detection is not performed. Auto The eye for AF operation is selected automatically after eye detection. Right eye/Left eye Gives priority to the selected eye for AF, after eye detection.
Page 513 Aim the camera at the subject. A tracking frame is displayed around their eye. To choose an eye to focus on when [ : AF area] is set to [Whole area AF], either tap the screen or use < >. As you use < >, the tracking frame changes again to [ You can also tap the screen to choose an eye, when [...
Page 514 Action Priority Soccer, volleyball, or basketball players you are shooting can be treated as priority subjects for detection and AF tracking, based on typical movements (actions) in each sport. Caution Unintended tracking may occur if this feature is used for other sports or general photography.
Page 515 Select [Sport events]. Select an option. Select a sport, then press < >.
Page 516 Caution The following kinds of subjects may not be recognized as priority subjects based on their movement. • Small subjects • Too bright or dark • Partially hidden or outside the angle of view • Facing away from the camera •...
Page 517 Tracking with a Button You can press a button assigned to [Start/stop whole area AF tracking] in [ : Customize buttons for shooting] to track subjects with a tracking frame [ ]. This example is based on assigning the < >...
Page 518 Press the < > button. The AF point changes to a tracking frame [ ], which locks on to that subject for tracking and follows the subject within the screen if it moves. To cancel tracking, press the < > button again. The tracking frame changes to [ ] when multiple subjects can be detected, and you can use <...
Page 519 Manually Setting AF Points or Zone AF Frames You can manually set the AF point or Zone AF frame. Here, Flexible Zone AF 1 screens are used as an example. Check the AF point. The AF point (1) will appear. With Expand AF area: or Expand AF area: Around, adjacent AF points are also displayed.
Page 520 Focus and take the picture. Aim the AF point over the subject and press the shutter button halfway. When focus is achieved, the AF point turns blue. If focus is not achieved, the AF point will turn orange. Caution The camera will keep moving the AF point [ ] to track subjects when set to Flexible Zone AF and Servo AF, but under some shooting conditions (such as when subjects are small), it may not be possible to track the subject.
Page 521 Adjusting the Zone AF Frame Size You can resize the Zone AF frame displayed for Flexible Zone AF 1–3. Press the < > button during shooting screen display. Press the < > button. Adjust the Zone AF frame size. Use the < >...
Page 522 Registering AF Points (Home Position) You can register the position of a frequently used AF point. To switch from the current AF point to your registered AF point, you can use a button you assign to recalling the home position on advanced setting screens for [Direct AF point selection], [Metering and AF start], [Switch to registered AF point], or [Register/recall shooting func] in [ Customize buttons for shooting] ( Select your preferred AF area.
Page 523 Note To clear registered AF points, hold down the < > button and press the < > button, or press and hold the < > button. You can also clear registered AF points by clearing all camera settings. You can register separate home positions for each camera orientation when the orientation-linked AF point setting ( ) is set to [Separate AF pts: Area+pt] or [Separate AF pts: Pt only].
Page 524 Magnified View To check the focus, you can magnify display by approx. 6× or 15× by pressing the < > button (or tapping [ Magnification is centered on the tracking frame when the tracking frame is white (as an active frame) after subject detection. Magnification is centered on the AF point (in the center of the screen) when subjects are detected and the tracking frame is gray, or when subjects cannot be detected.
Page 525 AF Shooting Tips Even when focus is achieved, pressing the shutter button halfway will focus again. Image brightness may change before and after autofocusing. Depending on the subject and shooting conditions, it may take longer to focus, or the continuous shooting speed may decrease. If the light source changes as you shoot, the screen may flicker, and focusing may be difficult.
Page 526 Shooting Conditions That Make Focusing Difficult Subjects with low contrast, such as a blue sky or flat surfaces in solid colors, or other cases when highlight or shadow details are clipped. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards, etc.).
Page 527 AF Range The available autofocus range varies depending on the lens used and settings such as aspect ratio, movie recording size, and Movie digital IS.
Page 528: Manual Focus
Manual Focus Setting MF Peaking (Outline Emphasis) Focus Guide You can magnify display to check the focus when you are focusing manually. Set the focus mode to MF. For RF lenses with a focus mode switch Set the lens's focus mode switch to < >.
Page 529 Magnify the image. Each press of the < > button changes the magnification ratio, as follows. Move the magnified area. Use < > to move the magnified area into position for focusing. To center the magnified area, press < > straight in. Adjust the focus position.
Page 530 Setting MF Peaking (Outline Emphasis) Edges of subjects in focus can be displayed in color to make focusing easier. You can set the outline color and adjust the sensitivity (level) of edge detection. Select [ : MF peaking settings] ( Select [Peaking].
Page 531 MF peaking may be hard to discern under the following settings. Set [ HDR/C.Log View Assist.] as needed. • With [ : Custom Picture] gamma set to [Canon Log 2], [Canon Log 3], or [PQ] • With [ HDR shooting (PQ)] set to [HDR PQ]...
Page 532 Focus Guide Setting [ : Focus guide] to [On] provides a guide frame that shows which direction to adjust focus and the extent of adjustment needed. You can also use eye control to display the focus guide at your preferred position. For details, see Using Eye Control for Select [ : Focus guide] (...
Page 533 The guide frame indicates the current position in focus and adjustment amount as follows. Toward infinity Much adjustment needed Toward infinity Slight adjustment needed In focus Toward close range Slight adjustment needed Toward close range Much adjustment needed...
Page 534 Adjustment information not detected Caution Under difficult shooting conditions for AF ( ), the guide frame may not be displayed correctly. Higher aperture values are more likely to prevent correct guide frame display. No AF points are displayed while the guide frame is displayed. The guide frame is not displayed in these situations.
Page 535: Registering People To Prioritize
When using this feature, be aware of the need to protect personal information and comply with privacy regulations, as by asking people for their consent before registering their information. Canon cannot be held liable for any personal information issues arising from use of this feature.
Page 536 Registering Faces Registering people by taking their picture Select [ : Register people priority] ( Select [Photograph people and register].
Page 537 Aim the frame over the face of a person to register, then take their picture. Shoot under ample light with the subject facing you. Ask subjects to pose with a natural facial expression before you shoot. For best results, ask subjects to take off any hats, masks, sunglasses, or other coverings before you take their picture.
Page 538 Registering people from images on the card JPEG or HEIF images can be used. Process any RAW images you will use into JPEGs or HEIFs before saving them to the card. Caution With the following images, detection may be less accurate, and it may not be possible to register faces.
Page 539 Switch to playback. Press < >. Select a face. For pictures that show more than one person, you can use the < > < > dials or < > to move the orange frame over the face to register. Press < >.
Page 540 Select [OK]. After the following screen appears, you can register another person's face. Display when registered faces are detected A white frame with [ ] appears on any registered faces that are detected on the shooting screen. Note that [ ] is not displayed when One-Shot AF or Servo AF is used.
Page 541 Note When [ : Subject to detect] is set to an option other than [People], priority is given to the subject specified in that setting.
Page 542 Changing or Removing the Priority of Registered People You can change detection priority by rearranging registered people. You can also remove registered people. Changing detection priority Select [Change/del. priority of reg. people]. Select the face of a registered person. Select with the < >...
Page 543 Change the priority. Move with the < > < > dials or < >, then press < >. When finished changing priority, press the < > button. Removing registered people Select the face of a registered person. Select with the < >...
Page 544 Select [OK]. Press the < > button to exit.
Page 545 Enabling Detection of Registered People's Faces Select [Register people priority]. Select [Enable].
Page 546 Clearing All Registered People Delete all registered information before disposing of the camera or transferring ownership. Select [Delete all registered people]. Press < >.
Page 547 Select [OK]. Press < >. Note Performing [Factory reset] in [ : Reset camera] also clears the information for all registered people.
Page 548 Registered face data can be saved to a card. Registered data on a card can be used with other EOS R5 Mark II or EOS R1 cameras. You can also use registered data from other EOS R5 Mark II or EOS R1 cameras.
Page 549 Select [Save registration data on card]. Select [Save registration data on card] to save the camera's registered data to the card. To rename the registered data file before saving it, press the < > button on the following screen. To load registered data from the card and overwrite existing data on the camera, select [Load from card (overwrite)].
Page 550: Servo Af Characteristics
Servo AF Characteristics Case Auto Case Manual Shooting with optimal Servo AF for your subject or shooting situation is easy. Case Auto You can set Servo AF tracking parameters (subject tracking sensitivity and acceleration/ deceleration tracking) for the subject and shooting situation. Select [ : Case Auto].
Page 551 Adjust [Case Auto character.]. Press the < > button. The selected parameter is outlined in purple. Press < > to select [Case Auto character.]. To select an adjustment value, use the < > or < > dial. Default settings are indicated by a light gray [ ] icon. Press <...
Page 552 Case Auto tracking parameters It may be easier to focus if you modify the default Case Auto setting. Standard setting. Generally recommended, as an option that is useful in many situations. Locked on: –1 Keeps the tracked subject in focus as much as possible, even if objects are momentarily in front of it, or if it strays from AF points after moving suddenly.
Page 553 Case Manual You can set Servo AF tracking parameters as needed for shooting conditions. Select [ : Case Manual]. Turn the < > dial to select [M], then press < >. The case is set to manual and [M] is displayed in blue.
Page 554 Adjust [Case Manual] tracking parameters. Press the < > button. The selected parameter is outlined in purple. Use the < > or < > dial to select a setting to adjust, then press < >. To select an adjustment value, use the < >...
Page 555 Tracking sensitivity Setting for Servo AF subject-tracking sensitivity in response to non-subjects moving across AF points or subjects straying from AF points. Standard setting. Suitable for moving subjects in general. Locked on: –2 / –1 The camera will try to continue focusing on the subject even if non-subjects move across AF points or if the subject strays from the AF points.
Page 556 Acceleration/deceleration tracking Setting for subject-tracking sensitivity in response to sudden, significant changes in speed, as when subjects suddenly start or stop moving. Suited for subjects that move at a steady speed (minor changes in moving speed). –2 / –1 Suited for subjects that move at a steady speed (minor changes in moving speed). Effective when a setting of 0 makes focus unstable, due to slight subject movement or an obstruction in front of the subject.
Page 557: Customizing Af Functions
Customizing AF Functions [Customize AF operation] [Customized controls] [MF related] [Various settings/Various settings] [Subject detection] (in movie recording) [Servo AF character.] (in movie recording) You can configure AF functions in detail to suit your shooting style or subject.
Page 558 [Customize AF operation] Servo 1st image priority You can set AF operating characteristics and shutter-release timing for the first shot with Servo AF. : Equal priority Equal priority is given to focusing and shutter-release timing. : Release Pressing the shutter button takes the picture immediately even if focus has not been achieved.
Page 559 One-Shot AF release priority You can specify whether to prioritize focus or release timing for One-Shot AF (except when shooting with Touch Shutter). : Focus The picture will not be taken until focus is achieved. Useful when you want to achieve focus before capturing the image.
Page 560 Preview AF Keeps subjects generally in focus before you start shooting. When set to [Enable], the camera is ready to focus immediately after you press the shutter button halfway. Caution Fewer shots are available when set to [Enable], because the lens is driven continuously and battery power is consumed.
Page 561 Lens operation when AF is not available You can specify lens operation that applies when autofocusing on a subject is not possible. ON: Continue focus search If focus cannot be achieved with autofocus, the lens is driven to search for the precise focus.
Page 562 AF-assist beam firing You can enable or disable AF-assist beam firing of the camera or a Speedlite for EOS cameras. ON: Enable Enables firing of the AF-assist beam, when needed. OFF: Disable Disables firing of the AF-assist beam. Set if you prefer not to fire the AF-assist beam. LED: LED AF assist beam only Enables LED AF-assist beam firing by Speedlites equipped with this feature, when these flash units are attached.
Page 563 [Customized controls] Limit AF areas You can limit the AF areas available to the areas that you normally use. Select available AF areas and press < > to add a checkmark [ ]. Select [OK] to register the setting. For details on AF areas, see Area.
Page 564 Orientation-linked AF points You can set separate types of AF areas or positions of AF points for vertical and horizontal shooting. : Same for both vert/horiz The same AF points or Zone AF frames in the same AF areas are used in both vertical and horizontal shooting.
Page 565 Limit subject to detect You can limit the available setting options in [ : Subject to detect] to your preferred options. Select an option to exclude and press < > to clear [ ]. Select [OK] to register the setting. Caution The [ ] mark cannot be cleared from all items at the same time.
Page 566 Left/right eye detection You can limit the available setting options in [ : Eye detection] to your preferred options. Select an option to exclude and press < > to clear [ ]. Select [OK] to register the setting. Caution The [ ] mark cannot be cleared from all items at the same time. Note An asterisk to the right of [ : L/R eye detection] indicates that the default...
Page 567 Manual focus adjustment is always available when the camera is on with certain lenses* attached. Turning the lens focusing ring after One-Shot AF magnifies the area in focus. With other lenses, operation is the same as [One-Shot→enabled]. * 1: For details on lenses compatible with this feature, check the Canon website (...
Page 568 Caution With [One-Shot→enabled (magnify)], display may not be magnified even if you turn the lens focusing ring while pressing the shutter button halfway immediately after shooting. If so, you can magnify display by releasing the shutter button, waiting for [ ] display, then pressing the shutter button halfway as you turn the lens focusing ring.
Page 569 [Various settings/Various settings] Register/recall AF-related settings You can save current AF settings and apply them all at once. Caution Current camera settings are listed on the screen in step 4, which is used to register settings. The items listed on this screen cannot be changed. The following [ ] tab items are not available for this feature.
