Page 1 Advanced User Guide These operating instructions are for the EOS R6 Mark II with firmware ver. 1.4.0 or later installed. CT2-D244-C © CANON INC. 2024...
Page 2: Table Of Contents
Contents Introduction..........10 Package Contents.
Page 3 Portrait Mode..........112 Group Photo Mode.
Page 4 HDR Shooting..........192 HDR Mode.
Page 5 Canon Log Settings........
Page 6 Movie Servo AF..........475 Selecting the AF Area.
Page 7 Connecting to EOS Utility........744 Uploading Images to image.canon....... . . 762 Transferring Images to an FTP Server.
Page 8 Camera Name..........841 GPS Device Settings.
Page 9 Fine-Tuning Viewfinder Color Tone....... . 925 UI Magnification..........926 HDMI Resolution.
Page 10: Introduction
After shooting, play images back and check whether they have been properly recorded. If the camera or memory card is faulty and images cannot be recorded or transferred to a computer, Canon cannot be held liable for any loss or inconvenience caused. Copyrights...
Page 11: Package Contents
), interface cable, or HDMI cable. If you purchased a Lens Kit, check that the lenses are included. Be careful not to lose any of these items. No software CD-ROM is included. Software ( ) can be downloaded from the Canon website.
Page 12 Caution When you need Lens Instruction Manuals, download them from the Canon website Lens Instruction Manuals (PDF files) are for lenses sold separately, and when a lens kit is purchased, some accessories included with the lens may not match those listed in the Lens Instruction Manual.
Page 13: Supplemental Information
Supplemental Information Refer to the following website for information on lenses compatible with camera features, and for supplemental information about the camera. https://cam.start.canon/H001/...
Page 14: Compatible Accessories
Compatible Accessories Check the following website for details on compatible accessories. https://cam.start.canon/H002/...
Page 15: Instruction Manuals
The included Instruction Manual provides basic camera instructions. Advanced User Guide Complete instructions are provided in this Advanced User Guide. For the latest Advanced User Guide, refer to the following website. https://cam.start.canon/C012/ Lens/Software Instruction Manual Download from the following website and refer to the supplemental information. https://cam.start.canon/ Note Select [ : Manual/software URL] to display the QR code on the camera screen.
Page 16: Quick Start Guide
Quick Start Guide Insert the battery ( Upon purchase, charge the battery to start using ( Insert the card ( You can insert two cards. Attach the lens ( Align the red mount index on the lens with the red mount index on the camera to attach the lens.
Page 17 Set the power switch to < > ( Flip out the screen ( When the date/time/zone setting screen is displayed, see Date/Time/ Zone. Set the focus mode to AF ( Set [ : Focus mode] to [AF]. When using lenses with a focus mode switch, set the switch to < >.
Page 18 Set the Mode dial to < > ( All the necessary camera settings is set automatically. Focus on the subject ( An AF tracking frame [ ] appears near eyes when a face is detected. Press the shutter button halfway, and the camera will focus on the subject.
Page 19 Review the picture. The image just captured will be displayed for approx. 2 sec. on the screen. To display the image again, press the < > button (...
Page 20: About This Guide
About This Guide Icons in This Guide Basic Assumptions for Operational Instructions and Sample Photos Icons in This Guide > Indicates the Main dial. < Indicates Quick control dial 1. < > > Indicates Quick control dial 2. < Indicates the Multi-controller. <...
Page 21 Basic Assumptions for Operational Instructions and Sample Photos Before following any instructions, make sure the power switch is set to < > ( and the Multi-function lock feature is off ( It is assumed that all the menu settings and Custom Functions are set to their defaults. Illustrations in this guide show the camera with the RF24-105mm F4-7.1 IS STM lens attached as an example.
Page 22: Compatible Cards
Compatible Cards The following cards can be used with the camera regardless of capacity. If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera ( SD/SDHC/SDXC memory cards UHS-II and UHS-I cards compatible Cards That Can Record Movies When recording movies, use a card with ample performance (fast enough writing and reading speeds) for the movie recording size (...
Page 23: Safety Instructions
Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING: Denotes the risk of serious injury or death. Keep the product out of the reach of young children.
Page 24 Observe the following instructions when using commercially available batteries or provided battery packs. • Use batteries/battery packs only with their specified product. • Do not heat batteries/battery packs or expose them to fire. • Do not charge batteries/battery packs using non-authorized battery chargers. •...
Page 25 CAUTION: Follow the cautions below. Otherwise physical injury or property damage may result. Do not fire the flash near the eyes. It may hurt the eyes. Do not look at the screen or through the viewfinder for prolonged periods of time. This may induce symptoms similar to motion sickness.
Page 26: Handling Precautions
If you accidentally drop the camera into water or are concerned that moisture (water), dirt, dust, or salt may have gotten inside it, promptly consult the nearest Canon Service Center. Never leave the camera near anything having a strong magnetic field such as a magnet or electric motor.
Page 27 If you have not used the camera for some time or if there is an important shoot such as a foreign trip coming up, have the camera checked by your nearest Canon Service Center or check the camera yourself and make sure it is working properly.
Page 28 Besides dust entering the camera from outside, in rare cases, lubricant from the camera's internal parts may adhere to the front of the sensor. If smudges are visible on images, have the sensor cleaned by a nearest Canon Service Center. Battery Tips for using the battery and charger Store in a cool, dry, well-ventilated location.
Page 29: Part Names
Part Names Attaching the Strap (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (10) (11) (12) (13)
Page 30 Mode dial < > Power/multi-function lock switch < > Main dial < > Multi-function button Shutter button Movie shooting button Self-timer lamp/AF-assist beam Grip (battery compartment) DC cord hole (10) Depth-of-field preview button (11) Contacts (12) Lens mount (13) Shoe cover (14) Flash sync contacts (15)
Page 31 (16) (10) (17) (18) (11) (19) (20) (12) (13) (14) (15) Eyecup Viewfinder eyepiece < > Menu button Terminal cover < > AF start button < > Quick control dial 2 < > Multi-controller (can also be pressed straight in) <...
Page 32 (10) (11) (12) (15) (13) (14) (16) (17) Dioptric adjustment knob Accessory positioning hole Screen Tripod socket Serial number (body number) < > Erase button Speaker < > AE lock button < > AF point selection button (10) Strap mount (11) Access lamp (12)
Page 33 Mode dial The Mode dial is divided into Basic Zone and Creative Zone modes. (1) Basic Zone All you do is press the shutter button. The camera sets everything to suit the subject or scene for shooting. : Scene Intelligent Auto ( : Hybrid Auto ( : Special scene ( Portrait...
Page 34 (2) Creative Zone These modes give you more control for shooting various subjects as desired. Flexible-priority AE Program AE Shutter-priority AE Aperture-priority AE Manual exposure Long (bulb) exposures (3) Custom shooting modes You can assign <Fv>, , <Tv>, <Av>, <M>, , AF operation, menu functions, and more to <...
Page 35 Battery Charger LC-E6 Charger for Battery Pack LP-E6NH/LP-E6N/LP-E6 ( Battery slots Charge lamp Power plug Battery Charger LC-E6E Charger for Battery Pack LP-E6NH/LP-E6N/LP-E6 ( Charge lamp Battery pack slot Power cord Power cord socket...
Page 36 Attaching the Strap Pass the end of the strap through the strap mount from the bottom, then pass it through the strap buckle as shown. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle.
Page 37: Software/Apps
Software/Apps Software/App Overview Installing Computer Software Installing Smartphone Apps Software Instruction Manuals Software/App Overview This section summarizes software used with EOS cameras. Note that installing the software requires an internet connection. The software cannot be installed in environments without an internet connection.
Page 38 Download the software. Connect to the internet from a computer and access the following Canon website. https://cam.start.canon/ Depending on the software, you may need to enter the camera's serial number. The serial number is on the bottom of the camera.
Page 39 Installing Smartphone Apps Always install the latest version. Apps can be installed from Google Play or App Store. You can also access Google Play and App Store from the following Canon website. https://cam.start.canon/...
Page 40 Software Instruction Manuals Check the following website for software instruction manuals. https://cam.start.canon/...
Page 41: Preparation And Basic Operations
Preparation and Basic Operations This chapter describes preparatory steps before you start shooting and the basic camera operations. • Charging the Battery • Inserting/Removing Batteries • Inserting/Removing Cards • Using the Screen • Turning on the Power • Attaching and Detaching RF/RF-S Lenses •...
Page 42: Charging The Battery
Charging the Battery Detach the protective cover provided with the battery. Fully insert the battery into the charger. Do the opposite to remove the battery.
Page 43 Charge the battery. LC-E6 Flip out the charger prongs as shown and plug the charger into a power outlet. LC-E6E Connect the power cord to the charger and insert the plug into a power outlet. Recharging starts automatically and the charge lamp blinks in orange. Charge Lamp Charge Level Color...
Page 44 Upon purchase, the battery is not fully charged. Charge the battery before use. Charge the battery on the day before or on the day it is to be used. Charged batteries gradually lose their charge, even when they are not used. After charging the battery, remove it and disconnect the charger from the power outlet.
Page 45: Inserting/Removing Batteries
Inserting/Removing Batteries Insertion Removal Insert a fully charged Battery Pack LP-E6NH (or LP-E6N/LP-E6) in the camera. Insertion Slide the battery compartment cover lock and open the cover. Insert the battery. Insert the end with the electrical contacts. Insert the battery until it locks in place.
Page 46 Close the cover. Press the cover until it snaps shut. Caution You cannot use batteries other than Battery Pack LP-E6NH/LP-E6N/LP-E6.
Page 47 Removal Open the cover and remove the battery. Press the battery lock lever as shown by the arrow and remove the battery. To prevent short-circuits, always attach the included protective cover ) to the battery.
Page 48: Inserting/Removing Cards
Inserting/Removing Cards Insertion Formatting the Card Removal This camera accepts two cards. Recording is possible as long as there is at least one card in the camera. With two cards inserted, you can select one card to record to, or you can record the same image to both cards at once ( Caution Make sure the card's write-protect switch (1) is set upward to enable writing...
Page 49 Insert the card. Card 1 Card 2 The card in the rear card slot is [ ], and the one in front of it is [ As shown by the illustration, face the card's label side toward you and insert it until it clicks in place. Close the cover.
Page 50 Set the power switch to < > ( (2) Card selection icon (3) Card 1 (4) Card 2 Icons representing loaded cards are shown on the shooting screen ) accessed by pressing the < > button and on the Quick Control screen ( ).
Page 51 Formatting the Card If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera (...
Page 52 Removal Open the cover. Set the power switch to < >. Check that the access lamp (1) is off, then open the cover. If [Saving...] is displayed on the screen, close the cover. Remove the card. Gently push in the card, then let it go to eject. Pull the card straight out, then close the cover.
Page 53 Note The number of shots available varies depending on remaining card capacity and settings such as image quality and ISO speed. Setting [ : Release shutter without card] to [Disable] will prevent you from forgetting to insert a card ( Caution When the access lamp is lit or blinking, it indicates that images are being written to, read from, or erased from the card, or data is being transferred.
Page 54: Using The Screen
Using the Screen You can change the direction and angle of the screen. Flip out the screen. Rotate the screen. When the screen is out, you can tilt it up or down or rotate it to face the subject. Indicated angles are only approximate. Face it toward you.
Page 55 Caution Avoid forcing the screen into position as you rotate it, which puts undue pressure on the hinge. When a cable is connected to a camera terminal, the rotation angle range of the flipped-out screen will be limited. Note Keep the screen closed and facing the camera body when the camera is not in use. You can protect the screen.
Page 56: Turning On The Power
Turning on the Power Setting the Date, Time, and Time Zone Changing the Interface Language Automatic Sensor Cleaning Battery Level Indicator < > The camera turns on. This mode is for still photo shooting. < > The camera turns on. Multi-function locking is engaged ( <...
Page 57 Changing the Interface Language To change the interface language, see Language.
Page 58 Automatic Sensor Cleaning Whenever the power switch is set to < >, the sensor is cleaned automatically (which may make a faint sound). During the sensor cleaning, the screen will display ]. To enable automatic sensor cleaning when the power switch is set to < >...
Page 59 Battery Level Indicator The battery indicator shows the remaining capacity when the camera is on. Display Level (%) 100–70 69–50 49–20 19–10 9–1 Note Doing any of the following will exhaust the battery faster: • Pressing the shutter button halfway for a prolonged period. •...
Page 60: Attaching And Detaching Rf/Rf-S Lenses
Attaching and Detaching RF/RF-S Lenses Attaching a Lens Detaching a Lens Caution Do not look at the sun directly through any lens. Doing so may cause loss of vision. When attaching or detaching a lens, set the camera's power switch to < >.
Page 61 Attaching a Lens Remove the caps. Remove the rear lens cap (1) and body cap (2) by turning them as shown by the arrows. Attach the lens. Align the red mount index on the lens with the red mount index on the camera and turn the lens as shown by the arrow until it clicks in place.
Page 62 Set the focus mode to AF. AF stands for autofocus. MF stands for manual focus. Autofocus is disabled. For RF lenses without a focus mode switch Set [ : Focus mode] to [AF]. For RF lenses with a focus mode switch Set the lens's focus mode switch to <...
Page 63 Detaching a Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the lens you removed.
Page 64: Attaching And Detaching Ef/Ef-S Lenses
Attaching and Detaching EF/EF-S Lenses Attaching a Lens Detaching a Lens All EF and EF-S lenses can be used by attaching an optional Mount Adapter EF-EOS R. The camera cannot be used with EF-M lenses. Note With EF-S lenses, an approx. 1.6× crop factor is applied to the center of the regular image area.
Page 65 Attach the lens to the adapter. Align the red or white mount index on the lens with the corresponding mount index on the adapter and turn the lens as shown by the arrow until it clicks into place. (3) Red index (4) White index Attach the adapter to the camera.
Page 66 Set the lens's focus mode switch to < >. < > stands for autofocus. < > stands for manual focus. Autofocus will not operate. Remove the front lens cap.
Page 67 Detaching a Lens While pressing the lens release button, turn the adapter as shown by the arrow. Turn the lens until it stops, then detach it. Detach the lens from the adapter. Hold down the lens release lever on the adapter and turn the lens counterclockwise.
Page 68: Multi-Function Shoe
Multi-Function Shoe Using the Multi-Function Shoe The multi-function shoe is a hot shoe that supplies power to accessories and offers advanced communication functionality. Using the Multi-Function Shoe Removing the shoe cover Remove the shoe cover (1) by pressing the part labeled (A) in the figure as shown with your finger.
Page 69 Attaching the shoe cover After removing accessories from the multi-function shoe, reattach the shoe cover to protect the contacts from dust and water. Slide the shoe cover all the way in by pressing the part labeled (A) in the figure, as shown.
Page 70: Using The Viewfinder
Using the Viewfinder Dioptric Adjustment Look through the viewfinder to activate it. You can also restrict display to either the screen or viewfinder ( Dioptric Adjustment Turn the dioptric adjustment knob. Turn the knob left or right to make the viewfinder display look sharp. Caution The viewfinder and screen cannot be activated at the same time.
Page 71: Basic Operations
Basic Operations Holding the Camera Shutter Button < > Main Dial < > Quick Control Dial 1 < > Quick Control Dial 2 < > Multi-Controller < > Multi-Function Button < > AF Start Button < > Multi-Function Lock Switch <...
Page 72 Holding the Camera Viewing the screen as you shoot As you shoot, you can tilt the screen to adjust it. For details, see Using the Screen. (1) Normal angle (2) Low angle (3) High angle Shooting through the viewfinder To obtain sharp images, hold the camera still to minimize camera shake. (1) Horizontal shooting (2) Vertical shooting 1.With your right hand, hold the camera firmly by the camera grip.
Page 73 Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture value. The exposure value (shutter speed and aperture value) is displayed on the screen or in the viewfinder for 8 sec.
Page 74 Note The camera will still pause before taking a picture if you press the shutter button completely without pressing it halfway first, or if you press the shutter button halfway and immediately press it completely. Even during menu display or image playback, you can return to shooting standby by pressing the shutter button halfway.
Page 75 < > Main Dial (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as setting the white balance, drive mode, flash exposure compensation, or Picture Style.
Page 76 < > Quick Control Dial 1 (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as setting the metering mode, AF operation, ISO speed, or AF area.
Page 77 < > Quick Control Dial 2 (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as switching between main tabs on the menu screen.
Page 78 < > Multi-Controller < > is an eight-direction key with center button. To use it, press lightly with the tip of your thumb. Examples of using the Multi-controller • AF point/magnified frame movement in still photo shooting or movie recording •...
Page 79 < > Multi-Function Button By pressing the < > button and then the < > button again repeatedly (or turning the < > dial), you can set the white balance ( ), drive mode ( ), flash exposure compensation ( ), Picture Style ( ), metering mode ( ), AF operation (...
Page 80 < > AF Start Button Equivalent to pressing the shutter button halfway (in Creative Zone modes).
Page 81 < > Multi-Function Lock Switch Configuring [ : Multi function lock] ( ) and setting the power/multi-function lock switch to < > prevents settings from being changed by accidentally touching the Main dial, Quick control dials, Multi-controller, control ring, or touch-screen panel.
Page 82 < > Control Ring By default, exposure compensation can be set by turning the control ring of RF lenses or mount adapters while pressing the shutter button halfway in <Fv>, , <Tv>, <Av>, or <M> mode. Otherwise, you can assign a different function to the control ring by customizing operations in [ : Customize dials] (...
Page 83 < > Info Button Each press of the < > button changes the information shown. The following sample screens are for still photos. * In Basic Zone modes, the screen by (1) is not displayed.
Page 84: Menu Operations And Settings
Menu Operations and Settings Basic Zone Menu Screen Creative Zone Menu Screen Menu Setting Procedure Dimmed Menu Items < > button < > button < > button Screen < > Quick control dial 1 < > button < > Quick control dial 2 <...
Page 85 Basic Zone Menu Screen * In Basic Zone modes, some tabs and menu items are not displayed.
Page 86 Creative Zone Menu Screen Main tabs Secondary tabs Menu items : Shooting : Autofocus : Playback : Communication functions : Set-up : Custom Functions (10) : My Menu (11) Menu settings...
Page 87 Menu Setting Procedure Display the menu screen. Press the < > button to display the menu screen. Select a tab. Each time you turn the < > dial, the main tab (group of functions) will switch. You can also switch tabs by pressing the < >...
Page 88 Select an option. Turn the < > dial to select an option. The current setting is indicated in blue. Set an option. Press the < > button to set it. Exit the setting. Press the < > button to return to shooting standby. Note The description of menu functions hereafter assumes that you have pressed the <...
Page 89 Dimmed Menu Items Example: When set to single shooting drive mode Dimmed menu items cannot be set. The menu item is dimmed if another function setting is overriding it. You can see the overriding function by selecting the dimmed menu item and pressing the <...
Page 90: Quick Control
Quick Control Quick Control in Still Photo Shooting or Playback Quick Control in Movie Recording You can directly and intuitively select and set the settings displayed. Quick Control in Still Photo Shooting or Playback Press the < > button (...
Page 91 Select a setting item and set your preferred option. To select an item, turn the < > dial or press < > up or down. To adjust the setting, turn the < > or < > dial, or press < >...
Page 92 Quick Control in Movie Recording As in still photo shooting, press the < > button to access the Quick Control screen. Each press of the < > button switches between screens if you have selected ([ ]) both [Display 1] and [Display 2] in [ : Quick Ctrl screen] ( ), but only the selected screen is displayed if one is selected ([ ]).
Page 93 Switch pages as needed. Turn the < > or < > dial to switch pages. You can also switch pages by tapping (A) or swiping left or right. Select an item. Turn the < > dial or press < > vertically or horizontally to select an item, then press the <...
Page 94 Set an option. Press the < > button to set it. Exit the setting. Press the < > button to return to shooting standby.
Page 95: Touch-Screen Operation
Touch-Screen Operation Tapping Dragging Tapping Sample screen (Quick Control) Use your finger to tap (touch briefly and then remove your finger from) the screen. For example, when you tap [ ], the Quick Control screen appears. By tapping [ you can return to the preceding screen. Note To have the camera beep for touch operations, set [ : Beep] to [Enable] ( Responsiveness to touch operations can be adjusted in [ : Touch control] (...
Page 96 Dragging Sample screen (Menu screen) Slide your finger while touching the screen.
Page 97: Basic Zone
Basic Zone This chapter describes how to use the Basic Zone modes on the Mode dial for best results. With Basic Zone modes, all you do is point and shoot, and the camera sets everything automatically. • A+: Fully Automatic Shooting (Scene Intelligent Auto) •...
Page 98 • Special Scene Mode ◦ Portrait Mode ◦ Group Photo Mode ◦ Landscape Mode ◦ Panoramic Shot Mode ◦ Sports Mode ◦ Kids Mode ◦ Panning Mode ◦ Close-up Mode ◦ Food Mode ◦ Night Portrait Mode ◦ Handheld Night Scene Mode ◦...
Page 99: A+: Fully Automatic Shooting (Scene Intelligent Auto)
A+: Fully Automatic Shooting (Scene Intelligent Auto) Shooting Moving Subjects Scene Icons Adjusting Settings Shooting with Effects Applied (Creative Assist) < > is a fully automatic mode. The camera analyzes the scene and sets the optimum settings automatically. It can also adjust focus automatically on either the still or moving subject by detecting the motion of the subject.
Page 100 Aim the camera at what you will shoot (the subject). A tracking frame (1) may be displayed on the subject, under some shooting conditions. Focus on the subject. Press the shutter button halfway to focus. You can also focus by tapping a person's face or other subject on the screen (Touch AF).
Page 101 Take the picture. Press the shutter button completely to take the picture. The image just captured will be displayed for approx. 2 sec. on the screen. Caution Subject movement (whether subjects are still or moving) may not be detected correctly for some subject or shooting conditions. Note AF operation (One-Shot AF or Servo AF) is set automatically when you press the shutter button halfway.
Page 102 Focus has been achieved at all those points. The shutter speed display is blinking. Since it is too dark, taking the picture may result in a blurred subject due to camera shake. Using a tripod or a Canon EL/EX series Speedlite (sold separately, ) is recommended.
Page 103 Scene Icons The camera detects the scene type and sets everything automatically to suit the scene. The detected scene type is indicated in the upper left of the screen. For icon details, see Scene Icons. Adjusting Settings By touching icons on the screen, you can adjust settings for drive mode, image quality, Touch Shutter, and Creative Assist.
Page 104 Shooting with Effects Applied (Creative Assist) Press the < > button. Read the message and select [OK]. Select an effect. Use the < > dial to select an effect, then press the < > button.
Page 105 Select the effect level and other details. Set with the < > dial, then press the < > button. To reset the setting, press the < > button, then select [OK].
Page 106 Creative Assist effects ] Preset Select one of the preset effects. Note that [Saturation], [Color tone 1], and [Color tone 2] are not available with [B&W]. ] Background blur Adjust background blur. Choose higher values to make backgrounds sharper. To blur the background, choose lower values.
Page 107: Hybrid Auto
Hybrid Auto With < > mode, you can make a short movie of the day just by shooting still photos. The camera records approx. 2–4-second clips of scenes before each shot, which are later combined in a digest movie. Set the Mode dial to < >.
Page 108 Note For more impressive digest movies, keep the camera aimed at subjects for about 4 sec. before shooting still photos. To record digest movies that do not include still photos, set [ : Digest type] to [No stills] ( Battery life is shorter in this mode than in < >...
Page 109: Special Scene Mode
Special Scene Mode The camera will automatically choose the appropriate settings when you select a shooting mode for your subject or scene. * < > stands for Special Scene. Set the Mode dial to < >. Press the < > button.
Page 110 Select a shooting mode. Use the < > dial to select a shooting mode, then press the < > button. Review the settings. Press the < > button to display the Quick Control screen. Note You can also set the shooting mode in [ : Shooting mode].
Page 111 Available Shooting Modes in <SCN> Mode Shooting Mode Portrait Close-up Group Photo Food Landscape Night Portrait Panoramic shot Handheld Night Scene Sports HDR Backlight Control Kids Silent shutter Panning...