Page 570 Select a name for the settings. ] is displayed by names for which AF settings have not been registered yet. To rename the settings, press the < > button. Select the AF settings to register. All selected AF settings will be registered. To clear or reselect settings, turn the <...
Page 571 Recall Select [ : Register/recall AF-related settings] ( Select [Recall]. Select a name for the settings. Turn the < > dial to select a name, then press < > to confirm your selection. Review the registered details and select [OK]. You can use <...
Page 572 AF Setting Guide URL Select [ : AF Setting Guide URL] ( ) to display the QR code. Scan the QR code with your smartphone to access the AF Setting Guide.
Page 573 [Subject detection] (in movie recording) Switching tracked subjects You can set how easily the camera switches tracked subjects. Standard After determining the main subject from how your shot is composed, the camera tracks subjects or switches to others accordingly. Locked on Switches tracked subjects later than with [Standard].
Page 574 * Lenses supporting slow focus transition during movie recording USM and STM lenses released in and after 2009 are compatible. For details, refer to the Canon website ( Caution With certain lenses, even if you adjust the AF speed, the speed may not change.
Page 575 Movie Servo AF tracking sensitivity You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness if the subject strays from the AF point during Movie Servo AF, as when interfering objects move across AF points or when you pan. This function is available when [Movie Servo AF] in [ : Movie Servo AF] is set to [Enable].
Page 576: Focus Preset
Focus Preset You can set your preferred focus positions in advance on the camera when using RF or RF-S lenses. Saved focus preset positions can be applied by pressing a button during standby. Registering a focus position on the camera Focus at the focusing distance to register as a preset, then press the button assigned to [Register focus preset].
Page 577: Selecting The Drive Mode
Selecting the Drive Mode Switching Continuous Shooting Modes Single and continuous drive modes are provided. You can select the drive mode suiting the scene or subject. Press the < > button ( With an image displayed on the screen, press the < >...
Page 578 Select the drive mode. Turn the < > dial to make a selection. : Single shooting When you hold down the shutter button completely, only one shot will be taken. : High-speed continuous shooting + When you hold down the shutter button completely, you can shoot continuously as described below while you keep holding it down, based on the [ : Shutter mode] setting.
Page 579 AF operation, type of lens, use of flash, and shooting settings. Visit the Canon website for details on lenses supporting the maximum continuous shooting speed ( Continuous shooting speed with Servo AF may be slower depending on subject conditions or the lens used.
Page 580 Switching Continuous Shooting Modes In electronic shutter mode, you can temporarily change the continuous shooting mode by pressing the button assigned to [Switch cont. shooting modes] in [ : Customize buttons for shooting]. This example is based on assigning [ ] to the <...
Page 581: Using The Self-Timer
Using the Self-Timer Use the self-timer when you want to be in the picture such as a commemorative photograph. Press the < > button ( With an image displayed on the screen, press the < > button. Select the drive mode item. Press the <...
Page 582 Select the self-timer. Turn the < > dial to select the self-timer. : Shoot in 10 sec. : Shoot in 2 sec. : Shoot continuously in 10 sec. for the specified number of shots* * Set the number of shots taken continuously (2–10), either in [ : Drive mode] or on the Quick Control screen.
Page 583 Note ] is used to start shooting without touching the camera (to avoid camera shake) when it is mounted on a tripod for shots such as still lifes or long exposures, for example. After taking self-timer shots, playing back the image ( ) to check focus and exposure is recommended.
Page 584: Remote Control Shooting
Remote Control Shooting Wireless Remote Control BR-E1 Remote Switch RS-80N3 / Timer Remote Controller TC-80N3 For remote control shooting, you can use an optional Wireless Remote Control BR-E1 (Bluetooth) or an optional Remote Switch RS-80N3 or Timer Remote Controller TC-80N3 (both wired).
Page 585 Remote Switch RS-80N3 / Timer Remote Controller TC-80N3 Once connected to the camera, the switch enables you to shoot remotely over a wired connection. For operating instructions, refer to the accessory instruction manual. Open the terminal cover. Connect the plug to the remote control terminal.
Page 586: Playback
Playback This chapter covers topics related to playback—playing back captured still photos and movies—and introduces menu settings on the playback [ ] tab. Caution Normal display or configuration on this camera may not be possible for images captured on other cameras, or images from this camera that have been edited or renamed on a computer.
Page 587 • Playback Grid • Movie Play Count...
Page 588: Tab Menus: Playback
Tab Menus: Playback File operation Protect images Erase images Rotate stills Change mov rotate info Rating Image copy Print order Image processing RAW image processing In-Camera Upscaling Resize Cropping HEIF→JPEG conversion...
Page 589 Caution : RAW image processing] and [ : HEIF→JPEG conversion] are not displayed in [ ] or [ ] mode. Playback method Slide show VR preview Set image search conditions View from last seen Magnification Blur/Out-of-Focus image detection Various settings Playback information display Highlight alert AF point disp.
Page 590: Image Playback
Image Playback Single-Image Display Shooting Information Display Touch Playback Single-Image Display Switch to playback. Press the < > button. The last image captured or played back is displayed. Browse images. Turn the < > dial to browse images. Movies and still photos are displayed one after another regardless of which was captured first.
Page 591 Each time you press the < > button, the display will change. No information Basic information display Shooting information display Exit image playback. Press the < > button to exit image playback and return to shooting standby. Note Lines indicating the image area are shown on RAW images captured with [ Cropping/aspect ratio] set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)] ( If the search conditions are set with [...
Page 592 Shooting Information Display With the shooting information screen displayed ( ), you can press < > up or down to view other information. You can also customize the information displayed, in [ : Playback information display] (...
Page 593 Touch Playback The camera features a touch-screen panel that you can touch to control playback. Supported touch operations are like those used with smartphones and similar devices. First, press the < > button to prepare for touch playback. Browse images Jump display Index display...
Page 594 Magnified view Note You can also magnify display by double-tapping with one finger.
Page 595: Magnified Image Display
Magnified Image Display Setting the Initial Magnification Ratio Setting the Initial Magnification Position Magnification for Subsequent Images You can magnify display of your captured images. Magnify the image. Turn the < > dial clockwise. The magnified view will appear. The position of the magnified area (1) is displayed in the lower right of the screen, along with [ To magnify images, turn the <...
Page 596 Scroll the image. Use < > to scroll around the magnified image. Press the < > or < > button to exit magnified view. Note To switch to other images while maintaining magnified view, turn the < > dial. Magnification is not available for movies. You can also magnify images by pressing <...
Page 597 Setting the Initial Magnification Ratio You can set the initial magnification ratio. Select [ : Magnification] ( Select [Magnificatn (apx)]. Select an option. 2x, 4x, 8x, 10x Magnified view starts at the selected magnification ratio. Actual size Displays images essentially full-size, based on their pixels. Same as last Magnified view resumes from the same ratio as the last time you exited magnified view with the <...
Page 598 Setting the Initial Magnification Position You can set the initial magnification position. Select [ : Magnification] ( Select [Magnified position]. Select an option. From center Magnified view starts from the center of the screen. From focus pt Magnified view starts from the AF point in focus. If the photo is taken with manual focus, the magnified view starts from the center of the screen.
Page 599 Magnification for Subsequent Images You can specify whether to maintain the same position for magnified view or to use the position set in [Magnified position] when displaying subsequent images. Select [ : Magnification] ( Select [Maintain position]. Select an option. Enable The current magnified position is maintained when displaying subsequent images in magnified view.
Page 600: Index Display (Multiple-Image Display)
Index Display (Multiple-Image Display) Press the < > button. During image playback, press the < > button. ] will be displayed in the lower right of the screen. Switch to the index display. Turn the < > dial counterclockwise. The 4-image index display will appear. The selected image is highlighted with an orange frame.
Page 602 Browse images. Use < > or the < > dial to move the orange frame for image selection. Press < > in the index display to display the selected image in the single-image display.
Page 603: Voice Memo Recording And Playback
Voice Memo Recording and Playback Recording Voice Memos Memo Audio Quality Playing Voice Memos You can add (record) voice memos to your shots. Voice memos are recorded as WAV audio files with the same file number as the image. They can be played back by the camera or a computer.
Page 604 Record a voice memo. Hold down the < > button for approx. 2 sec. Keep holding down the button after [Recording memo...] appears, and speak into the microphone (1). Each recording can be up to approx. 30 sec. To end the voice memo, release the button. ] icon is displayed at the top of the screen.
Page 605 Caution Voice memos cannot be added to movies. Voice memos cannot be recorded with an external microphone. Voice memos cannot be added to images during transfer to an FTP server. Note Audio quality of voice memo recording can be changed in [ : Memo audio quality].
Page 606 Memo Audio Quality You can set the audio quality for recording voice memos. Select [ : Memo audio quality] ( Select an option. High quality (48 kHz) Enables voice memo recording at the same level of audio quality as movies. Low quality (8 kHz) Enables smaller voice memo file sizes than with [High quality (48 kHz)].
Page 607 Playing Voice Memos This example is based on assigning voice memo playback to the < > button ( Assign [ / ] to the < > button. Select [Play memo(Hold:Rec. memo)], then press < >. Select an image for voice memo playback. Press the <...
Page 608 Play back the voice memo. Press the < > button to play back the voice memo through the speaker (2). You can adjust the sound volume by turning the < > dial. To stop playback, press the < > button. Note Multiple voice memos added to an image are played back consecutively.
Page 609: Movie Playback
Movie Playback Switch to playback. Press the < > button. Select a movie. Turn the < > dial to select a movie to play. In single-image display, the [ ] icon displayed in the upper left of the screen indicates a movie. In index display, perforations at the left edge of a thumbnail indicate a movie.
Page 610 In the single-image display, press < >. Play the movie. Press < > or tap [ The movie will start playing back. Sound is played through the speaker (1). You can pause playback and display the movie playback panel by pressing <...
Page 611 Movie playback panel Item Playback Operations < >Skips backward approx. 1 sec. each time you press < > left. Skip backward Holding < > to the left rewinds the movie. Previous frame Displays the previous frame each time you turn the < >...
Page 612 Controls not on the previous screen are as follows. Item Playback Operations Adjust the slow motion speed by turning the < > dial. The slow Slow motion motion speed is indicated in the upper right of the screen. Available when you play 4K or 8K movies. Enables you to extract the Frame Grab current frame and save it as a JPEG or HEIF still image ( Press the <...
Page 613: 4K/8K Movie Frame Grab
4K/8K Movie Frame Grab From 4K or 8K movies, you can select individual frames to save as JPEG or HEIF still images. This is referred to as “frame grabbing.” Select a 4K or 8K movie. Turn the < > dial to select a movie in 4K or 8K quality. In index display, press <...
Page 614 Press the < > button. Select [ Save. Select [OK] to save the current frame as a JPEG still image. HEIF images are saved if you grab frames from movies recorded with HDR shooting (PQ)] set to [HDR PQ]. Check the destination folder and image file number. Select the image to display.
Page 615 Caution Frame grabbing is not possible from the following 4K movies, or from 8K movies. • RAW movies • Movies recorded with [ : Custom Picture] set • Movies recorded with other cameras Frame grabbing is not possible while the camera is connected to a computer.
Page 616: Playback On A Tv Set
Playback on a TV Set By connecting the camera to a television with a commercially available HDMI cable, you can play back the captured still photos and movies on the television. If the image does not appear on the TV screen, confirm that [ : System frequency] is correctly set to [59.94Hz:NTSC] or [50.00Hz:PAL] (depending on the video system of your television).
Page 617 Press the < > button. Images are now displayed on the television, with nothing displayed on the camera screen. The images will automatically be displayed at the optimum resolution matching the connected television. Caution Adjust movie sound volume with the television. The sound volume cannot be adjusted with the camera.
Page 618: Protecting Images
Protecting Images Protecting Individual Images via the Menu Specifying the Range of Images to Protect Protecting All Images in a Folder or on a Card You can protect important images from being accidentally erased. Caution If you format the card ( ), the protected images will also be erased.
Page 619 Select the image to protect. Turn the < > dial to select an image to protect. Protect the image. Press < > to protect the selected image, after which it will be labeled with a [ ] icon (1) at the top of the screen. To cancel protection and clear the [ ] icon, press <...
Page 620 Specifying the Range of Images to Protect While looking at the images in the index display, you can specify the first and last images for a range to protect all the specified images at once. Select [Select range]. Select [Select range] in [ : Protect images].
Page 621 Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ : Protect images], all the images in the folder or on the card will be protected.
Page 622: Erasing Images
Erasing Images Erasing Images Individually Selecting ([ ]) Multiple Images to Erase Together Specifying the Range of Images to Erase Erasing All Images in a Folder or on a Card You can either select and erase unnecessary images individually or erase them in one batch.
Page 623 Erase the images. JPEG/HEIF/RAW images or movies Select [Erase]. RAW+JPEG/RAW+HEIF images Select an option. For images with voice memos, you can also erase just the voice memo during image playback by selecting [Erase voice memo]. Series of images captured in [ ], [ ], or [ ] drive mode are...
Page 624 Selecting ([ ]) Multiple Images to Erase Together By adding checkmarks to the images to be erased, you can erase all those images at once. Select [ : Erase images] ( Select [Select and erase images]. Select an image. Turn the < >...
Page 625 Erase the images. Select [OK].
Page 626 Specifying the Range of Images to Erase While looking at the images in the index display, you can specify the first and last images for a range to erase all the specified images at once. Select [Select range]. Select [Select range] in [ : Erase images].