Page 112: Portrait Mode
Portrait Mode Use [ ] (Portrait) mode to blur the background and make the person you shoot stand out. It also makes skin tones and hair look softer. Shooting tips Select the location where the distance between the subject and the background is the farthest.
Page 113: Group Photo Mode
Group Photo Mode Use [ ] (Group Photo) mode to take group photos. You can shoot with people from the front to the back all in focus. Shooting tips Use a wide-angle lens. With zoom lenses, zooming out near the wide-angle end makes it easier to focus on everyone in front and back at once.
Page 114: Landscape Mode
Landscape Mode Use [ ] (Landscape) mode for expansive scenery, to keep everything in focus from near to far. For vivid blues and greens, and sharp and crisp images. Shooting tips With a zoom lens, use the wide-angle end. When using a zoom lens, set the lens to the wide-angle end to make the objects near and far in focus.
Page 115: Panoramic Shot Mode
Panoramic Shot Mode Use [ ] (Panoramic Shot) mode to shoot panoramas. The panorama is created by combining shots captured in continuous shooting as you move the camera in one direction while pressing the shutter button completely. Choose a shooting direction. Press the <...
Page 116 > mode images, use a computer or other device to resize panorama images if you will print them from a memory card inserted in a Canon printer. If panoramas cannot be managed correctly by software or Web services, try resizing them on a computer.
Page 117: Sports Mode
Sports Mode Use [ ] (Sports) mode to shoot subjects in motion, such as runners or moving vehicles. Shooting tips Use a telephoto lens. Use of a telephoto lens is recommended to enable shooting from a distance. Track the subject with the Area AF frame. An Area AF frame appears after you press the shutter button halfway.
Page 118: Kids Mode
Kids Mode Use [ ] (Kids) mode to capture active children who are moving around. Skin tones will look vibrant. Shooting tips Track the subject with the Area AF frame. By default, [ : AF area] is set to [Whole area AF]. Area AF frames (1) appear when you press the shutter button halfway.
Page 119: Panning Mode
Panning Mode By panning, you can blur the background to convey a sense of speed. Attach a lens compatible with [ ] (Panning) mode to reduce subject blurring and keep subjects clear and sharp. Shooting tips Turn the camera to follow the moving subject. As you shoot, turn the camera smoothly while tracking the moving subject.
Page 120 Caution For details on lenses compatible with [ ] mode, visit the Canon website ( Shutter speeds are slower. For this reason, Panning mode is not suitable unless you pan as you shoot. AF area options are limited to [1-point AF], [Flexible Zone AF 1], [Flexible Zone AF 2], and [Flexible Zone AF 3].
Page 121: Close-Up Mode
Close-up Mode Use [ ] (Close-up) mode for close-ups of small subjects such as flowers. To make small things appear much larger, use a macro lens (sold separately). Shooting tips Use a simple background. A simple background makes small objects such as flowers stand out better. Move in as close as possible to the subject.
Page 122: Food Mode
Food Mode Use [ ] (Food) mode for culinary photography. The photo will look bright and appetizing. Also, the reddish tinge due to the light source will be suppressed in the pictures taken under tungsten lights, etc. Shooting tips Change the color tone. [Color tone] can be adjusted.
Page 123: Night Portrait Mode
Night Portrait Mode Use [ ] (Night Portrait) mode for bright, beautiful shots of people with night scenes in the background. Note that shooting in this mode requires an external flash unit. Using a tripod is recommended. Shooting tips Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view.
Page 124: Handheld Night Scene Mode
Handheld Night Scene Mode ] (Handheld Night Scene) mode enables handheld shooting for night scenes. In this shooting mode, four shots are taken consecutively for each picture, and the resulting image with reduced camera shake is recorded. Shooting tips Hold the camera steady. Keep your elbows close to your body to hold the camera steady ( ).
Page 125: Hdr Backlight Control Mode
HDR Backlight Control Mode Use [ HDR Backlight Control) mode for backlit scenes with both bright and dark areas. Shooting once in this mode captures three consecutive images at different exposures, which are combined to create a single HDR image that retains detail in shadows that might otherwise be lost from backlighting.
Page 126: Silent Shutter Mode
Silent Shutter Mode Where silence is needed, you can shoot without beeps or shutter release sounds. Shooting tips Take some test shots. Consider taking some test shots in advance, because lens aperture and focusing adjustment may be audible under some shooting conditions. Caution Be responsible when using silent shooting, and respect subject privacy and portrait rights.
Page 127: Creative Filters Mode
Creative Filters Mode Creative Filter Characteristics Adjusting the Miniature Effect You can shoot with filter effects applied. Filter effects can be previewed before you shoot. Set the Mode dial to < >. Press the < > button.
Page 128 Select a filter effect. Turn the < > dial to select a filter effect ( ), then press the < > button. The image is shown with the filter effect applied. Adjust the effect and shoot. Press the < > button and select an icon below [Creative filters] (except , or Turn the <...
Page 129 Note With [Grainy B/W], the grainy preview will differ somewhat from the appearance of your shots. With [Soft focus] or [Miniature effect] options, the blurred effect preview may differ somewhat from the appearance of your shots. No histogram is displayed. A magnified view is not available.
Page 130 Creative Filter Characteristics Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness.
Page 131 HDR art embossed The color saturation, brightness, contrast and gradation are decreased to make the picture look flat, so that the picture looks faded and old. The subject outlines will have intensely bright (or dark) edges. Caution Precautions for [ ], [ ], [ ], and [...
Page 132 Adjusting the Miniature Effect Move the scene frame. Use the scene frame to set an area that will look sharp. To make the scene frame movable (displayed in orange), press the < > button or tap [ ] in the lower right of the screen. By tapping [ ], you can also switch between vertical and horizontal scene frame orientation.
Page 133 Move the AF point as needed and shoot. The AF point turns orange and can be moved. Use the < >, < >, or < > dial to move the AF point to the position to focus on. Aligning the AF point and scene frame is recommended. To return the AF point to the center of the screen, press the <...
Page 134: Creative Zone
Creative Zone Creative Zone modes give you the freedom to shoot in a variety of ways by setting your preferred shutter speed, aperture value, exposure, and more. To clear the shooting mode description displayed when you turn the Mode dial, press the <...
Page 135: Fv: Flexible-Priority Ae
Fv: Flexible-Priority AE In this mode, you can set shutter speed, aperture value, and ISO speed manually or automatically and combine these settings with your preferred exposure compensation. Shooting in <Fv> mode, with control over each of these parameters, is equivalent to shooting in all four modes of , <Tv>, <Av>, and <M>...
Page 136 Set the amount of exposure compensation. Turn the < > dial and select the exposure level indicator. [ appears to the left of the exposure level indicator. Turn the < > dial to set the option. To reset the setting to [±0], press the < >...
Page 137 Note Values for shutter speed, aperture value, and ISO speed that are set to [AUTO] are underlined. You can set shutter speed, aperture value, and ISO speed to [AUTO] and exposure compensation amount to [±0] in step 2 or 3 by holding down the < >...
Page 138: P: Program Ae
P: Program AE The camera automatically sets the shutter speed and aperture value to suit the subject's brightness. * stands for Program. * AE stands for Auto Exposure. Set the Mode dial to < >. Focus on the subject. Aim the camera at the subject and press the shutter button halfway.
Page 139 Take the picture. Compose the shot and press the shutter button completely. Caution If the “30"” shutter speed and the lowest aperture value blink, it indicates underexposure. Increase the ISO speed or use flash. If the “1/8000” shutter speed and the highest aperture value blink, it indicates overexposure.
Page 140: Tv: Shutter-Priority Ae
Tv: Shutter-Priority AE In this mode, you set the shutter speed and the camera automatically sets the aperture value to obtain the standard exposure matching the brightness of the subject. A faster shutter speed can freeze the action of a moving subject. A slower shutter speed can create a blurred effect, giving the impression of motion.
Page 141 Set the desired shutter speed. Turn the < > dial to set it. Focus on the subject. Press the shutter button halfway. The aperture value is set automatically. Check the display and shoot. As long as the aperture value is not blinking, the standard exposure will be obtained.
Page 142 Caution If the lowest aperture value blinks, it indicates underexposure. Turn the < > dial to set a slower shutter speed until the aperture value stops blinking or set a higher ISO speed. If the highest aperture value blinks, it indicates overexposure. Turn the <...
Page 143: Av: Aperture-Priority Ae
Av: Aperture-Priority AE Depth-of-Field Preview In this mode, you set the desired aperture value and the camera sets the shutter speed automatically to obtain the standard exposure matching the subject brightness. A higher f/ number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus.
Page 144 Set the desired aperture value. Turn the < > dial to set it. Focus on the subject. Press the shutter button halfway. The shutter speed is set automatically. Check the display and shoot. As long as the shutter speed is not blinking, the standard exposure will be obtained.
Page 145 Caution If the “30"” shutter speed blinks, it indicates underexposure. Turn the < > dial to decrease the aperture value (open the aperture) until the shutter speed blinking stops or set a higher ISO speed. If the “1/8000” shutter speed blinks, it indicates overexposure. Turn the <...
Page 146 Depth-of-Field Preview Press the depth-of-field preview button to stop down the lens to the current aperture value setting and check the area in focus (depth of field). Note The larger the aperture value, the wider the area in focus, from the foreground to the background.
Page 147: M: Manual Exposure
M: Manual Exposure Exposure Compensation with ISO Auto In this mode, you set both the shutter speed and aperture value as desired. To determine the exposure, refer to the exposure level indicator or use a commercially available exposure meter. * <M> stands for Manual. Set the Mode dial to <...
Page 148 Focus on the subject. Press the shutter button halfway. Check the exposure level mark [ ] to see how far the current exposure level is from the standard exposure level. (1) Standard exposure index (2) Exposure level mark Set the exposure and take the picture. Check the exposure level indicator and set the desired shutter speed and aperture value.
Page 149 Note When the metering mode set in [ : Metering mode] is one that you have selected in [ : AE lock meter. mode after focus], ISO speed is locked while you hold down the shutter button halfway and subjects are in focus with One-Shot AF. When ISO Auto is set, you can press the <...
Page 150: B: Long (Bulb) Exposures
B: Long (Bulb) Exposures Bulb Timer In this mode, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. Use bulb exposures for night scenes, fireworks, astrophotography, and other subjects requiring long exposures. Set the Mode dial to <...
Page 151 Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Long bulb exposures produce more noise in the image than usual. ISO 400 is used when the camera is set to ISO Auto.
Page 152 Select [Enable]. Select [Enable], then press the < > button. Set the exposure time. Select an option (hours : minutes : seconds). Press the < > button to display [ ]. Set a value, then press the < > button. (Returns to [ Select [OK].
Page 153 Take the picture. After you press the shutter button completely, the bulb exposure continues for your specified time. ] and the exposure time are displayed on the screen during bulb timer shooting. To clear the timer setting, select [Disable] in step 2. Caution Bulb exposure stops if you press the shutter button completely and release it during the timer.
Page 154: Shooting And Recording
Shooting and Recording This chapter describes shooting and recording and introduces menu settings on the shooting [ ] tab. • Still Photo Shooting • Movie Recording...
Page 155: Still Photo Shooting
Still Photo Shooting to the right of titles indicates functions only available in Creative Zone modes. • Tab Menus: Still Photo Shooting • Image Quality • Dual Pixel RAW • Still Photo Cropping/Aspect Ratio • Digital Tele-Converter • Auto Exposure Bracketing (AEB) •...
Page 156 • Shooting Creative Filters • Lens Aberration Correction • Long Exposure Noise Reduction • High ISO Speed Noise Reduction • Dust Delete Data Acquisition • Multiple Exposures • RAW Burst Mode • Focus Bracketing • Interval Timer Shooting • Silent Shutter Function •...
Page 157: Tab Menus: Still Photo Shooting
Tab Menus: Still Photo Shooting Shooting 1 Image quality Dual Pixel RAW Cropping/aspect ratio Digital tele-conv Shooting 2 Expo.comp./AEB ISO speed settings HDR shooting HDR Mode Auto Lighting Optimizer Highlight tone priority...
Page 158 Shooting 3 Anti-flicker shoot. HF anti-flicker shooting External Speedlite control Metering mode Shooting 4 White balance Custom White Balance WB Shift/Bkt. Color space (5) Picture Style • Picture Style Selection • Picture Style Customization • Picture Style Registration Clarity Shooting creative filters...