Page 627 Erase the images. Select [OK].
Page 628 Erasing All Images in a Folder or on a Card You can erase all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ : Erase images], all the images in the folder or on the card will be erased.
Page 629: Rotating Still Photos
Rotating Still Photos You can use this feature to rotate the displayed image to the desired orientation. Select [ : Rotate stills] ( Select an image to rotate. Turn the < > dial to select the image. Rotate the image. Each time you press <...
Page 630 Note If you set [ : Auto rotate] to [On ) before taking pictures, you need not rotate the image with this function. If the rotated image is not displayed in the rotated orientation during image playback, set [ : Auto rotate] to [On Movies cannot be rotated.
Page 631: Changing Movie Orientation Information
Changing Movie Orientation Information You can manually edit movie playback orientation information (which determines which side is up). Select [ : Change mov rotate info] ( Select a movie. Turn the < > dial to select a movie with orientation information to change.
Page 632 Caution Movies are played horizontally on the camera and via HDMI video output, regardless of the [ : Add rotate info] setting ( Movie orientation information of movies recorded with other cameras cannot be edited with this camera.
Page 633: Rating Images
Rating Images Rating Individual Images with the < > Button Rating Individual Images via the Menu Rating by Specifying the Range Rating All Images in a Folder or on a Card You can rate images on a scale of 1–5 ( ).
Page 634 Rating Individual Images via the Menu Select [ : Rating] ( Select [Select images]. Select the image to be rated. Turn the < > dial to select the image to be rated.
Page 635 Rate the image. Press < >, and a blue highlight frame will appear as shown in the screen shown above. Turn the < > dial to select a rating mark, then press < >. When you append a rating mark to the image, the number beside the set rating will increase by one.
Page 636 Rating by Specifying the Range While looking at the images in the index display, you can specify the first and last images for a range to rate all the specified images at once. Select [Select range]. Select [Select range] in [ : Rating].
Page 637 Rate the image. Turn the < > dial to select a rating mark, then select [OK]. All the images in the specified range will be rated (same rating) at once.
Page 638 Rating All Images in a Folder or on a Card You can rate all the images in a folder or on a card at once. Under [ : Rating], when you select [All images in folder] or [All images on card], all the images in the folder or on the card will be rated.
Page 639 Note Values next to ratings are displayed as [###] if more than 1,000 images have that rating. With [ : Set image search conditions] and [ : Image jump w/ ], you can display only the images given a specific rating.
Page 640: Copying Still Photos
Copying Still Photos Copying Individual Images Copying a Range of Images Copying All Images in a Folder or on a Card You can copy the images on one card to the other card to save duplicates. All images in a folder or on a card can also be copied at the same time. Caution Movies recorded by this camera cannot be copied.
Page 641 Copying Individual Images Select [ Image copy] ( Select [Sel.Image]. Check the source and target card numbers and the free space on the target card. Select [Sel.Image], then press < >. Select the folder. (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number...
Page 642 Select an image to copy. (1) Total images selected Turn the < > dial to select an image to copy, then press < >. To select another image to copy, repeat step 4. Press the < > button. Select [OK]. Check the target card, then select [OK].
Page 643 Select the target folder. Select the folder to copy the image to, then press < >. To create a new folder, select [Create folder]. Select [OK]. Check the information about the source and target card, then select [OK]. Results are displayed after copying is finished. Select [OK] to return to the screen in step 2.
Page 644 Copying a Range of Images You can copy all specified images at once by selecting the first and last images in a range as you look at images in the index display. Select [Range]. Select the folder. Select the source folder, then press < >.
Page 645 Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select another image to copy, repeat step 3. Press the <...
Page 646 Copying All Images in a Folder or on a Card You can copy all the images in a folder or on a card at once. Selecting [Sel. ] or [All images] in [ Image copy] copies all the images it contains.
Page 647: Print Ordering (Dpof)
Print Ordering (DPOF) Setting Print Options Selecting Images for Printing DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or create a print order for a photofinisher. You can set the print settings such as print type, date imprinting, file number imprinting, etc.
Page 648 Set the options as desired. Set [Print type], [Date], and [File No.] options. Standard Prints one image on one sheet. Multiple thumbnail images are printed Index Print type on one sheet. Prints both the standard and index Both prints. [On] imprints the recorded date of the captured Date image.
Page 649 Caution If you print an image with a large image size using the [Index] or [Both] setting ), the index print may not be printed with certain printers. In this case, resize the image ( ), then print the index print. Even if [Date] and [File No.] are set to [On], the date or file number may not be imprinted, depending on the print type setting and printer.
Page 650 Selecting Images for Printing Selecting images Select and specify the images individually. Press the < > button to save the print order to the card. Standard/Both (1) Quantity (2) Total images selected Press < > to print a copy of the displayed image. By turning the < >...
Page 651 Selecting multiple images Select range Select [Select range] in [Multiple]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be specified for printing. All images in a folder Select [Mark all in folder] and select the folder.
Page 652: Raw Image Processing
RAW Image Processing Magnified View Processing Images with Specified Aspect Ratios RAW Image Processing Options You can process images with the camera to create JPEG or HEIF images. RAW images are not affected, so different conditions can be applied to create JPEG or HEIF images.
Page 653 Select images Turn the < > dial to select images to process, then press < >. Press the < > button. Select range Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 654 Set the desired processing conditions. Use shot settings Images are processed using image settings at the time of capture. Images captured with [ HDR shooting (PQ)] set to [HDR PQ] are processed to create HEIFs, and images captured with this function set to [Disable] are processed to create JPEGs.
Page 655 Save. When using [Set up processing→JPEG] or [Set up processing→ HEIF], select [ ] (Save). Read the message and select [OK]. If there are other images for processing, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Page 656 Magnified View You can magnify images displayed for [Set up processing→JPEG] or [Set up processing →HEIF] by pressing the < > button. The magnification ratio varies depending on the [Image quality] setting. With < >, you can scroll around the magnified image. To cancel the magnified view, press the <...
Page 657 Processing Images with Specified Aspect Ratios JPEG or HEIF images at the specified aspect ratio are created when you process RAW images shot with [ Cropping/aspect ratio] ( ) set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)].
Page 658 RAW Image Processing Options : Brightness adjustment You can adjust the image brightness up to ±1 stop in 1/3-stop increments. : White balance ( You can select the white balance. Selecting [ ] enables you to select [Auto: Ambience priority] or [Auto: White priority]. If you select [ ], you can set the color temperature.
Page 659 : High ISO speed NR ( You can set the noise reduction processing for high ISO speeds. If the effect is difficult to discern, magnify the image ( : Neural network Noise Reduction You can obtain clearer images with less noise through noise reduction processing that applies deep learning.
Page 660 : Digital Lens Optimizer ( Correct lens aberration, diffraction, and low-pass filter-induced loss of resolution by applying optical design values. To check the effect of setting this option to [High] or [Standard], use magnified view ( ). Without magnification, the effect when Digital Lens Optimizer is set to [High] is not applied.
Page 661: In-Camera Upscaling
Cropping/aspect ratio] set to an option other than [Full-frame] • RAW images • Images from cameras other than an EOS R5 Mark II • Images already upscaled • Images processed on a camera or in editing software (resized, cropped, or extracted) The effect may not look as expected for images from some shooting situations.
Page 662 Converting Individual Images Select [ In-Camera Upscaling] ( Select [Select images]. Select an image. Turn the < > dial to select an image to upscale, then press < >. To select another image to upscale, repeat step 3. Press the < >...
Page 663 Save. Select [OK] to save the upscaled image. If there are other images for conversion, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Page 664 Specifying the Range of Images to Convert Select [Select range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 665 Save. Select [OK] to save the upscaled image. If there are other images for conversion, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Page 666: Resizing Jpeg/Heif Images
Resizing JPEG/HEIF Images You can resize a JPEG or HEIF image to reduce the pixel count and save it as a new image. Resizing is available for , , or JPEGs or HEIFs (in sizes except ), including those captured in RAW+JPEG and RAW+HEIF shooting. images and RAW images or movies cannot be resized.
Page 667 Save. Select [OK] to save the resized image. Check the destination folder and image file number, then select [OK]. To resize another image, repeat steps 2 to 4.
Page 668: Cropping Jpeg/Heif Images
Cropping JPEG/HEIF Images You can crop a captured JPEG image and save it as another image. Cropping is available for JPEG or HEIF images. RAW images and frame-grab images from 4K or 8K movies cannot be cropped. Select [ : Cropping] ( Select an image.
Page 669 Set the cropping frame. The image area within the cropping frame will be cropped. Resizing the cropping frame size Turn the < > dial to resize the cropping frame size. The smaller the cropping frame, the more magnified the cropped image will look. Correcting tilt You can correct image tilt by ±10°.
Page 670 Save. Turn the < > dial to select [ ], then press < >. Select [OK] to save the cropped image. To upscale images that will be cropped, so that they will be saved at a higher resolution, press the < >...
Page 671: Converting Heif To Jpeg
Converting HEIF to JPEG Converting Individual Images Specifying the Range of Images to Convert You can convert HEIF images captured in HDR shooting and save them as JPEG images. Caution Some scenes may look different after conversion if the original and converted images are compared.
Page 672 Select an image. Turn the < > dial to select an HEIF image to convert to JPEG, then press < >. To select another image to convert, repeat step 3. Press the < > button to convert to JPEG. Save. Select [OK] to save the JPEG image.
Page 673 Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Page 674 Specifying the Range of Images to Convert Select [Select range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 675 Save. Select [OK] to save the JPEG image. If there are other images for conversion, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Page 676: Slide Show
Slide Show You can play back the images on the card as an automatic slide show. Specify the images to be played back. To play back all the images on the card, go to step 2. To choose images for the slide show, filter the images with [ : Set image search conditions] ( Select [...
Page 677 Set the playback as desired. Select [Set up]. Display time Repeat Set the [Display time] and [Repeat] (repeated playback) settings for the still photos. After completing the settings, press the < > button.
Page 678 Start the slide show. Select [Start]. After [Loading image...] is displayed, the slide show will start. All movies are played first, followed by all still photos. Exit the slide show. To exit the slide show and return to the setting screen, press the <...
Page 679: Vr Preview
VR Preview You can check a simulated display on the camera screen of how VR content captured with lenses in the EOS VR System will appear on VR display devices. Note For details on recording VR content, refer to the VR Recording Guide. Select [ : VR preview] ( Choose a VR image.
Page 680 Movie playback controls Item Playback Operations Skip backward Skips backward approx. 1 sec. each time you press < > left. Displays the previous frame each time you turn the < > dial left Previous frame while holding down the < >...
Page 681: Setting Image Search Conditions
Setting Image Search Conditions Clearing the Search Conditions You can filter image display according to your search conditions. After setting the image search conditions, you can play back and display only the found images. You can also protect, rate, play a slide show, erase, and apply other operations to filtered images. Select [ : Set image search conditions] ( Set the search conditions.
Page 682 Apply the search conditions. Read the message displayed, then select [OK]. The search condition is applied. Display the found images. Press the < > button. Only the images that match the set conditions (filtered) will be played back. When the images are filtered for display, the screen will have an outer yellow frame (2).
Page 683 Note Search conditions may be cleared after operations involving camera power or card changes and editing, adding, or erasing images. Auto power off time may be extended while the [ : Set image search conditions] screen is displayed. Clearing the Search Conditions Access the screen in step 2, then press the <...
Page 684: Resuming From Previous Playback
Resuming from Previous Playback Select [ : View from last seen] ( Select an option. [Enable]: Playback resumes from the last image displayed (unless you have just finished shooting). [Disable]: Playback resumes from your most recent shot whenever the camera is restarted.
Page 685: Blur/Out-Of-Focus Image Detection
Blur/Out-of-Focus Image Detection Configuring Blur/Out-of-Focus Image Detection Playback Applying Blur/Out-of-Focus Image Detection This feature can automatically determine how blurry or out-of focus images are, based mainly on faces in JPEG/HEIF images of people. By setting a level of blurriness or lack of focus, you can sort, protect, or rate all images at that level.
Page 686 Caution Blur/out-of-focus detection is not performed for images captured under these conditions. • RAW images, or JPEG/HEIF images from RAW processing • Without using the electronic shutter • Using manual focus • [ : Subject to detect]: [None] • Focus bracketing •...
Page 687 Note In DPP, you can sort and filter images based on the camera's blur/out-of-focus detection results.
Page 688 Configuring Blur/Out-of-Focus Image Detection Select [ : Blur/Out-of-Focus image detection] ( Set the blur/out-of-focus detection items. Icon display...
Page 689 Show detect. frame Detection level Levels of blur/out-of-focus detection are based on these criteria. Standard: ] (little blurring/lack of focus) is displayed for images that are fairly clear and in focus when viewed with the naked eye at actual size. High: ] (little blurring/lack of focus) is displayed for images that are clearer and more in focus than [Standard].
Page 690 Playback Applying Blur/Out-of-Focus Image Detection You can configure playback so that turning the < > dial displays images determined to be only a little blurry or out of focus. Quick Control Press the < > button and set [Image jump w/ ] to [Display image with less blur/ Out-of-Focus].
Page 691: Customizing Playback Information Display
Customizing Playback Information Display Histogram You can specify screens and accompanying information displayed during image playback. Select [ : Playback information display] ( Add a checkmark [ ] next to the number of screens to display. Select numbers with the < >...