Page 159 Shooting 5 Lens aberration correction Long exp. noise reduction High ISO speed NR Dust Delete Data Shooting 6 Multiple exposure RAW burst mode Focus bracketing...
Page 160 Shooting 7 Drive mode Interval timer Bulb timer Silent shutter function Shutter mode Release shutter without card Shooting 8 IS (Image Stabilizer) mode Customize Quick Controls Touch Shutter Image review High speed display Metering timer...
Page 161 Shooting 9 Display simulation OVF sim. view assist Shooting info. disp. VF display format Disp. performance Shooting 10 Movie rec. size Sound recording ISO speed settings Auto slow shutter Shutter btn function for movies...
Page 162 In Basic Zone modes, the following screens are displayed. Shooting 1 Shooting mode Image quality Dual Pixel RAW Cropping/aspect ratio Shooting 2 Drive mode Interval timer Release shutter without card...
Page 163 Shooting 3 IS (Image Stabilizer) mode Touch Shutter Image review Shooting info. disp. VF display format Disp. performance Shooting 4 Digest type Retain Creative Assist data...
Page 164 Shooting 5 Movie rec. size Sound recording Shutter btn function for movies...
Page 165: Image Quality
Image Quality RAW Images Guide to Image Quality Settings Maximum Burst for Continuous Shooting You can select the pixel count and the image quality. JPEG/HEIF image quality options are as follows: . For RAW images, you can specify as the image quality. Select [ : Image quality].
Page 166 Set the image quality. Standard/Auto switch card/Record to multiple For RAW images, turn the < > dial to select the size, and for JPEG/HEIF images, turn the < > dial. Press the < > button to set it. Record separately When [ Rec options] in [ : Record func+card/folder sel.] is set to [Rec.
Page 167 RAW images captured by this camera. If a previous version of DPP Ver. 4.x is installed on your computer, obtain and install the latest version of DPP from the Canon website to update it ( ), which will overwrite the previous version.
Page 168 Guide to Image Quality Settings For details on file size, number of shots available, maximum burst, and other estimated values, see File size/number of shots available Maximum burst in the Still photo recording specifications.
Page 169 Maximum Burst for Continuous Shooting The approximate maximum burst is displayed at the upper left of the shooting screen and lower right of the viewfinder. Note If the maximum burst is displayed as [99], it indicates that you can shoot 99 or more shots continuously.
Page 170: Dual Pixel Raw
Dual Pixel RAW Shooting images with this feature enabled produces special Dual Pixel RAW images containing dual pixel information from the image sensor. This is called Dual Pixel RAW shooting. When processing these images in Digital Photo Professional software for EOS cameras, you can take advantage of the dual pixel data to fine-tune apparent resolution (using depth information), shift the camera viewpoint slightly, and reduce ghosting.
Page 171 Take the picture. A RAW image containing dual pixel data (Dual Pixel RAW image) is captured. Caution Startup takes longer when the power switch is set to < > or the camera resumes operation from auto power off. Continuous shooting speed is slower when you shoot with Dual Pixel RAW ( Maximum burst is also lower.
Page 172: Still Photo Cropping/Aspect Ratio
Still Photo Cropping/Aspect Ratio You can change the image area before shooting. With [1.6x (crop)], the center of the image sensor (an area equivalent to APS-C size) is used, for an angle of view that corresponds to approx. 1.6 times the lens focal length. Other setting options enable you to change the aspect ratio used for shooting.
Page 173 Select how the shooting area is displayed. On the screen in step 2, press the < > button. Select the type of display, then press the < > button. Caution image quality options are not available when [1.6x (crop)] is set, or with RF-S/EF-S lenses. Shooting with [1.6x (crop)] and image quality set to produces images, respectively.
Page 174 Note For details on pixel counts when cropping or an aspect ratio is set, see Still photo pixel count. Nearly 100% field of view coverage is maintained vertically and horizontally when cropping or an aspect ratio is set. Aspect ratio information is added to RAW images when an aspect ratio is set, which are captured at full size.
Page 175: Digital Tele-Converter
Digital Tele-Converter Shooting magnification can be increased beyond lens magnification by enlarging the center of the image area. Select [ : Digital tele-conv].
Page 176 Select a shooting magnification. Different shooting magnifications are available when [ Cropping/aspect ratio] is set to [1.6x (crop)]. Shooting magnification is not adjusted when [Off] is selected. Caution Higher shooting magnification results in lower image quality. Not available when RAW image quality is selected. Note One AF point is used, fixed at the center.
Page 177: Auto Exposure Bracketing (Aeb)
Auto Exposure Bracketing (AEB) In exposure bracketing, three consecutive images are captured at different exposures within your specified range of up to ±3 stops (in 1/3-stop increments) by automatically adjusting the shutter speed, aperture value, or ISO speed. * AEB stands for Auto Exposure Bracketing. Select [ : Expo.comp./AEB].
Page 178 Take the picture. Standard exposure Decreased exposure Increased exposure Three bracketed shots are taken, according to the specified drive mode, in this sequence: Standard exposure, decreased exposure, and increased exposure. AEB will not be automatically canceled. To cancel AEB, follow step 2 to turn off the AEB range display.
Page 179: Manual Exposure Compensation
Manual Exposure Compensation Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Exposure compensation is available in <Fv>, , <Tv>, <Av>, and <M> modes. For details on exposure compensation when <M> mode and ISO Auto are both set, see Manual Exposure, and see Fv: Flexible-Priority AE...
Page 180 Note The exposure compensation amount will remain in effect even after you set the power switch to < >.
Page 181: Exposure Lock (Ae Lock)
Exposure Lock (AE Lock) Effect of AE Lock You can lock the exposure when you want to set the focus and exposure separately or when you will take multiple shots at the same exposure setting. Press the < > button to lock the exposure, then recompose and take the picture.
Page 182 Recompose and take the picture. When you are to take more pictures while maintaining the AE lock, keep holding down the < > button and press the shutter button to take another picture. Note AE lock is not possible with bulb exposures. Effect of AE Lock AF Point Selection Metering Mode...
Page 183: Iso Speed Settings For Still Photos
ISO Speed Settings for Still Photos ISO Speed Range When Set Manually ISO Speed Range Used with ISO Auto Minimum Shutter Speed for ISO Auto Set the ISO speed (image sensor's sensitivity to light) to suit the ambient light level. In Basic Zone modes, ISO speed is set automatically.
Page 184 Setting ISO speed from a screen of options Access the screen of ISO speed options. Tap the ISO speed in the lower right of the screen. Select an option. Turn the < > dial or select a registered setting value. You can register frequently used ISO speed setting values by specifying an option other than [AUTO] and selecting [Register].
Page 185 ISO speed guide Low ISO speeds reduce image noise but may increase the risk of camera/subject shake or reduce the area in focus (shallower depth of field), in some shooting conditions. High ISO speeds enable low-light shooting, a larger area in focus (deeper depth of field), and longer flash range but may increase image noise.
Page 186 ISO Speed Range When Set Manually You can set the manual ISO speed setting range (minimum and maximum limits). You can set the minimum limit within L (equivalent to ISO 50) to ISO 102400, and the maximum limit within ISO 100 to H (equivalent to ISO 204800). Select [ ISO speed settings].
Page 187 Set [Maximum]. Select the [Maximum] box, then press the < > button. Select an ISO speed, then press the < > button. Select [OK].
Page 188 ISO Speed Range Used with ISO Auto You can set the automatic ISO speed range for ISO Auto within ISO 100–102400. The minimum can be set within ISO 100–51200 and the maximum within ISO 200–102400, in 1- stop increments. Select [Auto range]. Set [Minimum].
Page 189 Set [Maximum]. Select the [Maximum] box, then press the < > button. Select an ISO speed, then press the < > button. Select [OK]. Note The [Minimum] and [Maximum] settings will also function as the minimum and maximum speeds for ISO speed safety shift (...
Page 190 Minimum Shutter Speed for ISO Auto To prevent shutter speeds from being set too low automatically, you can set the minimum shutter speed for ISO Auto. This is effective in or <Av> mode when shooting subjects in motion with a wide-angle lens, or when using a telephoto lens.
Page 191 Set the desired minimum shutter speed. Auto If you select [Auto], turn the < > dial to set the difference relative to standard speed (toward Slower or Faster), then press the < > button. Manual If you select [Manual], turn the < >...
Page 192: Hdr Shooting
HDR Shooting PQ in HDR PQ refers to the gamma curve of the input signal for displaying HDR images. HDR PQ settings enable the camera to produce HDR images conforming to the PQ specification defined in ITU-R BT.2100 and SMPTE ST.2084. (Actual display depends on monitor performance.) Shots are captured as HEIF or RAW images.
Page 193 Caution Expanded ISO speeds (L, H) are not available in HDR shooting. Some scenes may look different from how they appear on an HDR display device. Unused signal values are roughly indicated by image areas in gray in the histogram when [ : HDR shooting ] is set to [Enable].
Page 194: Hdr Mode
HDR Mode Moving Subjects Dynamic Range You can shoot high dynamic range photos that retain detail in highlights and shadows of high-contrast scenes. Select “Moving subjects” for scenes with subjects in motion or “Dynamic range” for landscape and still-life shots. For enhanced gradation in dark image areas, HDR shooting produces an HDR image that compensates for loss of detail in those areas by merging multiple images captured across a wide range of exposures per shot.
Page 195 Select an option. For normal, non-HDR shooting, select [Disable]. Take the picture. Press the shutter button completely. Multiple images captured per shot are merged into a single HDR image recorded to the card. Moving Subjects Suitable when shooting subjects in motion. For each shot, images captured across a wide range of exposures are merged.
Page 196 Dynamic Range Suitable for landscape and still-life shots. For each shot, three images of different exposures (standard exposure, underexposure, and overexposure) are captured and automatically merged. Dynamic range Selecting [Auto] will have the dynamic range set automatically depending on the image's overall tonal range.
Page 197 Caution Expanded ISO speeds (L, H) are not available in HDR shooting. The flash will not fire during HDR shooting. AEB is not available. Subjects such as the sky or white walls may not be rendered with smooth gradation and may have noise or irregular exposure or colors. HDR shooting under fluorescent or LED lighting may cause issues such as irregular exposure or colors in HDR images, due to the flickering light source.
Page 198 Note Electronic first-curtain and electronic shutter modes are available with HDR set to [Moving sub.]. When set to [Dynamic range], the HDR images produced from RAW shooting are as follows. • [ : HDR shooting ] set to [Disable]: JPEG quality •...
Page 199: Auto Lighting Optimizer
Auto Lighting Optimizer Brightness and contrast can be corrected automatically if shots look dark or contrast is too low or high. Select [ : Auto Lighting Optimizer]. Set a correction option. Caution Noise may increase and apparent resolution may change, under some shooting conditions.
Page 200 Note images, face lighting can be adjusted in [ : RAW processing (RAW/DPRAW)] ( To enable [ : Auto Lighting Optimizer] to be set even in <M> or mode, press the < > button in step 2 to clear the checkmark [ ] for [Disabled in M or B modes].
Page 201: Highlight Tone Priority
Highlight Tone Priority You can reduce overexposed, clipped highlights. Select [ : Highlight tone priority]. Set an option. [Enable]: Improves gradation in highlights. The gradation between the grays and highlights becomes smoother. [Enhanced]: Reduces overexposed highlights even more than [Enable], under some shooting conditions. Caution Noise may increase slightly.
Page 202 Note : Highlight tone priority] is set to [Enable] and cannot be changed after you set [ : HDR shooting ] to [Enable] by pressing the < > button to add a checkmark to this setting. : Highlight tone priority] is set to [Disable], even if you set [ : HDR shooting ] to [Enable], when you have set [...
Page 203: Anti-Flicker Shooting
Anti-Flicker Shooting Uneven exposure and color may appear in continuous shooting at fast shutter speeds under flickering light sources such as fluorescent lights, due to uneven vertical exposure. Anti- flicker shooting enables you to take pictures when exposure and colors are less affected by flickering.
Page 204 Caution When [Enable] is set and you shoot under a flickering light source, the shutter- release time lag may become longer. Also, the continuous shooting speed may become slower, and the shooting interval may become irregular. Flicker at a frequency other than 100Hz or 120Hz cannot be detected. Also, if the flickering frequency of the light source changes during continuous shooting, effects of the flicker cannot be reduced.