Page 692 Histogram The histograms show signal levels across the tonal range. Brightness display (for checking the general exposure level and overall gradation) and RGB display (for checking saturation and gradation of red, green, and blue) are available. You can switch the histogram displayed by pressing the <...
Page 693 [Brightness] display This histogram is a graph showing the distribution of the image's brightness level, with the horizontal axis indicating the brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each brightness level. The more pixels there are toward the left, the darker the image, and the more pixels there are toward the right, the brighter the image.
Page 694 [RGB] display This histogram is a graph showing the distribution of each primary color's brightness level in the image (RGB or red, green, and blue), with the horizontal axis indicating the color's brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each color brightness level.
Page 695: Displaying The Highlight Alert
Displaying the Highlight Alert You can specify blinking display of overexposed highlights on the playback screen. To obtain more detailed gradation in the blinking areas where you want the gradation to be faithfully reproduced, set the exposure compensation to a negative amount and shoot again for a better result.
Page 696: Af Point Display
AF Point Display You can display the AF points that were used to focus, which will be outlined in red on the playback screen. Select [ : AF point disp.] ( Select [Enable].
Page 697: Playback Grid
Playback Grid You can display a grid over still photos shown in single-image display on the playback screen. This function is convenient for checking the image's vertical or horizontal tilt as well as composition. Select [ : Playback grid] ( Select an option.
Page 698: Movie Play Count
Movie Play Count You can select how time is displayed on the movie playback screen. Select [ : Movie play count] ( Select an option. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback.
Page 699 Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting. The [Movie play count] setting in [ : Time code] is linked to the [ : Movie play count], so that these settings always match.
Page 700: Communication Functions
Caution Important Note that Canon cannot be held liable for any loss or damage caused by erroneous network settings when using the camera. In addition, Canon cannot be held liable for any other loss or damage caused by use of the camera.
Page 701 • Checking Network Settings • Wireless Communication Status • Checking the MAC Address • App Selection for USB Connections • Save/Load Communication Settings on Card • Resetting Communication Settings...
Page 702: Tab Menus: Communication Functions
Network settings Network settings Airplane mode Bluetooth settings Camera name Error details MAC address Network function Transfer images to FTP server Connect to EOS Utility Upload to image.canon Sync time between cameras Connect to smartphone(tablet) Live streaming Connect to Wireless Remote...
Page 703 Network function Camera Control API Various settings GPS device settings Choose USB connection app Save/load comm. settings on card Reset communication settings Caution Some menu items cannot be configured while the camera is connected to computers or other devices via an interface cable. The Wi-Fi connection will be terminated if you set the camera's power to <...
Page 704: Available Network Features
Uploading images to image.canon ( Link the camera to image.canon to send images directly from the camera. Syncing time between cameras ( You can set the sender camera time on up to 10 receiver cameras.
Page 705 Using Camera Control API (CCAPI) ( Camera Control API is an HTTP-based application programming interface for controlling Canon cameras over a network. You can connect the camera to a smartphone (or tablet) or computer and control the camera from an application using CCAPI.
Page 706: Preparing To Use Communication Functions
Uploading images to image.canon A smartphone with a browser and internet connection is required. For instructions on how to use image.canon services and details on countries and regions where it is available, visit the image.canon site (https://image.canon/). Separate ISP connection and access point fees may apply.
Page 707 Linked shooting The following cameras or combinations of cameras and accessories can be used in linked shooting. EOS R1 EOS R5 Mark II EOS-1D X Mark III with Wireless File Transmitter WFT-E9B connected EOS R5 with Wireless File Transmitter WFT-R10B connected...
Page 708: Network-Specific Preparation
Network-Specific Preparation Wired LAN Connections Wi-Fi Connections Wired LAN Connections Use of wired LAN with the camera requires Battery Grip BG-R20EP or Cooling Fan CF-R20EP (both sold separately). Connect a LAN cable to the Ethernet RJ-45 terminals of the battery grip and the computer or access point.
Page 709 Caution Use a highly shielded Category 6A or higher STP (Shielded Twisted Pair) Gigabit LAN cable.
Page 710 Wi-Fi Connections When using the camera in infrastructure mode, make sure the smartphone or computer you will use can connect to the access point. Caution Transferring movies Each movie file is large, and transferring large files over Wi-Fi may take some time. Referring to Wireless Communication Precautions, arrange your network...
Page 711: Transferring Images To An Ftp Server
Transferring Images to an FTP Server Configuring FTP Server Connection Settings Editing/Deleting Devices for Connections Reconnecting Using Connection Information Transferring Images Individually Transferring Multiple Images at Once Using the [ Image sel./transfer] Screen Adding a Caption Before Transfer Auto Retry If Transfer Fails Using the Power Saving Function Protecting Images after Transfer Viewing Transferred Images...
Page 712 Configuring FTP Server Connection Settings For secure FTP transfer using a root certificate, import a root certificate ( Select [ Transfer images to FTP server] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable].
Page 713 Select an option. Select [OK] to go to the next screen. Selecting [Configure offline] will keep the camera disconnected from the network after configuration. Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings.
Page 714 Select an option. Select [OK] to go to the next screen. For instructions on configuring communication functions, see Basic Communication Settings. Save the settings. Press < >. After you finish the communication settings, configure FTP transfer. Select an option. For secure FTP transfer using a root certificate, select [FTPS]. For secure FTP transfer over an SSH connection, select [SFTP].
Page 715 Configure the FTP server settings. Select [Address setting] or [Port number setting], then press < > to display the setting screen. Select [OK] to go to the next screen. Configure the SSH login authentication settings. Displayed if you selected [SFTP] as the FTP mode. Select [User name] or [Password], then press <...
Page 716 Select an option. Displayed if you selected [FTP] or [FTPS] as the FTP mode. Enable this setting in network environments protected by a firewall. Select [OK] to go to the next screen. If an Error 41 (Cannot connect to FTP server) is displayed while you are configuring the connection, setting [Passive mode] to [Enable] may resolve it.
Page 717 Select an option. Displayed if you selected [FTP] or [FTPS] as the FTP mode. Select [OK] to go to the next screen. Note If you have selected [Login password], enter the name and password.
Page 718 Specify a target folder. Select [Root folder] to have images saved in the root folder, as specified in FTP server settings ( Select [Select folder] to access the setting screen. Select [OK] to go to the next screen. Note When the following message appears, select [OK] to trust the target server.
Page 719 Press < >. The FTP settings are saved. This screen is not displayed if you selected [Configure offline] as the method of configuration. Connection settings for FTP transfer are now complete. Note When images to transfer are selected, the following screen is displayed. Select [OK] to transfer the images (...
Page 720 [ Communicating] screen Image sel./transfer Images can be transferred to an FTP server ( Transfer with caption You can add a registered caption to individual images before transfer ( FTP transfer settings You can configure settings related to FTP transfer and power saving. •...
Page 721 Importing a root certificate for FTPS If you specified [FTPS] FTP mode when configuring connection settings, the root certificate used by the FTP server must be imported to the camera. Only the root certificate with a file name of “ROOT.CER,” “ROOT.CRT,” or “ROOT.PEM” can be imported to the camera.
Page 722 Select [Set root certif]. Select [Load root certif from card]. Select [OK]. The root certificate is imported. Select [OK] on the confirmation screen to return to the [Set root certif] screen. Note To delete the root certificate imported to the camera, select [Delete root certificate] on the screen in step 5.
Page 723 Editing/Deleting Devices for Connections Before editing or deleting connection settings for other devices, end the Wi-Fi connection. This section covers items not described in Configuring FTP Server Connection Settings. Select [ Transfer images to FTP server] ( Select [Edit/delete device]. Select the device.
Page 724 Changing device nicknames You can change the nickname of devices the camera connects to. FTP server You can configure FTP server settings. Directory structure Default The server root folder is used for image storage. If you have created a subfolder in the root folder by changing the [Target folder] setting, images are saved in that folder.
Page 725 Note Even if [Enable] is selected when you resend images that could not be transferred initially, existing images may not be overwritten in some cases. If this happens, the new file is saved with an extension consisting of an underscore, a letter, and a numeral, as in IMG_0003_a1.JPG.
Page 726 Reconnecting Using Connection Information The configured connection information can be used to connect again. Select [ Transfer images to FTP server] ( Select the device. Select [OK].
Page 727 Transferring Images Individually Automatic transfer after each shot Specifying sizes or types of images to transfer Transferring the current image Automatic transfer after each shot Each image can be immediately transferred to the FTP server automatically after your shot. You can continue shooting still photos as usual while images are being transferred. Before shooting, make sure a card is in the camera.
Page 728 Select [Enable]. Take the picture. The captured image is transferred to the FTP server. Caution Images cannot be erased during image transfer. Note Captured images are also stored on the card. Any images for which transfer fails or is interrupted will be transferred automatically when the connection is recovered ( ).
Page 729 Specifying sizes or types of images to transfer You can specify which images to transfer when recording images of different sizes to both cards, or when shooting RAW+JPEG or RAW+HEIF images. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot.
Page 730 Select the type of images to transfer. Shooting RAW+JPEG Choose from [JPEG only], [RAW only] or [RAW+JPEG]. Shooting RAW+HEIF Choose from [HEIF only], [RAW only] or [RAW+HEIF]. Note [Separate JPEGs] or [Separate HEIFs] determines the image size transferred if Rec options] in [ : Record func+card/folder sel.] is selected with different image quality set for each card ( When the camera is set to record RAW images to one card and JPEGs or HEIFs to the other, specify which images to transfer in the [Shooting RAW+JPEG] or...
Page 731 Transferring the current image Enables you to transfer the image you are viewing simply by pressing < >. You can continue shooting still photos as usual while images are being transferred. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot.
Page 732 Transferring Multiple Images at Once After shooting, you can select multiple images and transfer them all at once, or you can transfer unsent images or images that could not be sent previously. You can continue shooting still photos as usual during transfer. Caution Transfer is paused in the following cases.
Page 733 Using the [ Image sel./transfer] Screen Selecting ([ ]) multiple images to transfer Specifying a range of images to transfer Transferring all images in a folder Transferring all images on a card From the [ Image sel./transfer] screen, you can select multiple images and transfer them all at once.
Page 734 Select the image to transfer. Use the < > dial to select an image to transfer, then press < >. Use the < > dial to add a checkmark [ ] in the upper left of the screen, then press < >.
Page 735 Specifying a range of images to transfer You can transfer multiple images by specifying a range. Select [Range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 736 Select [Transfer]. Select [OK]. The selected images are transferred to the FTP server.
Page 737 Transferring all images in a folder You can transfer all the images in a folder at once. Select [Sel.
Page 738 Select a selection method. Select transfer failed images Selects all images in the selected folder for which transfer failed. Select images not transferred Selects all unsent images in the selected folder. Sel transfer fail img ( only) Selects all protected images in the selected folder for which transfer failed.
Page 739 Select the folder. Select [OK]. Selected images are registered in [Images to transfer]. Select [Transfer].
Page 740 Select [OK]. The selected images are transferred to the FTP server.
Page 741 Transferring all images on a card You can transfer all the images on a card at once. Select [All images].
Page 742 Select a selection method. Select transfer failed images Selects all images on the card for which transfer failed. Select images not transferred Selects all unsent images on the card. Sel transfer fail img ( only) Selects all protected images on the card for which transfer failed. Sel img not transfer.
Page 743 Select [OK]. Selected images are registered in [Images to transfer]. Select [Transfer]. Select [OK]. The selected images are transferred to the FTP server.
Page 744 Adding a Caption Before Transfer You can add a registered caption to each image before transfer. This is convenient if you want to inform the recipient of the printing quantity, for example. Captions are also added to images saved to the camera. You can check captions added to images by examining the Exif information, in the user comments.
Page 745 Specify the caption. Select [Caption], and on the screen displayed, select the content of the caption. Select [Transfer]. The image is transferred with the caption. After transfer, display returns to the [Image transfer] screen. Caution Other images cannot be selected from the [Transfer with caption] screen. To select another image for transfer with a caption, view that image before following these steps.
Page 746 Auto Retry If Transfer Fails If transfer fails, the Wi-Fi icon blinks temporarily. In this case, the following screen is displayed after you press the < > button and select [ Transfer images to FTP server]. To resolve the error displayed, see Responding to Error Messages.
Page 747 Using the Power Saving Function When [Enable] is set and no image is transferred for a certain period, the camera will log off from the FTP server and end the Wi-Fi connection. The connection is re-established automatically when the camera is ready for image transfer again. If you prefer not to end the Wi-Fi connection, set to [Disable].
Page 748 Protecting Images after Transfer To automatically protect images transferred via FTP, set to [Enable] ( Select [ Transfer images to FTP server] ( Select [FTP transfer settings]. Select [Protect images].
Page 749 Viewing Transferred Images Images transferred to the FTP server are stored in the following folder as specified in the FTP server settings. Target folder of the FTP server Under the default settings of the FTP server, images are stored in [C drive] → [Inetpub] folder →...
Page 750 Transferring Image with Content Transfer Professional Using the Content Transfer Professional smartphone app, you can transfer images from the camera to FTP servers over a mobile network connection. For information about the app, see Software/Apps.
Page 751: Connecting To Eos Utility
Connecting to EOS Utility Operating the Camera Using EOS Utility Editing/Deleting Devices for Connections Reconnecting Using Connection Information Transferring Multiple Images at Once (Direct Transfer) Transferring RAW+JPEG or RAW+HEIF Images Creating and Registering Captions This section describes how to connect the camera to a computer and perform camera operations using EOS software or other dedicated software.