Page 205: High-Frequency Anti-Flicker Shooting
High-Frequency Anti-Flicker Shooting Auto Detecting Manual Setting Images may be affected by banding if you shoot under light sources that flicker at high frequencies. High-frequency anti-flicker shooting enables you to take pictures at suitable shutter speeds for high-frequency flickering, which minimizes the effect of this flickering on images.
Page 206 Select [HF anti-flicker shooting]. Select [Enable].
Page 207 Select an item. Manual setting ( Auto detecting ( Auto Detecting The camera detects 50.0–2011.2 Hz light sources and displays a suitable shutter speed for shooting under light sources that flicker at high frequencies. You can then switch to the indicated shutter speed.
Page 208 Select [Auto detecting]. Select [OK]. It may improve HF flicker detection accuracy to magnify, as much as possible, any areas affected by banding. Switch to the indicated shutter speed. Select [Yes] to switch to the indicated shutter speed. Selecting [Yes (move to Tv settings)] will display the [Manual setting] screen.
Page 209 Caution The range of the recommended shutter speed indicated varies by shutter mode. • Mechanical shutter: 1/50.0 to 1/1024.0 sec. • Electronic first-curtain: 1/50.0 to 1/512.0 sec. • Electronic shutter: 1/50.0 to 1/2048.0 sec. • Movie recording: 1/50.0 to 1/2048.0 sec. Do the following if [No flicker detected] is displayed, or if switching shutter speeds does not eliminate banding.
Page 210 Manual Setting Check on the screen for image areas affected by light sources that flicker at high frequencies, then find a suitable shutter speed. Select [Manual setting]. Adjust the shutter speed. Do the following if banding is not eliminated at the shutter speed set with automatic detection.
Page 211 Caution The shutter speed range available for the manual setting mode varies by shutter mode. • Mechanical shutter: 1/50.0 to 1/2048.0 sec. • Electronic first-curtain: 1/50.0 to 1/2048.0 sec. • Electronic shutter: 1/50.0 to 1/8192.0 sec. • Movie recording: 1/50.0 to 1/8192.0 sec. Maximum flash sync speed in flash photography is limited to 1/181.0 sec.
Page 212: Shooting With Speedlites
Shooting with Speedlites EL/EX Series Speedlites for EOS Cameras Canon Speedlites Other Than the EL/EX Series Non-Canon Flash Units Quick Flash Group Control FE Memory Function EL/EX Series Speedlites for EOS Cameras Features of EL/EX series Speedlites (sold separately) can be used in flash photography with the camera.
Page 213 Caution Some Speedlites cannot be attached directly to this camera. For details, see Multi- Function Shoe. Setting [ : Auto Lighting Optimizer] ( ) to an option other than [Disable] may still cause images to look bright even if you set lower flash exposure compensation for darker images.
Page 214 Canon Speedlites Other Than the EL/EX Series With an EZ/E/EG/ML/TL series Speedlite set to A-TTL or TTL autoflash mode, the flash can be fired at full output only. Set the camera's shooting mode to <Av> or <M> and adjust the aperture value before shooting.
Page 215 Non-Canon Flash Units Sync speed Sync speed for non-Canon compact flash units varies by shutter mode. Sync Speed : Shutter mode] Setting Mechanical 1/200 sec. or slower Elec. 1st-curtain 1/250 sec. or slower With large studio flash units, the flash duration is longer than that of a compact flash unit and varies depending on the model.
Page 216 Quick Flash Group Control As you view the shooting screen in wireless multi-flash photography, you can configure the settings for each flash group by pressing the button assigned to [Quick flash group control] in [ : Customize buttons]. This example is based on assigning the < >...
Page 217 FE Memory Function You can set the flash output captured in the flash mode <ETTL> as the flash output for the flash mode <M> by pressing the button assigned to [ETTL M] in [ : Customize buttons]. This example is based on assigning the < >...
Page 218 Note The FE memory function is available in <Fv>, , <Tv>, <Av>, <M>, and modes. When the flash is set to a flash mode other than <ETTL> or <M>, the flash mode will not change even if the < >...
Page 219: Flash Function Settings
Flash Function Settings Flash Firing E-TTL Balance E-TTL II Flash Metering Continuous Flash Control Slow Synchro Flash Function Settings Flash Custom Function Settings Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Functions of EL/EX Series Speedlites compatible with flash function settings can be set via a camera menu screen.
Page 220 Select an option. Flash Firing To enable flash photography, set to [Enable]. To enable only the AF-assist beam of the Speedlite, set to [Disable].
Page 221 E-TTL Balance You can set your preferred appearance (balance) for flash shots. This setting enables you to adjust the ratio of ambient light to Speedlite light output. Set the balance to [Ambience priority] to lower the proportion of flash output and uses ambient light to produce lifelike shots with a natural mood.
Page 222 E-TTL II Flash Metering Set to [Eval (FacePrty)] for flash metering suitable for shots of people. Set to [Evaluative] for flash metering that emphasizes firing in continuous shooting. If [Average] is set, the flash exposure will be averaged for the entire metered scene. Note Depending on the scene, flash exposure compensation may be necessary.
Page 223 Continuous Flash Control Set to [E-TTL each shot] to perform flash metering for each shot. Set to [E-TTL 1st shot] to perform flash metering for only the first shot before continuous shooting. The flash output level for the first shot is applied to all subsequent shots.
Page 224 Slow Synchro You can set the flash-sync speed for flash photography in or <Av> mode. Note that the maximum flash synchronization speed varies depending on the [ : Shutter mode] setting. It is 1/250 sec. when set to [Elec. 1st-curtain] and 1/200 sec. when set to [Mechanical]. 1/250-30sec.
Page 225 1/250-1/60sec. auto ( Prevents a slow shutter speed from being set automatically in low-light conditions. Effective for preventing subject blur and camera shake. Light from the flash provides standard exposure for subjects, but note that backgrounds may be dark. Shutter Speed : Shutter mode] Setting Mechanical 1/200–1/60 sec.
Page 226 Flash Function Settings The information displayed on the screen, position of display, and available options vary depending on the Speedlite model, its Custom Function settings, the flash mode, and other factors. For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual. Sample display Flash mode Wireless functions/...
Page 227 Flash mode You can select the flash mode to suit your desired flash photography. [E-TTL II flash metering] is the standard mode of EL/EX series Speedlites for automatic flash photography. [Manual flash] is for setting the Speedlite's [Flash output level] yourself. [CSP] (Continuous shooting priority mode) is available when using a compatible Speedlite.
Page 228 Wireless functions You can use radio or optical wireless transmission to shoot with wireless multiple-flash lighting. For details on wireless flash, refer to the Instruction Manual of a Speedlite compatible with wireless flash photography. Firing ratio control (RATIO) With a macro flash, you can set the firing ratio control. For details on firing ratio control, refer to the Instruction Manual of the macro flash.
Page 229 Shutter synchronization Normally, set this to [First-curtain synchronization] so that the flash fires immediately after the shooting starts. Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking shots of subject motion trails, such as car headlights. Set to [High-speed synchronization] for flash photography at higher shutter speeds than the maximum flash sync shutter speed.
Page 230 Flash exposure bracketing Speedlites equipped with flash exposure bracketing (FEB) can change the external flash output automatically as three shots are taken at once.
Page 231 Flash Custom Function Settings For details on the Speedlite's Custom Functions, refer to the Instruction Manual of the Speedlite. Select [Flash C.Fn settings]. Set the desired functions. Select the number. Select an option. Caution With an EL/EX series Speedlite, the Speedlite will always fire at full output if the [Flash metering mode] Custom Function is set to [1:TTL] (autoflash).
Page 232 Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Select [Clear settings]. Select the settings to be cleared. Select [Clear flash settings] or [Clear all Speedlite C.Fn's]. Select [OK] on the confirmation screen to clear all flash settings or Custom Function settings.
Page 233: Metering Mode
Metering Mode Four methods (metering modes) to measure the subject's brightness are provided. Normally, evaluative metering is recommended. Evaluative metering is set automatically in Basic Zone modes (except in < > mode, which uses center-weighted average metering). Select [ : Metering mode]. Select an option.
Page 234 Caution With (evaluative metering), holding down the shutter button halfway when shooting with [One-Shot AF] locks the exposure value (AE lock). With (partial metering), (spot metering), or (center-weighted average metering), exposure is set at the moment the picture is taken (without locking the exposure value when the shutter button is pressed halfway).
Page 235: White Balance
White Balance White Balance ] Auto White Balance ] Custom White Balance ] Color Temperature White balance (WB) is for making the white areas look white. Normally, the Auto [ (Ambience priority) or [ ] (White priority) setting will obtain the correct white balance. If natural-looking colors cannot be obtained with Auto, you can select the white balance to match the light source or set it manually by shooting a white object.
Page 236 Select a white balance setting. Turn the < > dial to make a selection. Note For [ ] and [ ] setting instructions, see ] Auto White Balance. To set your preferred color temperature, select [ ] in [ : White balance], then turn the <...
Page 237 White Balance The human eye adapts to changes in lighting so that white objects look white under all kinds of lighting. Cameras determine white from the color temperature of lighting and, based on this, apply image processing to make color tones look natural in your shots.
Page 238 ] Auto White Balance ] (Ambience priority) emphasizes the ambiance of scenes under tungsten or similar lighting, producing images with a slightly warm color cast. Selecting [ ] (White priority) will produce images with a less warm color cast. Select [ : White balance].
Page 239 Caution Precautions when set to [ ] (White priority) Reddish subjects may appear slightly faded. The color cast of images may not be less warm in scenes that include multiple light sources. In flash photography, the color tone will be the same as with [ ] (Ambience priority).
Page 240 ] Custom White Balance With custom white balance, you can manually set the white balance for the specific light source of the shooting location. Make sure to perform this procedure under the light source at the actual location of the shoot. Registration from an image on a card Shoot a white object.
Page 241 Select [ : Custom White Balance]. Import the white balance data. Turn the < > dial to select the image captured in step 1, then press the < > button. Select [OK] to import the data. Select [ : White balance]. Select the custom white balance.
Page 242 Shooting and registering white balances Press the < > button. Select the white balance item. Press < > up or down for selection. Select [Record and register WB]. Turn the < > dial or press < > left or right to select [ ], then press the <...
Page 243 Shoot a white object. Aim the camera at a plain white object, so that white fills the screen. Set the camera to manual focus ( ) and shoot so that the white object has standard exposure. The custom white balance is registered to the camera. Caution Correct white balance may not be obtained if the exposure of your image differs greatly from standard exposure.
Page 244 ] Color Temperature A value can be set representing the white balance color temperature. Select [ : White balance]. Set the color temperature. Select [ Turn the < > dial to set a color temperature, then press the < > button.
Page 245: White Balance Correction
White Balance Correction White Balance Correction White Balance Auto Bracketing You can correct the white balance that is set. This adjustment will have the same effect as using a commercially available color temperature conversion filter or color compensating filter. White Balance Correction Select [ : WB Shift/Bkt.].
Page 246 Set the white balance correction. Sample setting: A2, G1 Use < > to move the “■” mark on the screen to your preferred position. B is for blue, A for amber, M for magenta, and G for green. White balance is corrected in the direction you move the mark. The direction and amount of correction are indicated in the upper right of the screen.
Page 247 White Balance Auto Bracketing White balance bracketing enables you to capture three images at once with different color tones. Setting the white balance bracketing amount In step 2 for White Balance Correction, when you turn the < > dial, the “■” mark on the screen will change to “■...
Page 248 Note The images will be bracketed in the following sequence: (1) Standard white balance, (2) Blue (B) bias, and (3) Amber (A) bias, or (1) Standard white balance, (2) Magenta (M) bias, and (3) Green (G) bias. You can also set white balance correction and AEB together with white balance bracketing.
Page 249: Color Space
Color Space The range of reproducible colors is called the “color space.” For normal shooting, sRGB is recommended. In Basic Zone, [sRGB] is set automatically. Select [ : Color space]. Set a color space option. Select [sRGB] or [Adobe RGB], then press the < >...