Page 752 Select [Add a device to connect to]. Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings. Select an option. Select [OK] to go to the next screen.
Page 753 Save the settings. Press < >. The next screen is displayed after communication settings are complete. Select [OK]. The following message is displayed. “******” represents the last six digits of the MAC address of the camera to be connected.
Page 754 Steps on the computer Start EOS Utility. Connect the computer to the network and start EOS Utility. In EOS Utility, click [Pairing over Wi-Fi/LAN]. If a firewall-related message is displayed, select [Yes]. Click [Connect]. Select the camera to connect to, then click [Connect].
Page 755 Steps on the camera (2) Establish a connection. Select [OK] to go to the next screen. The [ Communicating] screen is displayed on the camera ( The camera and computer are now connected.
Page 756 Communicating] screen Image sel./transfer You can use the camera to transfer images to a computer ( Set up direct transfer You can specify the format of images to transfer to a computer ( Confirm settings You can check setting details. Error details You can check the details of any errors that occur ( Disconnect...
Page 757 Editing/Deleting Devices for Connections Before editing or deleting connection settings for other devices, end the connection. This section covers items not described in Operating the Camera Using EOS Utility. Select [ Connect to EOS Utility] ( Select [Edit/delete device]. Select the device. Select the device for the connection, then press <...
Page 758 Changing device nicknames You can change the nickname of devices the camera connects to. Communication settings You can change communication settings as needed ( Deleting connection information You can delete the connection information.
Page 759 Reconnecting Using Connection Information The configured connection information can be used to connect again. Select [ Connect to EOS Utility] ( Select the device. Select [OK].
Page 760 Transferring Multiple Images at Once (Direct Transfer) With the camera connected to a computer (via Wi-Fi or an interface cable) and the main EOS Utility window displayed, you can use the camera to transfer images to a computer. Caution If you will transfer many images, consider using a household power outlet accessory (sold separately).
Page 761 Transferring RAW+JPEG or RAW+HEIF Images For RAW+JPEG or RAW+HEIF images, you can specify which image to transfer. Select [ Connect to EOS Utility] ( Select [Set up direct transfer]. Select the type of images to transfer. RAW+JPEG transfer Choose from [JPEG only], [RAW only] or [RAW+JPEG]. RAW+HEIF transfer Choose from [HEIF only], [RAW only] or [RAW+HEIF].
Page 762 Creating and Registering Captions You can create captions and register them on the camera to use them as described in Adding a Caption Before Transfer. Start EOS Utility and select [Camera settings]. Select [WFT Captions].
Page 763 Enter the captions. Enter up to 31 characters (in ASCII format). To acquire caption data stored on the camera, select [Load settings]. Set the captions on the camera. Select [Apply to camera] to set your new captions on the camera.
Page 764: Uploading Images To Image.canon
Link the camera to image.canon to send images directly from the camera. A smartphone with a browser and internet connection is required. For instructions on how to use image.canon services and details on countries and regions where it is available, visit the image.canon site (https://image.canon/).
Page 765 Select [Connect]. If the app has not been installed, select [Install]. Select [OK]. Use the app to scan the QR code. Select [OK] to go to the next screen.
Page 766 Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings. Select [OK]. For instructions on configuring communication functions, see Basic Communication Settings.
Page 767 Complete the settings. Press < >. The setting menu is displayed on the camera screen. Note The [ ] icon changes to [ Check the app. Confirm that the camera model name is registered in the app.
Page 768 [Upload to image.canon] screen Auto send ( You can choose whether to upload images automatically. Movie(s) to send You can select the type of movies uploaded. Still image(s) to send You can select the type of still photos uploaded. Switch network You can change the settings for network connections.
Page 769 Uploading Images to image.canon Images are automatically uploaded to image.canon after the camera starts up (or recovers from auto power off). Images uploaded to image.canon can be downloaded to a computer or transferred to other web services. Uploading is not possible during interval timer shooting.
Page 770 ) will be uploaded. Only proxy Only proxy movies ( ) will be uploaded. None No movies will be uploaded. Restart the camera. Note Uploaded still photos and movies are stored at image.canon for 30 days at the original size, without storage limitations.
Page 771: Syncing Time Between Cameras
Syncing Time Between Cameras Preparing for Time Syncing Syncing the Time You can set the sender camera time on up to 10 receiver cameras. Note that even after synchronization, a slight margin of error applies between sender and receiver camera time (of ±0.05 seconds, at most).
Page 772 Preparing for Time Syncing Wired LAN connections With only one receiver camera Connect a LAN cable to the Ethernet RJ-45 terminal of the sender and receiver cameras. (A) Sender camera (B) Receiver camera (C) LAN cable With multiple receiver cameras Connect a LAN cable from the Ethernet terminal of the sender and receiver cameras to a hub.
Page 773 Caution Use a highly shielded Category 6A or higher STP (Shielded Twisted Pair) Gigabit LAN cable.
Page 774 Syncing the Time Preparing the sender camera First, set up the camera to use as a sender. Select [ Sync time between cameras] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable]. Select [OK].
Page 775 Select an option. Select [OK]. Select [Sender]. Select [OK] to go to the next screen. After the screen is displayed, the camera is ready.
Page 776 Preparing receiver cameras Set up cameras to use as receivers. Follow steps 1–4 in Preparing the sender camera. Select [Receiver]. Select [OK] to go to the next screen. Select [OK]. The following screen is displayed. To set the time on multiple receiver cameras, follow steps 1–3 on each receiver camera.
Page 777 Syncing time between sender and receiver cameras Sync the time on the sender and receiver cameras as follows. Follow steps 1–5 in Preparing the sender camera and steps 1–3 in Preparing receiver cameras. Start time synchronization on the sender camera. Check the number of receiver cameras that are connected, then select [OK].
Page 778: Connecting To A Smartphone Or Tablet
Connecting to a Smartphone or Tablet Turning on Bluetooth and Wi-Fi on a Smartphone Installing the App on a Smartphone Bluetooth Pairing and Wi-Fi Connection to Smartphones Main Functions of Camera Connect Maintaining a Wi-Fi Connection When the Camera Is Off Connecting to Smartphones without Bluetooth Pairing Editing/Deleting Devices for Connections Reconnecting Using Connection Information...
Page 779 Turning on Bluetooth and Wi-Fi on a Smartphone Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that pairing with the camera is not possible from the smartphone's Bluetooth settings screen.
Page 780 Installing the App on a Smartphone Install the app on an Android smartphone or an iPhone. Use the latest version of the smartphone OS. The app can be installed from Google Play or App Store. Google Play or App Store can also be accessed using the QR codes that appear when the camera is paired or connected via Wi-Fi to a smartphone.
Page 781 Bluetooth Pairing and Wi-Fi Connection to Smartphones Select [ Connect to smartphone(tablet)] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable]. Select [Camera Connect]. Select [Add a device to connect to].
Page 782 Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable]. A message is displayed if the camera is already paired with another device. Select [OK] to end the current Bluetooth connection. Press < >.
Page 783 Start pairing. Press < > to start pairing. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press < > to start pairing. Start Camera Connect.
Page 784 Establish a Bluetooth connection. When a message appears on the smartphone, use the smartphone as indicated. Press < >.
Page 785 Complete the connection process. Press < >. The name of the connected device is displayed. Caution Bluetooth connection consumes battery power even after the camera's auto power off is activated. Therefore, the battery level may be low when you use the camera. Troubleshooting pairing Keeping pairing records for previously paired cameras on your smartphone will prevent it from pairing with this camera.
Page 786 Confirm that the devices are connected via Wi-Fi. After a Wi-Fi connection is established, the camera screen switches to shooting standby. Selecting [ Connect to smartphone(tablet)] will display the [ Communicating] screen on the camera ( The Wi-Fi connection to a smartphone is now complete. To end the Wi-Fi connection, select [Disconnect] on the [ Communicating] screen.
Page 787 [ Communicating] screen Send to smartphone after shot Images can be transferred to a smartphone automatically ( Confirm settings You can check setting details. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the Wi-Fi connection.
Page 788 Main Functions of Camera Connect Images on camera Images can be browsed, deleted, or rated. Images can be saved on a smartphone. Remote live view shooting Enables remote shooting as you view a live image on the smartphone. Auto transfer Enables camera and app setting adjustment for automatic transfer of your shots ( Bluetooth remote controller Enables remote control of the camera from a smartphone paired via Bluetooth.
Page 789 Maintaining a Wi-Fi Connection When the Camera Is Off Even when the camera power switch is set to < >, as long as it is paired to a smartphone via Bluetooth, you can use the smartphone to browse images on the camera or perform other operations.
Page 790 Connecting to Smartphones without Bluetooth Pairing This section describes how to establish a direct Wi-Fi connection with a smartphone without Bluetooth pairing. Connecting to a Smartphone or Tablet Select [ : Connect to smartphone(tablet)] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable].
Page 791 Select an option. If you have selected [Camera Connect], select [Use different connection method] on the [Camera Connect] screen. If you have selected [Content Transfer Professional], select [Add a device to connect to] on the [Content Transfer Professional] screen.
Page 792 Install the app on a smartphone. If the app is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install the app, then press < >. Select [New settings]. Select [OK] to go to the next screen.
Page 793 Save the settings. Press < >. After the communication settings are complete, a message on the camera requests you to connect from the smartphone. Start the app. Following the instructions in the app, select the camera. Select [OK]. The [ Communicating] screen is displayed on the camera (...
Page 794 Editing/Deleting Devices for Connections Before editing or deleting connection settings for other devices, end the Wi-Fi connection. Select [ Connect to smartphone(tablet)] ( Select [Edit/delete device]. Select the intended device. Select an option.
Page 795 Changing device nicknames You can change the nickname of devices the camera connects to. Communication settings Configurable settings include the wireless LAN and IP address. Selecting [Wireless LAN] enables you to change the target SSID, for example. Selecting [TCP/IPv4] enables you to configure network-related settings such as the IP address.
Page 796 Reconnecting Using Connection Information The configured connection information can be used to connect again. Select [ Connect to smartphone(tablet)] ( Select the device. [ ]: Bluetooth pairing, [ ]: Wi-Fi connections Select [OK]. If you have selected Bluetooth pairing, the following screen is displayed, and you will use the app.
Page 797 Automatic Image Transfer to a Smartphone as You Shoot Your shots can be automatically sent to a smartphone. Before following these steps, make sure the camera and smartphone are connected via Wi-Fi. Select [ Connect to smartphone(tablet)] ( Select [Send to smartphone after shot]. Set [Auto send] to [Enable].
Page 798 Sending Images to a Smartphone from the Camera You can use the camera to send images to a smartphone connected via Wi-Fi. Displaying the menu screen Switch to playback. Press the < > button ( Select [Send images to smartphone]. If you perform this step while connected via Bluetooth, a message is displayed requesting you to establish a Wi-Fi connection.
Page 799 Select an image. Turn the < > dial to select images to send, then press < >. Images can be selected by touch from index display ( Press < >. The menu is displayed.
Page 800 Setting the size of images to send Select an option. In [Size to send], you can select the size of images to send. Note When sending multiple images, you can also change [Size to send] as needed on the confirmation screen before sending.
Page 801 Sending the current image Select an option. In [Size to send], you can select the size of images to send. Select [Send img shown].
Page 802 Selecting and sending images Select [Send selected]. Select images to send. Turn the < > dial to select images to send, then press < >. To switch to selecting images from 3-image display, turn the < > dial counterclockwise. To return to single-image display, turn the <...
Page 803 Select an option. In [Size to send], you can select the size of images to send. Select [Send].
Page 804 Sending a selected range of images Select [Send range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 805 Select an option. In [Size to send], you can select the size of images to send. Select [Send].
Page 806 Sending all images on a card Select [Send all card]. Select an option. In [Size to send], you can select the size of images to send. Select [Send].
Page 807 Sending images found by searching Send all the images that match the search conditions set in [ : Set image search conditions] at once. For details on [ : Set image search conditions], see Setting Image Search Conditions. Select [Send all found]. Select an option.
Page 808 Ending image transfer Press the < > button on the image transfer screen. To end the Wi-Fi connection, select [Disconnect] on the [ Communicating] screen. Caution During the image transfer operation, a picture cannot be taken even if the camera's shutter button is pressed.
Page 809: Live Streaming
Live Streaming Pairing with a Smartphone via Bluetooth Setting Up Streaming You can live-stream images from the camera. Check the streaming requirements and terms of service in advance on the streaming site. Pairing with a Smartphone via Bluetooth Prepare the smartphone ( Select [ Connect to smartphone(tablet)] ( Select [OK].
Page 810 Select [Camera Connect]. Select [Add a device to connect to]. Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable].
Page 811 Press < >. Start pairing. Press < > to start pairing. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press < >...
Page 812 Establish a Bluetooth connection. Press < >. Complete the connection process. Press < >. When a message appears on the smartphone, use the smartphone as indicated. The name of the connected device is displayed. Press the < > button.
Page 813 Setting Up Streaming Switch to movie recording ( Select [ Live streaming] ( Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings. Select [OK].
Page 814 Complete the streaming settings in Camera Connect. Select the streaming platform you will use, then configure the settings accordingly. You can enter a URL on the screen to select a streaming site. Set the streaming quality, based on your communication environment. Start streaming.
Page 815 Once the camera becomes hot, ] appears on the screen as a warning. Note that Canon is in no way responsible for third-party services. No image is recorded to the card during streaming (but a card must be in the camera).
Page 816: Connecting To A Wireless Remote Control
Connecting to a Wireless Remote Control Deleting Connection Information Reconnecting Using Connection Information This camera can also be connected to Wireless Remote Control BR-E1 (sold separately, via Bluetooth for remote control shooting. Select [ Connect to Wireless Remote] ( Select [Add a device to connect to].
Page 817 Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable]. A message is displayed if the camera is already paired with another device. Select [OK] to end the current Bluetooth connection. Pair the devices. When the screen shown above appears, press and hold the <W>...
Page 818 Set up the camera for remote shooting. For instructions after the pairing is complete, refer to the BR-E1's Instruction Manual. Caution Bluetooth connections consume battery power even after the camera's auto power off is activated. Note When you will not use Bluetooth, setting [ : Bluetooth settings] to [Disable] is recommended (...
Page 819 Deleting Connection Information You can delete the connection information. Pairing information for any connected BR-E1 units will deleted. Select [ Connect to Wireless Remote] ( Select [Delete connection information]. Select [OK].
Page 820 Reconnecting Using Connection Information When paired via Bluetooth with another device, the camera can use the connection information to reconnect. Select [ Connect to Wireless Remote] ( Select the device. The device to connect to changes to the selected device. Press <...
Page 821: Using Camera Control Api (Ccapi)
Before using an application or other product applying the Camera Control API (CCAPI),* prepare the camera for CCAPI control by connecting it to the smartphone, tablet, or computer you will use. * Camera Control API is an HTTP-based application programming interface for controlling Canon cameras over a network. Setting a Port Number...
Page 822 Select an option. Port no. (HTTP) The HTTP port number can be changed as needed. Port no. (HTTPS) The HTTPS port number can be changed as needed. HTTPS Set to [Disable] when using HTTP.
Page 823 Configuring User Authentication Select [ Camera Control API] ( Enter the camera name after the camera displays [Register a nickname to identify the camera. This nickname will be used for Wi-Fi and Bluetooth connections.] Select [User authentic.]. Select use of user authentication. If you have selected [Enable], enter the [User name] and [Password] in [Edit account].
Page 824 Select [Edit account]. Set the user name. Press < > to access the virtual keyboard ( ), then enter the user name. After input, select [OK]. Set the password. Press < > to access the virtual keyboard ( ), then enter the password.
Page 825 Configuring the Connection Select [Connect]. Select [Add with wizard]. To configure connection details, select [Add manually]. Select an option. [Wired ] is displayed when a wired LAN is available. Select [OK] to go to the next screen. For instructions on configuring communication functions, see Basic Communication Settings.
Page 826 Set the user name. Press < > to access the virtual keyboard ( ), then enter the user name. Select [OK] to go to the next screen. Set the password. Press < > to access the virtual keyboard ( ), then enter the password.
Page 827 Establish a Wi-Fi connection. When the screen above appears on the camera, use the smartphone, computer, or other device to access the indicated URL from the application developed for camera control. Display of the screen above on the camera indicates that a connection has been established.
Page 828 [ Communicating] screen The following operations are available from the [ Communicating] screen. Confirm settings You can check setting details. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the connection.
Page 829 Changing Settings You can change the settings when the camera is not connected. Check/edit connections Check or edit connection settings. Select [Check/edit connections]. Select the intended device.
Page 830 Select items to check or change. Wireless LAN (or Wired) When wireless LAN settings have been configured, you can change the SSID (network name) and details such as the connection method, security, and type of encryption. TCP/IPv4 You can change the TCP/IPv4 settings. TCP/IPv6 You can change the TCP/IPv6 settings.
Page 831: Gps Device Settings
GPS Device Settings GPS Receiver GP-E2 Smartphone GPS Connection Display You can geotag images with GPS Receiver GP-E2 (sold separately) or a smartphone. GPS Receiver GP-E2 Attach GP-E2 to the camera. Attach GP-E2* to the camera's hot shoe and turn it on. For details, refer to the GP-E2 Instruction Manual.
Page 832 Update the GP-E2 firmware to Ver. 2.0.0 or later. Firmware updating requires an interface cable. For updating instructions, visit the Canon website. GP-E2 cannot be connected to the camera with a cable. The camera does not record the shooting direction.
Page 833 Smartphone Complete these settings after installing the Camera Connect smartphone app ( On the smartphone, activate location services. Establish a Bluetooth connection. Start Camera Connect and pair the camera and smartphone via Bluetooth. Select [ : GPS device settings] ( Select [Select GPS device].
Page 834 GPS Connection Display You can check the status of smartphone location information acquisition in the GPS connection icon on the screens for still photo shooting or movie recording ( respectively). Gray: Location services are off Blinking: Location information cannot be acquired On: Location information acquired For details on how GPS connection status is indicated when GP-E2 is used, refer to the GP-E2 Instruction Manual.
Page 835 Geotagging information You can check geotag information by displaying a shot, pressing the < > button to access playback screens with detailed information, and then pressing < > vertically. (1) Latitude (2) Longitude (3) Elevation (4) Coordinated Universal Time (UTC) Caution The smartphone can acquire location information only while it is paired with the camera via Bluetooth.
Page 836 Note Movies are tagged with the geotag information acquired when you start recording. Coordinated Universal Time, abbreviated as UTC, is essentially the same as Greenwich Mean Time.
Page 837: Linked Shooting
Linked Shooting Basic Linked Shooting Positioning the Cameras In linked shooting over wireless LAN, you can coordinate shooting by up to 10 receiver cameras with a sender camera that you shoot from. Note that there is a slight delay in the shutter release timing between the sender and receiver cameras.
Page 838 Basic Linked Shooting Link the sender and receiver cameras for basic linked shooting. Preparing the sender camera First, set up the camera to use as a sender. Select [ : Network settings] ( Select [Enable]. Select [Connection settings].
Page 839 Select [LinkedShot]. Use the < > dial to select [LinkedShot] at the bottom. Select [Create with wizard]. Select [Sender]. Select [OK].
Page 840 Select [Auto connect]. Select [OK]. After the screen is displayed, the camera is ready. Up to nine compatible receiver cameras can be linked when you select [Manual connect].
Page 841 Preparing receiver cameras Set up cameras to use as receivers. Follow steps 1–5 in Preparing the sender camera. Select [Receiver]. Select [OK] to go to the next screen.
Page 842 Select [OK]. The following screen is displayed. When using multiple receiver cameras, repeat steps 1–3 on each receiver camera. More receivers cannot be added after setup is complete. In that case, you will need to configure the settings again from step 1. The number of receiver cameras detected is displayed on the sender camera screen.
Page 843 Connecting the sender and receiver cameras Use the sender and receiver cameras to establish a connection. Follow steps 1–7 in Preparing the sender camera and steps 1–3 in Preparing receiver cameras. On the sender camera, select [OK]. Check the number of receiver cameras that are connected, then select [OK].
Page 844 Press < > on all of the cameras. Sender camera Receiver camera Display returns to the [Network settings] screen.
Page 845 Positioning the Cameras (A) Sender camera (B) Receiver camera Position receiver cameras where there is an unobstructed line of sight to them from the sender camera. Receiver cameras can be positioned up to approx. 50 m from the sender camera. However, the effective range for linked shooting may be shorter depending on wireless communication conditions, which are affected by factors such as camera positioning, the environment of use, and weather conditions.
Page 846 Note In linked shooting, pressing the AE lock or depth-of-field preview button executes focusing and metering just as pressing the shutter button halfway does. Once you have established a connection between sender and receiver cameras, the settings are retained even after changes such as replacing the batteries. If you will no longer use a receiver camera in linked shooting, set [LinkedShot] in [Connection settings] on the receiver camera to [Disconnect].
Page 847: Basic Communication Settings
Basic Communication Settings Connecting via Wired LAN Connecting via WPS Connecting to Detected Networks Connecting by Entering a Network Name Connecting in Camera Access Point Mode Setting the IP Address Manually Configuring IPv6 Registering Sets of Communication Settings as Connection Settings This section describes how to configure communication settings and register them in [Comm settings].
Page 848 In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
Page 849 Select [NW*]. Select [Create with wizard]. Select an option. Select [OK] to go to the next screen. Selecting [Configure offline] will keep the camera disconnected from the network after configuration.
Page 850 Select [Wired Select [OK] to go to the next screen. Select an option. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually.
Page 851 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
Page 852 Connecting via WPS Register communication settings with WPS (Wi-Fi Protected Setup) as follows. WPS connections Options for connection methods include push-button configuration (PBC) and personal identification number (PIN). When establishing a connection, check the method supported by your access point. The camera and access point can be connected simply by pressing the WPS button on the access point.
Page 853 Select [Manual setting]. Select [Comm settings]. Select [NW*].
Page 854 Select [Create with wizard]. Select [Configure online]. Select [OK] to go to the next screen. Select [Wi-Fi Select [OK] to go to the next screen.
Page 855 Select [Connect with WPS]. Select an option. Select [OK] to go to the next screen. For [WPS (PBC mode)] Press the access point's WPS button. For details on where the button is and how long to press it, refer to the access point user manual. Select [OK] to initiate connection with the access point.
Page 856 For [WPS (PIN mode)] On the access point, enter the 8-digit PIN code displayed on the camera screen. For instructions on entering PIN codes on the access point, refer to the access point's Instruction Manual. Select [OK] to go to the next screen. Connect to the access point.
Page 857 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
Page 858 Connecting to Detected Networks Register communication settings by choosing the network name from a list of detected access points. Adding the connection with the wizard Select [ : Network settings] ( In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
Page 859 Select [NW*]. Select [Create with wizard]. Select [Configure online]. Select [OK] to go to the next screen.
Page 860 Select [Wi-Fi Select [OK] to go to the next screen. Select the network name. (1) Network names (SSIDs) (2) Security icon (for access points with encryption) (3) Channel Use the < > dial to select the name of the network for the connection.
Page 861 Enter the password. Press < > to access the virtual keyboard ( ), then enter the password. Select [OK] to initiate connection with the access point. Select [Auto setting]. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually.
Page 862 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
Page 863 Connecting by Entering a Network Name Register communication settings by choosing the network name from a list of detected access points. Adding the connection with the wizard Select [ : Network settings] ( In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
Page 864 Select [NW*]. Select [Create with wizard]. Select [Configure offline]. Select [OK] to go to the next screen.
Page 865 Select [Wi-Fi Select [OK] to go to the next screen. Select [Infrastructure]. Select [OK] to go to the next screen. Enter the SSID (network name). Press < > to access the virtual keyboard ( ), then enter the SSID. Select [OK] to go to the next screen.
Page 866 Select the type of security. Select [OK] to go to the next screen. The same type of security must be set on both the other device and the camera. See Authentication and data encryption methods for details on types of authentication and encryption. Enter the password.
Page 867 Select an option. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually. Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6.
Page 868 Press < >. The communication settings are saved.
Page 869 Connecting in Camera Access Point Mode Register communication settings for direct connections between the camera and other devices. Adding the connection with the wizard Select [ : Network settings] ( In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
Page 870 Select [NW*]. Select [Create with wizard]. Select an option. Select [OK] to go to the next screen. Selecting [Configure offline] will keep the camera disconnected from the network after configuration.
Page 871 Select [Wi-Fi Select [OK] to go to the next screen. Select [Camera access point mode]. [Configure online] options [Configure offline] options...
Page 872 Select an option. Select [OK] to go to the next screen. If you have selected [Easy connection], a confirmation screen is displayed ( Enter the SSID (network name). Press < > to access the virtual keyboard ( ), then enter the SSID. After input, press <...
Page 873 Select a channel setting option. To specify the settings manually, select [Manual setting], then turn the < > dial. Select [OK] to go to the next screen. Select the type of security. Select [OK] to go to the next screen. If you have selected [None], the [IP address setting (IPv4)] screen is displayed ( Available options vary depending on the [Channel setting] option you...
Page 874 Enter the password. Press < > to access the virtual keyboard ( ), then enter the password. Select how to set the IP address. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually.
Page 875 Press < >. The communication settings are saved.
Page 876 Setting the IP Address Manually Set the IP address as follows if you have selected [Manual setting] on the [IP address setting (IPv4)] screen. Select [Manual setting]. Select [OK] to go to the next screen.
Page 877 Select an option to configure. The items displayed vary depending on the communication function. Select an option to access the screen for numerical input. To use a gateway, select [Enable], then select [Address]. To use a DNS address, select [Manual setting], then select [Address].
Page 878 Enter the number. To set the entered numbers and return to the screen for step 2, press the < > button. Select [OK]. When you have completed setting the necessary items, select [OK]. If you are unsure what to enter, see Checking Network Settings or ask the network administrator or other person in charge of the network.
Page 879 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
Page 880 Configuring IPv6 To use IPv6, configure the settings manually. Note If you are unsure what to enter, ask the network administrator or other person in charge of the network. Select [ : Network settings] ( Select [Manual setting]. Select [Comm settings].
Page 881 Select the communication settings that will use IPv6. Select [Change]. Select [TCP/IPv6].
Page 882 Select an option to configure. Use TCP/IPv6 • Select [Enable] or [Disable] for IPv6. Manual setting • To set the IP address manually, select [Enable]. [DNS server] is set to [Manual setting], and you can configure [DNS address], [Manual address], [Prefix length], and [Gateway].
Page 883 DNS server • To set the DNS server IP address manually, select [Manual setting]. • Select [Disable] if you will not use a DNS server. • If the setting is currently [Auto assign], setting [Manual setting] to [Enable] changes it to [Manual setting]. DNS address/Manual address/Gateway •...
Page 884 Prefix length • To set the prefix length, turn the < > dial to select a value (1– 128).