Page 250: Picture Style Selection
Picture Style Selection Picture Style Characteristics Symbols Just by selecting a preset Picture Style, you can obtain image characteristics effectively matching your photographic expression or the subject. Select [ : Picture Style]. Select a Picture Style.
Page 251 Picture Style Characteristics Auto The color tone will be adjusted automatically to suit the scene. The colors will look vivid for blue skies, greenery and sunsets, particularly in nature, outdoor, and sunset scenes. Note If the desired color tone is not obtained with [Auto], use another Picture Style. Standard The image looks vivid, sharp, and crisp.
Page 252 User Def. 1–3 You can add a new style based on presets such as [Portrait] or [Landscape] or a Picture Style file, then adjust it as needed ( ). Shots taken with a style you have not customized yet will have the same characteristics as the default [Auto] setting.
Page 253 Symbols Icons on the Picture Style selection screen represent [Strength], [Fineness], and [Threshold] for [Sharpness] as well as [Contrast] and other parameters. The numbers indicate the values for these settings specified for the respective Picture Style. Sharpness Strength Fineness Threshold Contrast Saturation Color tone...
Page 254: Picture Style Customization
Picture Style Customization Settings and Effects Monochrome Adjustment You can customize any Picture Style by changing it from the default settings. For details on customizing [Monochrome], see Monochrome Adjustment. Select [ : Picture Style]. Select a Picture Style. Select the Picture Style to adjust, then press the < >...
Page 255 Select an option. Select an option, then press the < > button. For details on settings and effects, see Settings and Effects. Set the effect level. Adjust the effect level, then press the < > button. Press the < > button to save the adjusted setting and return to the Picture Style selection screen.
Page 256 Note For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set (not displayed). By selecting [Default set.] in step 3, you can restore the parameter settings of the respective Picture Style to the defaults. To shoot with the Picture Style you adjusted, first select the adjusted Picture Style, then shoot.
Page 257 Monochrome Adjustment Filter effect With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Filter Sample Effects N:None Normal black-and-white image with no filter effects. Ye:Yellow Blue sky will look more natural, and white clouds will look crisper. Or:Orange The blue sky will look slightly darker.
Page 258: Picture Style Registration
Picture Style Registration You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired, and register it under [User Def. 1] – [User Def. 3]. Useful when creating several Picture Styles with different settings. Picture Styles that you have registered on the camera using EOS Utility (EOS software, can also be modified here.
Page 259 Press the < > button. With [Picture Style] selected, press the < > button. Select a base Picture Style. Select the base Picture Style, then press the < > button. Also select styles this way when adjusting styles registered to the camera with EOS Utility (EOS software).
Page 260 Set the effect level. Adjust the effect level, then press the < > button. For details, see Picture Style Customization. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. The base Picture Style will be indicated on the right of [User Def. *]. Blue style names in [User Def.
Page 261: Clarity
Clarity You can adjust image clarity, as determined by the contrast of image edges. Set toward the negative end to make images look softer or toward the positive end for a sharper appearance. Select [ : Clarity]. Set the effect level. Caution Setting clarity may darken or lighten the areas around boundaries in high-contrast images.
Page 262: Shooting Creative Filters
Shooting Creative Filters Configuring Shooting Creative Filters Characteristics of Shooting Creative Filters You can shoot with filter effects applied. Note that only images with the filter effects applied are saved. Configuring Shooting Creative Filters Select [ : Shooting creative filters]. Caution The camera shoots in single shooting mode when a Creative filter is set, regardless of the drive mode setting (<...
Page 263 Select a filter effect. Turn the < > dial to select a filter effect ( Images are shown with the filter effect applied. Caution Some items on the AF tab are not available with [Fish-eye effect] or [Miniature effect] selected. Adjust the filter effect.
Page 264 Note Different creative filter effects are available in movie recording (...
Page 265 Characteristics of Shooting Creative Filters Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness.
Page 266 Caution With [Grainy B/W], the grainy preview will differ somewhat from the appearance of your shots. With [Soft focus] or [Miniature effect] options, the blurred effect preview may differ somewhat from the appearance of your shots. No histogram is displayed. A magnified view is not available.
Page 267: Lens Aberration Correction
Lens Aberration Correction Peripheral Illumination Correction Distortion Correction Focus Breathing Correction Digital Lens Optimizer Chromatic Aberration Correction Diffraction Correction Vignetting, image distortion, and other issues may be caused by lens optical characteristics. The camera can compensate for these phenomena by using [ : Lens aberration correction].
Page 268 Select a setting. Confirm that the name of the attached lens and [Correction data available] are displayed. If [Correction data not available] or [ ] is displayed, see Digital Lens Optimizer. Peripheral Illumination Correction Vignetting (dark image corners) can be corrected. Caution Depending on shooting conditions, noise may appear on the image periphery.
Page 269 Distortion Correction Distortion (image warping) can be corrected. Caution Specifying distortion correction may subtly change the angle of view, resulting in images that are cropped a little and seem slightly less sharp. The amount of image cropped may vary between still photos and movies. Note With RF or RF-S lenses, distortion correction during movie recording is supported.
Page 270 Movies with abrupt changes to the angle of view may be recorded if you move the focusing distance range switch during recording. Correction artifacts may occur, depending on the lens and shooting conditions. For details on lenses compatible with this feature, visit the Canon website (...
Page 271 Digital Lens Optimizer Various aberrations from lens optical characteristics can be corrected, along with diffraction and low-pass filter-induced loss of resolution. If [Correction data not available] or [ ] is displayed by [Digital Lens Optimizer], you can use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS Utility Instruction Manual.
Page 272 Chromatic Aberration Correction Chromatic aberration (color fringing around subjects) can be corrected. Note [Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is set to [Standard] or [High].
Page 273 General precautions for lens aberration correction Lens aberration correction cannot be applied to existing JPEG/HEIF images. When using a non-Canon lens, setting the corrections to [Disable] is recommended even if [Correction data available] is displayed. Magnifying the periphery of the image may display parts of the image that will not be recorded.
Page 274 Note General notes for lens aberration correction Effects of lens aberration correction vary by lens and shooting conditions. Also, the effect may be difficult to discern depending on the lens used, shooting conditions, etc. If the correction is difficult to discern, magnifying and checking the image after shooting is recommended.
Page 275: Long Exposure Noise Reduction
Long Exposure Noise Reduction Noise such as dots of light or banding that tends to occur in long exposures at shutter speeds of one sec. or slower can be reduced. Select [ : Long exp. noise reduction]. Set a reduction option. Auto For images exposed for 1 sec.
Page 276 Caution With [Auto] or [Enable] set, noise reduction after you shoot may take as long as exposure for the shot. Images may look grainier with the [Enable] setting than with the [Disable] or [Auto] setting. [BUSY] is displayed as noise is reduced, and the shooting screen is not displayed until processing is finished, when you can shoot again.
Page 277: High Iso Speed Noise Reduction
High ISO Speed Noise Reduction You can reduce the image noise generated. This function is especially effective when shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker parts of the image (shadow areas) can further be reduced. Select [ : High ISO speed NR].
Page 278 Caution Precautions on Multi Shot Noise Reduction If there is significant misalignment in the image due to camera shake, the noise reduction effect may become smaller. Be careful about camera shake in handheld shots. Using a tripod is recommended. If you shoot a moving subject, the moving subject may leave afterimages. Auto image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images.
Page 279: Dust Delete Data Acquisition
Dust Delete Data Acquisition Preparation Dust Delete Data Appending Dust Delete Data used to erase dust spots can be appended to images in case sensor cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo Professional (EOS software) to erase the dust spots automatically.
Page 280 Select [OK]. After the automatic self-cleaning of the sensor is performed, a message will appear. Although there will be a mechanical sound of the shutter during the cleaning, no picture is taken.
Page 281 Shoot a plain white object. Shoot with a plain white object (such as a new sheet of white paper) filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.). Since the image will not be saved, the data can still be obtained even if there is no card in the camera.
Page 282 Dust Delete Data Appending The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring Dust Delete Data immediately before shooting is recommended. For details about using Digital Photo Professional (EOS software) to erase dust spots automatically, refer to the Digital Photo Professional Instruction Manual.
Page 283: Multiple Exposures
Multiple Exposures Merging Multiple Exposures with a JPEG Image Recorded on the Card Checking and Deleting Multiple Exposures During Shooting As you shoot multiple exposures (2–9), you can see how the images will be merged into a single image. Select [ : Multiple exposure].
Page 284 Set [Multiple exposure]. Select an option, then press the < > button. To exit shooting multiple exposures, select [Disable]. On:Func/Ctrl Convenient when shooting multiple exposures gradually as you check the results. During continuous shooting, the continuous shooting speed will decrease greatly. On:ContShtng Used for continuous multiple exposures of moving subjects.
Page 285 Set [Multi-expos ctrl]. Select a merging option, then press the < > button. Additive The exposure of each single image captured is added cumulatively. Based on [No. of exposures], set negative exposure compensation. Follow these basic guidelines to set the exposure compensation amount.
Page 286 Set [No. of exposures]. Select the number of exposures, then press the < > button. Specify the images to save. To save all single exposures and the multiple-exposure image, select [All images] and press the < > button. To save only the multiple-exposure image, select [Result only] and press the <...
Page 287 Set [Continue Mult-exp]. Select an option, then press the < > button. With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. With [Continuously], multiple-exposure shooting continues until the setting in step 2 is set to [Disable]. Shoot the first exposure.
Page 288 Shoot the next exposures. Images captured so far are displayed merged. For only image display, press the < > button repeatedly. Multiple-exposure shooting will end when the set number of exposures are taken. Note With [On:Func/Ctrl], you can press the < >...
Page 289 Merging Multiple Exposures with a JPEG Image Recorded on the Card You can select a JPEG image recorded on the card as the first single exposure. The selected JPEG image will remain intact. Select [Select image for multi. expo.]. Select the first image. Turn the <...
Page 290 Take the picture. When you select the first image, the number of remaining exposures as set with [No. of exposures] will decrease by 1. Caution The following images cannot be selected. • RAW or HEIF images • JPEG images extracted from RAW burst images ( •...
Page 291 Checking and Deleting Multiple Exposures During Shooting To view the multiple-exposure image so far, check exposure, and see how the images are merged, you can press the < > button before you finish shooting your specified number of exposures (when [On:Func/Ctrl] is set, but not with [On:ContShtng]). Pressing the <...
Page 292 Are there any restrictions on the image quality? Multiple exposures are captured as JPEG [ ] images. Even with [ : Image quality] set to RAW only, they are captured as JPEG [ ] images. Can I merge images recorded on the card? With [Select image for multi.
Page 293: Raw Burst Mode
RAW Burst Mode Enables fast continuous shooting of RAW images. Useful for choosing the best shot, taken at exactly the right moment, from your captured images. Shots are captured as a single file (roll) with multiple images. You can extract any image from the roll to save it separately ( Select [ : RAW burst mode].
Page 294 Select [Pre-shooting]. Set an option. [Enable]: Shooting begins slightly before (up to approx. 0.5 sec. before) you press the shutter button completely, after you momentarily press it halfway. [ ] is displayed when you shoot. [Disable]: Shooting begins when you press the shutter button completely.
Page 295 In RAW burst mode, even with zoom lenses that do not have variable maximum aperture, exposure may change if you zoom while pressing the shutter button halfway or completely. For details, refer to the Canon website ( There may be a delay before subsequent shooting in RAW burst mode is possible, depending on shooting conditions, the type of memory card, and the number of shots taken continuously.
Page 296: Focus Bracketing
Focus Bracketing Focus bracketing enables continuous shooting with the focal distance changed automatically after each shot. These images enable you to create a single image in focus over a deep depth of field. Compositing is also possible using an application that supports depth compositing, such as Digital Photo Professional (EOS software).
Page 297 Set [Number of shots]. Specify the number of images captured per shot. Can be set in a range of [2]–[999]. Set [Focus increment]. Specify how much to shift the focus. This amount is automatically adjusted to suit the aperture value at the time of shooting. Larger aperture values increase the focus shift and make focus bracketing cover a wider range under the same focus increment and number of shots.
Page 298 Set [Exposure smoothing]. Selecting [Enable] suppresses changes in image brightness during focus bracketing by compensating for differences between the displayed and actual aperture value (effective f-number), which varies by focal position. Select [Disable] if you prefer not to compensate for changes in image brightness during focus bracketing.
Page 299 Set [Crop depth comp.]. Select [Enable] for cropping before compositing, to prepare any images without a sufficient angle of view for compositing alignment by cropping them to correct the angle of view. Select [Disable] if you prefer not to crop these images. Shoot.
Page 300 Shooting with a wider angle of view is recommended. After depth compositing, you can crop the image if necessary. For details on lenses compatible with this feature, visit the Canon website ( Suitable [Focus increment] settings vary by subject. An unsuitable [Focus increment] setting may cause unevenness in composite images, or shooting may take more time because more shots are taken.
Page 301 Depth compositing image quality setting and images saved With [ Rec options] in [ : Record func+card/folder sel.] set to an option other than [Rec. separately] Source Images* Composited Image JPEG/HEIF* Only JPEG/HEIF JPEG/HEIF Only JPEG/HEIF* Image Quality ) + JPEG/ ) + JPEG/ JPEG/HEIF HEIF...
Page 302: Interval Timer Shooting
Interval Timer Shooting With the interval timer, you can set the shooting interval and number of shots, so that the camera takes individual shots repeatedly according to your interval until your specified number of shots are taken. Select [ : Interval timer]. Select [Enable].
Page 303 Set the shooting interval and number of shots. Select an option to set (hours : minutes : seconds / number of shots). Press the < > button to display [ ]. Set a value, then press the < > button. (Returns to [ Interval Can be set in a range of [00:00:01]–[99:59:59].
Page 304 Take the picture. First shot is taken and shooting continues according to the interval timer settings. During interval timer shooting, [ ] will blink. After the set number of shots are taken, the interval timer shooting will stop and be automatically canceled. Note Using a tripod is recommended.
Page 305 Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. In < > focus mode, the camera will not shoot unless subjects are in focus. Consider setting the mode to manual focus and focusing manually before shooting.
Page 306: Silent Shutter Function
Silent Shutter Function Disables shutter release sounds, operating sounds, and firing and illumination of the flash and other light sources. The following settings are used and cannot be changed. Shutter mode: [Electronic] Shutter release sound, focused beep: only headphone output Touch sounds, self-timer sounds: silent Shutter at shutdown: open Long exposure noise reduction: [Disable]...
Page 307: Shutter Mode
Shutter Mode You can choose the method of shutter release. Select [ : Shutter mode].
Page 308 Select an option. Mechanical Shooting activates the mechanical shutter. Recommended when shooting with the aperture of a bright lens wide open. Elec. 1st-curtain Camera vibration blur may be reduced more than with the mechanical shutter, under some shooting conditions. Flash sync speed can be set higher than with the mechanical shutter. Electronic Enables reduced sound and vibration from shutter operations, compared to mechanical shutter or electronic first-curtain.
Page 309 : Silent shutter function] to [On] sets the shutter mode to [Electronic]. Zooming during continuous shooting may cause changes in exposure even at the same f/number. For details, refer to the Canon website ( Depending on the lens used, consider shooting with [Elec. 1st-curtain] or [Electronic] to ensure effective image stabilization.
Page 310: Releasing Shutter Without Card
Releasing Shutter without Card You can set the camera not to shoot unless there is a card in the camera. The default setting is [Enable]. Select [ : Release shutter without card]. Select [Disable].
Page 311: Image Stabilizer (Is Mode)
Image Stabilizer (IS Mode) Focal Length Image stabilization by the camera reduces camera shake in still photo shooting. Set [IS mode] to [On] as follows when using non-IS lenses. With IS-equipped lenses, camera shake is reduced using stabilization by both the camera and lens. When using IS lenses that do not have an IS switch, set [IS mode] to [On].
Page 312 Select [Still photo IS]. [Always]: Provides constant image stabilization. [Only for shot]: Image stabilization is active only at the moment of shooting. Caution In some cases, this may not provide sufficient stabilization for certain lenses. Note For details on image stabilization for movie recording, see Movie Digital Focal Length Image stabilization based on your specified lens focal length is possible by setting the focal...
Page 313 Set the focal length. Turn the < > dial to select the digit of the focal length. Press the < > button to display [ ]. Set a value, then press the < > button. (Returns to [ Select [OK]. Caution Set [ : Release shutter w/o lens] to [Enable].
Page 314: Customizing Quick Controls
Customizing Quick Controls Resetting the Custom Quick Control Screen or Clearing All Items Quick Control items and the layout are customizable. Select [ : Customize Quick Controls]. Select [Edit layout].
Page 315 Select items to remove. Turn the < > dial or use < > to select an item to remove, then press the < > button. Items shown on the Quick Control screen are labeled with a checkmark. You can remove the items labeled with a checkmark. Select items to add.
Page 316 Change the layout. Use the < > dial to select an item to move, then press the < > button. Use the < > dial to move the item, then press the < > button. Press the < > button to exit setup. Select [Save and exit].
Page 317 Review the screen. Press the < > button to check the screen with your settings applied. Resetting the Custom Quick Control Screen or Clearing All Items Select [Reset settings] to restore the default Quick Control screen items and layout. Select [Clear all items] to remove all items from the layout, so that no Quick Control screen is displayed when the <...
Page 318: Shooting With The Touch Shutter
Shooting with the Touch Shutter Just by tapping the screen, you can focus and take the picture automatically. Enable the Touch Shutter. Tap [ ] on the screen. Each time you tap the icon, it will toggle between [ ] and [ ] (Touch Shutter: Enable) The camera will focus on the spot you tap, then the picture will be taken.
Page 319 Tap the screen to shoot. Tap the face or subject on the screen. On the point you tap, the camera focuses (Touch AF) using your specified Area. When [ ] is set, the AF point turns green when focus is achieved, then the picture is taken automatically.
Page 320: Image Review
Image Review Review Duration Viewfinder Display Review Duration To keep the image displayed immediately after you shoot, set to [Hold], and if you prefer not to have the image displayed, set to [Off]. Select [ : Image review]. Select [Review duration]. Set a time option.
Page 321 Note When [Hold] is set, images are displayed as long as the time set in the [Screen off] option of [ : Power saving].
Page 322 Viewfinder Display Set to [Enable] for viewfinder display of your shots immediately after you shoot. Select [ : Image review]. Select [Viewfinder review]. Select an option. Note [Viewfinder review] settings take effect when [Review duration] is set to an option other than [Off].
Page 323: High-Speed Display
High-Speed Display High-speed display that switches between each shot and the live image is available when shooting in [ ] (high-speed continuous shooting) drive mode and in a shutter mode other than electronic shutter. Select [ High speed display]. Select an option. Select [Enable] for display that switches between each shot and the live image.
Page 324 Caution Images may waver or flicker during high-speed display. This occurs more often at high shutter speeds. However, this does not affect shooting results. High-speed display is not performed for shutter speeds slower than 1/30 sec., aperture values higher than f/11, conditions that make autofocusing difficult, flash photography, or high ISO expansion.
Page 325: Metering Timer
Metering Timer You can set how long the metering timer runs (which determines the duration of exposure value display/AE lock) after it is triggered by an action such as pressing the shutter button halfway. Select [ : Metering timer]. Set a time option.
Page 326: Display Simulation
Display Simulation With display simulation, display of image brightness and depth of field more closely matches the actual brightness (exposure) of your shots. Select [ : Display simulation]. Select an option. Exposure+DOF ( Image brightness and depth of field as displayed closely matches the actual brightness (exposure) of your shots.
Page 327 Disable ( The image is displayed at standard brightness, so it is easy to see. Even if you set exposure compensation, the image is displayed at the standard brightness. Caution Notes on [Exposure+DOF] Display may flicker at some shutter speeds. With EF lenses, this setting may increase the shutter-release time lag.
Page 328: Optical Viewfinder Simulation
Optical Viewfinder Simulation Natural-looking viewfinder and screen display, resembling the view from an optical viewfinder, is available in still photo shooting. Note that images displayed with this feature set to [On] may differ from actual shooting results. Select [ : OVF sim. view assist]. Select an option.
Page 329 Caution Setting this feature to [On] sets [ : Display simulation] to [Disable]. Optical viewfinder simulation is used for display when this feature is set to [On] in HDR shooting. Creative filter display is used when shooting with Creative filters, even if this feature set to [On].
Page 330: Shooting Information Display
Shooting Information Display Customizing Information on the Screen Customizing Information in the Viewfinder Viewfinder Vertical Display Grid Histogram Lens Information Display Clearing Settings You can customize the details and screens of information shown on the screen or in the viewfinder when you shoot. Customizing Information on the Screen Select [ : Shooting info.
Page 331 Select [Screen info. settings]. Select screens. Turn the < > dial to select screens of information to show on the camera. For information you prefer not to display, press the < > button to clear the checkmark [ ]. To edit the screen, press the < >...
Page 332 Edit the screen. Turn the < > dial to select options to show on the screen of information. For items you prefer not to display, press the < > button to clear the checkmark [ ]. Select [OK] to register the setting.
Page 333 Customizing Information in the Viewfinder Select [ : Shooting info. disp.]. Select [VF info/toggle settings]. Select screens. Turn the < > dial to select information screens to show in the viewfinder. For information you prefer not to display, press the < >...
Page 334 Edit the screen. Turn the < > dial to select options to show in the viewfinder. For items you prefer not to display, press the < > button to clear the checkmark [ ]. Select [OK] to register the setting.
Page 335 Viewfinder Vertical Display You can select how viewfinder information is displayed when you are shooting still photos vertically. Select [ : Shooting info. disp.]. Select [VF vertical display].
Page 336 Select an option. Information is automatically rotated, making it easier to read. Information is not automatically rotated.
Page 337 Grid A grid can be displayed on the screen and viewfinder. Select [ : Shooting info. disp.]. Select [Grid display]. Select an option.
Page 338 Histogram You can select the content and display size of the histogram. Select [ : Shooting info. disp.]. Select [Histogram disp]. Select an option. Select the content ([Brightness] or [RGB]) and display size ([Large] or [Small]).
Page 339 Lens Information Display You can display information about the lens in use. Select [ : Shooting info. disp.]. Select [Lens info display].
Page 340 Select an option. Focus distance disp You can display focus distance when using RF lenses. In focus distance display, you can select the timing and unit of measurement. Focal length disp You can display the focal length of the lens in use. SA variable amount You can display the amount of correction set when using lenses featuring spherical aberration control.
Page 341 Clearing Settings Select [ : Shooting info. disp.]. Select [Reset]. Select [OK].
Page 342: Viewfinder Display Format
Viewfinder Display Format You can select how information is presented in the viewfinder. Select [ : VF display format]. Select an option.
Page 343: Display Performance
Display Performance You can select the performance parameter to prioritize in shooting screen display for still photos. Select [ : Disp. performance]. Select an option. When set to [Smooth] By pressing the < > button to add a checkmark, you can include low-light locations in the scenarios for suppressing lower display frame rates.
Page 344 Caution Some shooting conditions and camera operations may prevent smooth, high frame rate display, even when set to [Smooth]. Shooting under low light with [Suppress lower frame rate] set for shooting screen display may affect performance as follows. • Faster battery consumption •...
Page 345: Type Of Digest Movie
Type of Digest Movie Both still photos and clips are captured when you shoot in < > mode, but you can specify whether to include the still photos in the resulting digest movie. Set the Mode dial to < >. Select [ : Digest type].
Page 346 Select an option. Include stills Digest movies include still photos. ] is shown on the information display screen. No stills Digest movies do not include still photos. ] is shown on the information display screen.
Page 347: General Still Photo Shooting
General Still Photo Shooting Information Display General Still Photo Shooting Precautions Information Display For details on the icons displayed for still photo shooting, see Information Display. Note White display of the [ ] icon indicates that your shots will be about as bright as the image displayed.
Page 348 General Still Photo Shooting Precautions Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Image quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable.
Page 349 Images and display Under low- or bright-light conditions, the displayed image may not reflect the brightness of the captured image. Although noise may be noticeable in images under low light (even at low ISO speeds), there will be less noise in your shots, due to differences in image quality between displayed and captured images.