Page 885 Registering Sets of Communication Settings as Connection Settings You can register multiple communication settings (multiple Wi-Fi settings, or combinations of wired LAN and Wi-Fi settings) as a single set of connection settings. With a combination of wired LAN and Wi-Fi settings, communication is restricted to the wired LAN when it is available but otherwise switches to the Wi-Fi connection.
Page 886 Select [SET*]. Select [Create from list]. Select [Func settings *].
Page 887 Select [Select from list]. Select function settings. The function settings are registered, and display returns to the [Change] screen. Select [Comm settings 1].
Page 888 Select [Select from list]. Select communication settings. The first communication settings are registered, and display returns to the [Change] screen. You can register wired LAN or Wi-Fi settings in any order. Select [Comm settings 2].
Page 889 Select [Select from list]. Select communication settings. Note Select Wi-Fi settings if wired LAN settings are already registered in [Comm settings 1], or select wired LAN settings if Wi-Fi settings are already registered in [Comm settings 1]. Exit the screen for changing settings. Press the <...
Page 890 Select [Connect]. Select [OK]. The connection is initiated.
Page 891: Checking And Editing Network Settings
Checking and Editing Network Settings Ending Connections from the [Connection settings] Screen Reconnecting from the [Connection settings] Screen Checking and Editing Connection Settings Manually Editing Connection Settings Specifying Connection Options Ending Connections from the [Connection settings] Screen Select [ : Network settings] ( Select [Connection settings].
Page 892 Select [OK]. The devices are disconnected.
Page 893 Reconnecting from the [Connection settings] Screen Select [ : Network settings] ( Select [Connection settings]. Select [SET*]. In the saved settings, select settings to use for the connection. Select [Connect].
Page 894 Select [OK]. The devices are connected again. If settings were changed on the target device, restore the previous settings to enable connections by the camera.
Page 895 Checking and Editing Connection Settings You can check, change, or delete connection settings saved on the camera. Select [ : Network settings] ( Select [Connection settings]. Select [SET*]. In the saved settings, select settings to use for the connection.
Page 896 Check or change the settings. Change with wizard/Change from list Change connection settings ( Save/load settings on card Save connection settings to a card, or load saved connection settings from a card into the camera ( Delete settings Select to delete connection settings. Selecting [OK] deletes the settings.
Page 897 Changing connection settings Settings originally completed using the connection wizard can be changed as follows. Change with wizard You can use the connection wizard to change connection settings saved on the camera. Access the [Connection settings] screen. Follow steps 1–3 in Checking and Editing Connection Settings.
Page 898 Change from list You can use communication and function settings saved on the camera to change connection settings saved on the camera. You can also register settings names. Access the [Connection settings] screen. Follow steps 1–3 in Checking and Editing Connection Settings.
Page 899 NW*/Comm settings* Select to change, add, or clear communication settings. • Selecting [Select from list] lists communication settings saved on the camera. Select the communication settings to use. To view communication setting details, select settings and press the < > button. •...
Page 900 Saving and loading settings Connection settings can be saved on a card and applied to other cameras. Connection settings configured on other cameras can also be applied to the camera you will use. Note [ : Save/load cam settings on card] enables you to save all communication settings on the camera to a card or load all communication settings for another camera from a card.
Page 901 Select [OK]. The file name is determined automatically by the camera: WFTNPF, followed by a number (01 to 40) and the extension NIF. To rename the file as desired, press the < > button. The settings are saved to the card. The settings file is saved to an area of the card shown when the card is opened (in the root directory).
Page 902 Loading settings Access the [Connection settings] screen. Follow steps 1–3 in Checking and Editing Connection Settings. Select [Save/load settings on card]. Select [Load settings from card]. Select a settings file. Select a settings file that matches your network environment.
Page 903 Select [OK]. Information from the settings file is loaded into the selected settings number. Caution Even if a computer or other device is used to save 41 or more settings files on a card, only 40 are displayed on the camera's screen for loading settings. To load 41 or more settings files, load 40 from one card, then load remaining files from another card.
Page 904 Manually Editing Connection Settings You can add, change, or delete communication and function settings saved on the camera. You can also configure settings that are not set using the connection wizard, such as a setting that determines what happens if files with the same name as existing files are sent to the FTP server.
Page 905 Select [NW*]. Select saved settings to edit. Change, delete, or check the settings as needed. Change Select to change individual settings in sets of communication settings. • Selecting [Wireless LAN] enables you to change the target SSID, for example. • Selecting [TCP/IPv4] enables you to configure network-related settings such as the IP address.
Page 906 Delete settings Select to delete communication settings. Selecting [OK] deletes the settings. Confirm settings Select to check communication settings.
Page 907 Editing function settings Select [ : Network settings] ( Select [Manual setting]. Select [Function settings]. Select [MODE*]. Select saved settings to edit.
Page 908 Change, delete, or check the settings as needed. Change • Selecting [Change mode name] enables you to use the virtual keyboard ( ) to rename the mode.
Page 909 • Selecting [FTP server] enables you to configure settings related to the FTP server. Directory structure of the target folder Overwriting files of the same name Passive mode Trusting target servers Delete settings Select to delete function settings. Selecting [OK] deletes the settings.
Page 910 Confirm settings Select to check function settings.
Page 911 Directory structure of the target folder Configured in [FTP server] → [Directory structure]. With [Default], the root folder is used for image storage. If you have created a subfolder in the root folder by changing the [Target folder] setting, images are saved in that folder. Selecting [Camera] automatically creates a folder structure matching that of the camera's (such as A/DCIM/100EOSR1) in the server's root folder for image storage.
Page 912 Specifying Connection Options You can configure settings used for FTP transfer. Settings are also available for authentication information used in LAN environments with 802.1X authentication. Select [ : Network settings] ( Select [Connection option settings]. Select an option to configure. FTP transfer settings EOS Utility settings Smartphone settings...
Page 913 FTP transfer settings Selecting [FTP transfer settings] enables you to configure settings related to FTP transfer and power saving. Automatic transfer / Images to transfer / Transfer with SET / Set root certif For details, see Transferring Images to an FTP Server.
Page 914 Smartphone settings Selecting [Send to smartphone after shot] in [Smartphone settings] enables you to set the size of images to send automatically. Auto send / Size to send For details, see Automatic Image Transfer to a Smartphone as You Shoot.
Page 915 802.1X authentication Selecting [802.1X authentication] enables you to set, check, or delete 802.1X authentication settings, using a setup wizard. Configure these settings when connecting to networks that require 802.1X authentication. First, save the certificate for the type of 802.1X authentication used to a card in the camera. File types and names that can be loaded using this function are as follows.
Page 916 Note that the camera supports following protocols. Protocol Supported Authentication EAP-TLS X.509, PKCS#12 EAP-TTLS MS-CHAP v2 PEAP MS-CHAP v2 Setup wizard Follow the wizard to configure the authentication settings. Confirm settings Select to check authentication settings. Delete settings Select to delete authentication settings. Selecting [OK] on the screen displayed deletes the settings.
Page 917: Airplane Mode
Airplane Mode You can temporarily disable Wi-Fi and Bluetooth functions. Select [ : Airplane mode] ( Set to [On]. ] is displayed on the screen. Note ] may not be displayed in still photo shooting, movie recording, or playback, depending on display settings. If it is not displayed, press the < >...
Page 918: Bluetooth Settings
Bluetooth Settings Select [ : Bluetooth settings] ( Select an option. Bluetooth If you will not use the Bluetooth function, select [Disable]. Bluetooth address You can check the camera's Bluetooth address. Connect to You can check the name and communication status of the paired device.
Page 919: Renaming The Camera
Renaming the Camera You can change [Camera name], which is displayed on connected devices. Select [ : Camera name] ( Enter text using the virtual keyboard ( When you finish entering characters, press the < > button. Select [OK].
Page 920: Reference
Reference Virtual Keyboard Operations Virtual Keyboard Operations Input area, for entering text Cursor keys, for moving in the input area Current no. of characters/no. available Keyboard Switch input modes Space Delete a character in the input area Exit input Use < >...
Page 921: Error Details
Error Details You can display details of errors affecting the camera's wireless communication functions. Select [ : Error details] ( Review the error details. Details of errors that have occurred are displayed. For more information on errors, see Responding to Error Messages.
Page 922: Responding To Error Messages
Responding to Error Messages Resolve any errors displayed on the camera screen by referring to these examples of corrective actions. When errors occur, the < > lamp on the camera blinks. You can also check error details by accessing [ : Network settings] →...
Page 923 11: Connection target not found In the case of [ Connect to smartphone(tablet)], is the app running? • Establish a connection using the app ( In the case of [ Connect to EOS Utility], is EOS Utility running? • Start EOS Utility and try to connect again ( Are the camera and the access point set to use the same encryption key for authentication? •...
Page 924 21: No address assigned by DHCP server What to check on the camera On the camera, the IP address is set to [Auto setting]. Is this the correct setting? • If no DHCP server is used, configure the setting after setting the IP address to [Manual setting] on the camera ( What to check on the DHCP server Is the power of the DHCP server on?
Page 925 22: No response from DNS server What to check on the camera On the camera, the DNS address is set to [Manual setting]. Is this the correct setting? • If no DNS server is used, set the camera's DNS address setting to [Disable] ( On the camera, does the DNS server's IP address setting match the server's actual address? •...
Page 926 23: Device with same IP address exists on selected network Is another device on the camera network using the same IP address as the camera? • Change the camera's IP address to avoid using the same address as another device on the network. Otherwise, change the IP address of the device that has a duplicate address.
Page 927 What to check on the FTP server Is the FTP server working correctly? • Configure the computer correctly to function as an FTP server. • If applicable, ask your network administrator for the FTP server address and port number, then set them on the camera. Is the power of the FTP server on? •...
Page 928 What to check on the network as a whole Does your network include a router or similar device that serves as a gateway? • If applicable, ask your network administrator for the network gateway address and set it on the camera ( •...
Page 929 44: Cannot disconnect FTP server. Error code received from server. This error occurs from a failure to disconnect from the FTP server for some reason. • Restart the FTP server and camera. 45: Cannot login to FTP server. Error code received from server. What to check on the camera On the camera, is the [Login name] set correctly? •...
Page 930 46: For the data session, error code received from FTP server What to check on the FTP server The connection was terminated by the FTP server. • Restart the FTP server. Do the user rights for the FTP server allow reading, writing, and log access? •...
Page 931 61: Selected SSID wireless LAN network not found Are any obstacles blocking the line of sight between the camera and the antenna of the access point? • Move the antenna of the access point to a position clearly visible from the point of view of the camera.
Page 932 A problem other than error code number 121 to 126 occurred while the camera is connected to the Web service. • Try again to establish the Wi-Fi connection to image.canon. 130: The server is currently busy Please wait a moment and try again The image.canon site is busy at the moment.
Page 933 131: Try again An error occurred when connecting to image.canon over Wi-Fi. • Try again to establish the Wi-Fi connection to image.canon. 132: Error detected on server Try again later The image.canon site is currently offline for maintenance. • Try accessing image.canon over Wi-Fi again later.
Page 934 137: The QR code shown on the camera has expired. Try camera web link setup again. The QR code displayed has expired. • Reconfigure camera web link settings and scan the QR code displayed again on the camera. 161: An error has occurred A streaming error has occurred.
Page 935: Troubleshooting Guide
Troubleshooting Guide Troubleshoot camera issues by checking the camera and connected devices as described in this section. If troubleshooting does not resolve the problem, contact a Canon Service Center for product information and advice on product handling. Cannot transfer images to an FTP server.
Page 936: Wireless Communication Precautions
Wireless Communication Precautions Distance Between the Camera and the Smartphone Installation Location of Access Point Antenna Nearby Electronic Devices Precautions for Using Multiple Cameras If the transmission rate drops, the connection is lost, or other problems occur when using the wireless communication functions, try the following corrective actions.
Page 937 Distance Between the Camera and the Smartphone If the camera is too far from the smartphone, a Wi-Fi connection may not be established even when Bluetooth connection is possible. In this case, bring the camera and the smartphone closer together, then establish a Wi-Fi connection. Installation Location of Access Point Antenna When using indoors, install the device in the room where you are using the camera.
Page 938: Security
Security If security settings have not been properly set, the following problems may occur. Transmission monitoring Third parties with malicious intent may monitor wireless LAN transmissions and attempt to acquire the data you are sending. Unauthorized network access Third parties with malicious intent may gain unauthorized access to the network you are using to steal, modify, or destroy information.
Page 939: Checking Network Settings
Checking Network Settings Windows Open the Windows [Command Prompt], then enter ipconfig/all and press the <Enter> key. In addition to the IP address assigned to the computer, the subnet mask, gateway, and DNS server information are also displayed. macOS In macOS, open the [Terminal] application, enter ifconfig -a, and press the <Return> key. The IP address assigned to the computer is indicated in the [enX] item (X: number) next to [inet], in the format “***.***.***.***”.
Page 940: Wireless Communication Status
Wireless Communication Status Wireless communication status can be checked on the screen. Quick Control screen Information display screen during playback (1) Wi-Fi function (2) Wireless signal strength (3) Bluetooth function...
Page 941 Wi-Fi function indicator Appearance on the Screen Communication Status Wi-Fi Function Wireless Signal Strength When set to [Network: Disable] Not connected Not displayed When set to [Network: Enable] Connecting (blinking) Connected Sending data Connection error (blinking) Bluetooth function indicator Connection Status Appearance on the Screen When set to [Bluetooth: Disable] Not displayed...
Page 942: Checking The Mac Address
Checking the MAC Address You can check the camera's MAC address. Select [ : MAC address] ( Check the MAC address. A QR code with the [Wi-Fi] and [Wired] MAC addresses, product name, serial number, and file name is displayed.
Page 943: App Selection For Usb Connections
Canon app(s) for iPhone Select if you will use an iOS app. For details on the cables required to connect the camera to smartphones, visit the Canon website ( Caution For [Video calls/streaming], consider using an optional household power outlet...
Page 944: Save/Load Communication Settings On Card
Save/Load Communication Settings on Card Settings on the wireless features tab can be saved on a card and applied to other cameras. Settings configured on the wireless features tab on other cameras can also be applied to the camera you will use. Note [ : Save/load cam settings on card] enables you to save all communication settings on the camera to a card or load all communication settings for another...
Page 945 Select [OK]. The file name is set automatically by the camera. To rename the file as desired, press the < > button. The settings are saved to the card. The settings file is saved to an area of the card shown when the card is opened (in the root directory).
Page 946 Loading settings Select [ : Save/load comm. settings on card] ( Select [Load from card]. Select a settings file. Select [OK]. Information from the settings file is loaded.
Page 947 Caution Even if a computer or other device is used to save more than 10 settings files on a card, only 10 are displayed on the camera's screen for loading settings. When you have more than 10 settings files, divide them among multiple cards so that each card has no more than 10.
Page 948: Resetting Communication Settings
Resetting Communication Settings All settings of network features can be cleared. This can prevent the information from being leaked if you lend the camera or transfer ownership. Select [ : Reset communication settings] ( Select [OK]. Caution If you have paired the camera with a smartphone, on the smartphone's Wi-Fi settings screen, remove the Wi-Fi connection information of the camera for which you restored default wireless communication settings.
Page 949: Set-Up
Set-up This chapter describes menu settings on the set-up [ ] tab. to the right of titles indicates functions only available in [Fv], [P], [Tv], [Av], [M], or [BULB] mode. • Tab Menus: Set-up • Selecting Cards for Recording/Playback • Folder Settings •...
Page 950 • Copyright Information • Other Information...
Page 951: Tab Menus: Set-Up
Tab Menus: Set-up File/card setting (1) Record func+card/folder sel. • Selecting Cards for Recording/Playback • Folder Settings File numbering Clip Number File name Format card Auto rotate rotate info...
Page 952 Country/Area/Guidance/Audio settings Date/Time/Zone Language System frequency Help text size Beep Volume Audio monitor Customize display Screen brightness Viewfinder brightness Screen/viewfinder color tone Fine-tune VF color tone Screen/viewfinder display UI magnification HDMI resolution...
Page 953 Various settings Cooling fan settings Shutter at shutdown Sensor cleaning Power saving Note [Cooling fan settings] is displayed when Cooling Fan CF-R20EP (sold separately) is attached. Reset/All settings Reset camera Custom shooting mode (C1-C3) Save/load cam settings on card...
Page 954 Various settings Battery info. Copyright information Manual/software URL Certification Logo Display Firmware...
Page 955: Selecting Cards For Recording/Playback
Selecting Cards for Recording/Playback Recording Method with Two Cards Inserted Recording/Playback Selection with Two Cards Inserted Recording is possible when card is in the camera (except under some conditions). With only one card inserted, there is no need to follow these steps. With two cards inserted, you can select the recording method and card to use for recording and playback as follows.
Page 956 Set the recording method. separate Select [Enable] for automatic configuration of the recording method for still photos and movies. Movies are recorded to card and still photos to card Caution Specifying [Enable] will make [ Rec options], [ options], [ Record/play], and [ Record/play] unavailable.
Page 957 Rec options Set the recording method for still photos. • Standard Records still photos to the card selected in [ Record/play]. • Auto switch card Same as [Standard], but additionally, the camera switches to the other card when one card becomes full. When the camera switches cards, a new folder is created.
Page 958 Note Rec. separately/Rec. to multiple Images are recorded with the same file number to card The number of shots available as shown in the viewfinder and on the Quick Control screen is for the card with less free space. [Card* full] is displayed when one of the cards becomes full, and shooting is no longer possible.
Page 959 • Main Proxy Main movies are recorded to card and proxy movies to card with the same file name (but with _Proxy appended to proxy movies). You can set the file name in the [Movies] setting in [ : File name]. •...
Page 960 Note Main Proxy When recording stops for a main movie, recording also stops for the proxy movie. Main movie recording continues even if proxy movie recording stops. Recording is possible even with only one card loaded. The same angle of view and frame rate is used for proxy movies as for main movies.
Page 961 Recording/Playback Selection with Two Cards Inserted With [ Rec options]/[ Rec options] set to [Standard] or [Auto switch card], select the card for recording and playback. With [ Rec options] set to [Rec. separately] or [Rec. to multiple], or with [ options] set to [ Main Proxy] or [Rec.
Page 962 Note With [Priority: ] set, the camera switches to the priority card when cards are inserted or removed.
Page 963: Folder Settings
Folder Settings Creating a Folder Renaming Folders Selecting a Folder You can create or select the folder for saving still photos. You can also rename folders. Note Movie files are saved in the following folder (with **** indicating the reel number). •...
Page 964 Select [Create folder]. Select [OK]. To rename the folder, select [Change folder name].
Page 965 Renaming Folders Enter letters and numbers of your choice. You can enter five characters. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < > button. Use the < >...
Page 966 Selecting a Folder (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number Select a folder on the folder selection screen. Captured images are stored in your selected folder. Note Folders Folders are named as in “100EOSR5,” with a three-digit folder number followed by five letters or numbers.
Page 967: Still Photo File Numbering
Still Photo File Numbering Continuous Auto Reset Manual Reset Captured still photos saved in a folder are assigned a file number from 0001 to 9999. You can change how the image files are numbered. (Example) (1) File number Select [ : File numbering] (...
Page 968 Set the item. Select [Numbering]. Select [Continuous] or [Auto reset]. If you want to reset the file numbering, select [Manual reset] ( Select [OK] to create a new folder, and the file number will start with 0001. Caution If the file number in folder 999 reaches 9999, shooting will not be possible even if the card still has free space.
Page 969 Continuous For continuous file numbering regardless of switching cards or creating folders File numbering is continuous up to 9999, even if you replace a card, create a folder, or switch the target card (as in → ). This is useful when you want to save images numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one folder on a computer.
Page 970 Auto Reset For restarting file numbering from 0001 after switching cards or creating folders File numbering is reset to 0001 if you replace a card, create a folder, or switch the target card (as in → ). This is useful if you want to organize images by cards or folders. Note that file numbering may continue from any existing images in cards or folders that you switch to.
Page 971 Manual Reset For resetting file numbering to 0001 or starting from 0001 in new folders When you reset the file numbering manually, a new folder is created automatically and the file numbering of images saved to that folder starts from 0001. This is useful, for example, if you want to use different folders for the images taken yesterday and the ones taken today.
Page 972: Movie Clip Numbering
Movie Clip Numbering Continuous Auto Reset Recorded movies saved in a folder are assigned a clip number from 001 to 999. You can change how clips are numbered. (Example) (1) Clip number Select [ : Clip Number] ( Set the item. Select [Continuous] or [Auto reset].
Page 973 Continuous For continuous file numbering regardless of switching cards Clip numbering is continuous up to 999, even if you replace a card or switch the target card (as in → ). This is useful when movies numbered between 001 to 999 on multiple cards will be saved in a single folder on a computer, for example.
Page 974 Auto Reset For restarting clip numbering from 001 after switching cards Clip numbering is reset to 001 if you replace a card or switch the target card (as in → This is useful if you want to organize movies by cards. Note that numbering may continue after the number of any existing movies on cards that you switch to.
Page 975: File Naming
File Naming Registering/Changing Still Photo File Names Movie File Name Settings Registering/Changing Still Photo File Names File names consist of four alphanumeric characters followed by a four-digit file number ( and file extension. You can change the first four alphanumeric characters, which by default are unique for each camera and set when the camera is shipped.
Page 976 Enter letters and numbers of your choice. Enter four characters for User setting 1 or three for User setting 2. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < >...
Page 977 Select a registered file name. Select [File name], then choose a registered file name. Caution An underscore (“_”) cannot be used as the first character. Note Notes on [User setting2] Shooting after you have selected “*** + image size” (as registered to User setting 2) will add a character representing the current image size to your file name as the fourth character.
Page 978 Random component (movie file). User-defined field Five characters, from A to Z and 0 to 9. Default: CANON. Proxy identifier _Proxy is automatically appended to proxy movie files. File names for main and proxy movies is identical except for _Proxy, as described in (9).
Page 979 Configuring movie file names Select [ : File name] ( Select [Movies]. Configure movie file name settings. Camera index Enter two characters of your choice. Set defaults for [Reel Number] and [Clip Number] as needed.
Page 980 User defined Enter letters or numbers of your choice. • You can enter five characters. • By selecting [ ], you can change the input mode. • To delete single characters, select [ ] or press the < > button. •...
Page 981: Card Formatting
Card Formatting If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera. Caution When the card is formatted, all images and data on the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep.
Page 982 Format the card. Select [OK]. For low-level formatting, press the < > button to add a checkmark < > to [Low level format], then select [OK].
Page 983 Conditions requiring card formatting The card is new. The card was formatted by a different camera or a computer. The card is full of images or data. A card-related error is displayed ( Low-level formatting Perform low-level formatting if the card's writing or reading speed seems slow or if you want to totally erase the data on the card.
Page 984: Auto Rotate
Auto Rotate You can change the auto rotation setting that straightens images shot in vertical orientation when they are displayed. Select [ : Auto rotate] ( Select an option. Automatically rotates images for display on both the camera and computers. Automatically rotates images only for display on computers.
Page 985 Caution Images captured with auto rotation set to [Off] will not rotate during playback even if you later set auto rotation to [On]. Note If a picture is taken while the camera is aimed up or down, automatic rotation to the proper orientation for viewing may not be performed correctly.
Page 986: Adding Orientation Information To Movies
Adding Orientation Information to Movies For movies recorded with the camera held vertically, orientation information indicating which side is up can be added automatically to enable playback in the same orientation on smartphones or other devices. Select [ : Add rotate info] ( Select an option.
Page 987: Date/Time/Zone
Date/Time/Zone When you turn on the power for the first time or if the date/time/zone have been reset, follow these steps to set the time zone first. By setting the time zone first, you can simply adjust this setting as needed in the future and the date/time will be updated to match it.
Page 988 Turn the < > dial to select the time zone, then press < >. If your time zone is not listed, press the < > button, then set the difference from UTC in [Time difference]. Turn the < > dial to select a [Time difference] option (+ / − / hour / minute), then press <...
Page 989 Set daylight saving time. Set it as necessary. Turn the < > dial to select [ ], then press < >. Turn the < > dial to select [ ], then press < >. When the daylight saving time is set to [ ], the time set in step 3 will advance by 1 hour.
Page 990 Note Auto power off time may be extended while the [ : Date/Time/Zone] screen is displayed.
Page 991: Language
Language Select [ : Language Set the desired language.
Page 992: System Frequency
System Frequency Set the video system of any television used for display. This setting determines the frame rates available when you record movies. Select [ : System frequency] ( Select an option. 59.94Hz:NTSC For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.).
Page 993: Help
Help Changing the Help Text Size When [ Help] is displayed, you can display a description of the feature by pressing the < > button. Press it again to exit Help display. To scroll the screen when a scrollbar (1) appears on the right, turn the <...
Page 994 Example: [Multi function lock] < >...
Page 995 Changing the Help Text Size Select [ : Help text size] ( Select an option.
Page 996: Beeps
Beeps Select [ : Beep] ( Select an option. Enable The camera beeps after focusing and in response to touch operations. Disable Disables beeping for focusing, self-timer, shutter, and touch operations. Note By default, beeping volume for touch operations is set to [0] (...
Page 997: Volume
Volume The volume of camera sounds is adjustable. Select [ : Volume] ( Select an option. Adjust the volume. Turn the < > dial to adjust the volume, then press < >. Note The camera always beeps, regardless of [ : Shutter mode] settings, with [Always play at release] selected in [Shutter volume] settings.
Page 998: Audio Monitor
Audio Monitor Headphones HDMI Headphones Adjusting the volume Select [ : Audio monitor] ( Select [Headphones]. Select [Volume].
Page 999 Adjust the volume. Turn the < > dial to adjust the volume, then press < >. Note You can use headphones to check sound from the built-in microphone or an external microphone when [ : Sound recording] is set to [On] and [High Frame Rate] is set to [Disable].
Page 1000 Select [Shoot. monitor CH] or [Playback monitor CH]. Select the combination of channels for audio output (L/R). Shoot. monitor CH Playback monitor CH CH1+2 indicates that the signal is a combination of channels 1 and 2. The same applies to CH1+3, CH3+4, and so on. Caution There is no sound from channels 3 and 4 for [Playback monitor CH] when you shoot with [...
Page 1001 Note The audio recording level indicator ( ) on the movie recording screen shows channels selected in [Shoot. monitor CH]. Items that include channels 3 or 4 are not available in [Shoot. monitor CH] with : Audio format] ( ) set to [AAC/16bit/2CH]. 1001...
Page 1002 HDMI Selecting output channels for the HDMI output terminal You can select the combination of channels for output from the HDMI output terminal during shooting or playback. Select [ : Audio monitor] ( Select [HDMI]. Select [Shoot. monitor CH] or [Playback monitor CH]. 1002...

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