Page 350: Movie Recording
Movie Recording Size • High Frame Rate • Movie Cropping • Digital Zoom • Sound Recording • Canon Log Settings • Pre-Recording Setting • Time-Lapse Movies • Movie Self-Timer • Image Stabilizer (IS Mode) • Shutter Button Function for Movies •...
Page 351 • Shooting Information Display • Quick Control Screen • Time Code • Other Menu Functions • General Movie Recording Precautions...
Page 352: Tab Menus: Movie Recording
Tab Menus: Movie Recording Shooting 1 Movie rec. size High Frame Rate Movie cropping Digital zoom Sound recording Shooting 2 Exposure comp. ISO speed settings HDR shooting HDR Movie Recording Auto Lighting Optimizer Highlight tone priority HF anti-flicker shooting...
Page 353 Shooting 3 Av 1/8-stop incr. Auto slow shutter Shooting 4 White balance Custom White Balance WB correction (4) Picture Style • Picture Style Selection • Picture Style Customization • Picture Style Registration Canon Log settings Clarity Shooting creative filters...
Page 354 Shooting 5 Lens aberration correction High ISO speed NR Shooting 6 Pre-recording set. Time-lapse movie Movie self-timer...
Page 355 Shooting 7 IS (Image Stabilizer) mode Customize Quick Controls Shutter btn function for movies Metering timer False color set. Zebra settings Shooting info. disp. Shooting 8 Quick Ctrl screen VF display format Standby: Low res. HDMI display HDMI RAW output Time code...
Page 356: Movie Recording
Movie Recording Selecting a Recording Mode Autoexposure Recording Shutter-Priority AE Aperture-Priority AE Scene Icons ISO Speed in [ ] Mode Manual Exposure Recording ISO Speed in [ ] Mode Shutter Speed Creative Filters HDR Movie Recording Still Photo Shooting Information Display (Movie Recording)
Page 357 Selecting a Recording Mode Set the still photo shooting/movie recording switch to < > and use the Mode dial to select a recording mode. Mode Dial Mode Operation The camera detects the type of scene and sets all settings accordingly. Exposure is controlled automatically to suit the brightness.
Page 358 Autoexposure Recording Exposure is controlled automatically to suit the brightness. Set the recording mode to [ ] or [ Turn the Mode dial to < >, < >, , <Fv>, or . Focus on the subject. Before recording a movie, focus with AF ( ) or manual focus ( The camera focuses continuously under default settings, with [Movie Servo AF] in [...
Page 359 Record the movie. Press the movie shooting button to start recording a movie. You can also start recording a movie by tapping [ ] on the screen. REC] (1) is displayed in the upper right while movie recording is in progress, and a blinking red frame is displayed around the screen.
Page 360 Shutter-Priority AE ] recording mode enables you to set your preferred shutter speed for movies. ISO speed and aperture values are set automatically to suit the brightness and obtain standard exposure. Set the recording mode to [ Turn the Mode dial to <Tv>. Set the shutter speed (1).
Page 361 Caution Avoid adjusting shutter speed while recording movies, which will record changes in exposure. When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec. to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the subject's movement will look.
Page 362 Aperture-Priority AE ] recording mode enables you to set your preferred aperture value for movies. ISO speed and shutter speed are set automatically to suit the brightness and obtain standard exposure. Set the recording mode to [ Turn the Mode dial to <Av>. Set the aperture value (1).
Page 363 Caution Avoid adjusting the aperture value while recording movies, which will record changes in exposure caused by aperture adjustment. Note Notes for [ ], [ ], [ ], and [ ] modes You can lock the exposure (AE lock) by pressing the < >...
Page 364 Scene Icons In [ ] recording mode, the camera detects the type of scene and sets all settings accordingly. The detected scene type is indicated in the upper left of the screen. For icon details, see Scene Icons.
Page 365 ISO Speed in [ ] Mode ISO speed is set automatically. See ISO Speed in Movie Recording.
Page 366 Manual Exposure Recording You can manually set the shutter speed, aperture value, and ISO speed for movie recording. Set the recording mode to [ Turn the Mode dial to <M>.
Page 367 Set the shutter speed, aperture value, and ISO speed. Press the shutter button halfway and check the exposure level indicator. Turn the < > dial to set the shutter speed (1), the < > dial to set the aperture value (2), and the < >...
Page 368 Focus and record the movie. Same as steps 2 and 3 for Autoexposure Recording. Caution ISO speed cannot be expanded to L (equivalent to ISO 50) in movie recording. During movie recording, avoid changing the shutter speed, aperture value, or ISO speed, which may record changes in the exposure or create more noise at high ISO speeds.
Page 369 ISO Speed in [ ] Mode You can set the ISO speed manually or select [ ] to set it automatically. For details on ISO speed, see ISO Speed in Movie Recording.
Page 370 Shutter Speed Available shutter speeds in [ ] and [ ] mode vary depending on the frame rate you have set for your specified movie recording size. Shutter Speed (Sec.) High-Frequency Frame Rate Normal Movie High Frame Rate HDR Movie Anti-Flicker Recording Movie Recording...
Page 371 Creative Filters In < > (creative filters) mode, you can record movies with one of five filter effects applied: Dream, Old movies, Memory, Dramatic B&W, or Miniature effect movies. Recording size can be set to (NTSC) or (PAL). Set the Mode dial to < >.
Page 372 Select a filter effect. Turn the < > dial to select a filter effect ( ), then press the < > button. For Miniature effect movies, move the AF point to the position to focus on. Move the scene frame if the AF point is outside of it, so that the AF point is aligned with it.
Page 373 Note Can also be configured from [ : Shooting creative filters] in Creative Zone modes (...
Page 374 Creative Filter Characteristics Dream Applies a soft, dreamy, otherworldly appearance. Gives the movie a soft look overall, blurring the periphery of the screen. You can adjust the blurry areas along the screen edges. Old movies Creates an atmosphere like an old film by adding wavering, scratches, and flickering effects to the image.
Page 375 HDR Movie Recording You can record high dynamic range movies that retain detail in highlights of high-contrast scenes. Note Movies are recorded at (NTSC) or (PAL). Set the Mode dial to < >. Record an HDR movie. Record the movie in the same way as normal movie recording. For details on file sizes and the recording time available, see Movie recording.
Page 376 Note You can also record HDR movies by setting [ HDR Movie Recording] to [Enable].
Page 377 Still Photo Shooting Still photo shooting is not supported in movie recording mode. Before shooting still photos, stop recording and change the still photo shooting/movie recording switch to < >.
Page 378 Information Display (Movie Recording) For details on the icons on the movie recording screen, see Information Display. Caution The remaining time displayed for movie recording is only a guideline. Movie recording may stop before the initially displayed recording time elapses if the red [ ] icon appears due to high internal camera temperature during recording (...
Page 379: Movie Recording Size
Movie Recording Size 4K Movie Recording Image Area Cards That Can Record Movies Movie Files Exceeding 4 GB Total Movie Recording Time and File Size Per Minute Movie Recording Time Limit You can set the recording size, frame rate, and compression method in [ : Movie rec.
Page 380 With [ : HDMI RAW output] set to [On] ( • [ ]: You can set the frame rate for HDMI RAW movie output. • [ ]: You can set the compression method of MP4 movies recorded to card [ ] at the same time.
Page 381 Note To obtain better performance with the card, formatting the card with the camera before recording movies is recommended ( Movies cannot be recorded in HD or VGA quality. 4K Movie Recording Recording 4K movies requires a stable card with a fast writing speed. For details, see Cards That Can Record Movies.
Page 382 Image Area The movie image area varies depending on the movie recording size, cropped recording setting, and lens used. RF or EF lenses with [ : Movie cropping] set to [Disable] (3840×2160) / (time-lapse) / (time-lapse) (1920×1080) RF or EF lenses with [ : Movie cropping] set to [Enable] RF-S or EF-S lenses (3840×2160) /...
Page 383 Frame rate (fps: frames per second) ] 179.82 fps / [ ] 119.88 fps / [ ] 59.94 fps / [ ] 29.97 fps For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). For [ ] or [ ], see High Frame...
Page 384 Cards That Can Record Movies Card performance requirements (movie recording) for details on cards that can record at each movie recording size. Test cards by recording a few movies to make sure they can record correctly at your specified size ( Caution Before recording 4K movies, format cards by selecting [Low level format] in [ : Format card] (...
Page 385 Movie Files Exceeding 4 GB Using SDHC cards formatted with the camera If you use the camera to format an SDHC card, the camera will format it in FAT32. With a FAT32-formatted card, if you record a movie and the file size exceeds 4 GB, a new movie file will be created automatically.
Page 386 Total Movie Recording Time and File Size Per Minute For details, see Movie recording.
Page 387 Movie Recording Time Limit When recording non-High Frame Rate movies The maximum recording time per movie is 6 hr. Once 6 hr. is reached, recording stops automatically. You can start recording a movie again by pressing the movie shooting button (which records the movie as a new file). When recording High Frame Rate movies Maximum recording time per movie is as follows.
Page 388: High Frame Rate
High Frame Rate You can record movies at a high frame rate of 179.82/150.00/119.88/100.00 fps. This is ideal for recording movies that will be played back in slow motion. Movies are recorded in , or quality. Sound is not recorded in High Frame Rate movies. Each second during movie recording, time code display advances as follows.
Page 389 Caution Precautions when set to [High Frame Rate: Enable] Time codes are not recorded when [Count up] is set to [Free run] in [ : Time code] ( Check the [ : Movie rec. size] setting if you return this setting to [Disable]. The screen may flicker if you record High Frame Rate movies under fluorescent or LED lighting.
Page 390: Movie Cropping
Movie Cropping With RF or EF lenses, you can record movies cropped around the center of the image area, as if captured with a telephoto lens. Recording movies with RF-S/EF-S lenses has the same effect as this movie cropping feature. Select [ : Movie cropping].
Page 391: Digital Zoom
Digital Zoom With the recording size set to [ ] (NTSC) or [ ] (PAL), you can zoom by approx. 1–10× (or approx. 1.6–10× with APS-C cropping), which works by enlarging the center of the image area. Select [ : Digital zoom]. Select an option.
Page 392 Use digital zoom. To zoom, either tap [ ] in the lower right of the screen or, if you have assigned [Digital zoom] in [ : Customize buttons] to a button, press the button. The digital zoom bar will appear. Press <...
Page 393: Sound Recording
Sound Recording Sound Recording/Sound-Recording Level Wind Filter Audio Noise Reduction You can record movies while recording sound with the built-in stereo microphone or an external stereo microphone. You can also freely adjust the sound-recording level. Use [ : Sound recording] to set sound recording functions. Caution Sounds from Wi-Fi operations may be captured with built-in or external microphones.
Page 394 Note In Basic Zone modes, the settings available for [ : Sound recording] are [On] and [Off]. Set to [On] for automatic adjustment of the recording level. Audio is also output when the camera is connected to televisions via HDMI, unless [Sound recording] is set to [Off].
Page 395 Wind Filter Set to [Auto] to reduce audio distortion in windy outdoor scenes. Only activated when the camera's built-in microphone is used. When the wind filter function takes effect, part of the low bass sounds will also be reduced.
Page 396 Audio Noise Reduction When recording with the built-in microphone, this feature reduces mechanical lens sounds caused by autofocusing, as well as white noise. Disable Disables audio noise reduction. Enable Enables audio noise reduction. High Reduces audio noise more than with [Enable]. Caution Audio quality may be different when set to [Enable] than when set to [Disable].
Page 397: Canon Log Settings
To work with Canon Log movies in postproduction, you can apply look-up tables (LUTs). LUT data can be downloaded from the Canon website. Select [ : Canon Log settings].
Page 398 Select [On ( )] ( Set the options as desired. View Assist. ( Characteristics ( Color space (...
Page 399 Canon Log On ( Enables 10-bit recording of Canon Log movies to the card. Movies can also be recorded to an external device that supports 10-bit recording. Note YCbCr 4:2:2 (10-bit) color sampling and the BT.709/BT.2020/Cinema Gamut color space are used in Canon Log recording.
Page 400 When played on the camera, these movies may look darker and have lower contrast than movies recorded with a Picture Style applied, due to Canon Log image characteristics, which are intended to ensure a wide dynamic range. For clearer display that makes it easier to check details, set [View Assist.] to [On].
Page 401 Characteristics Adjust as needed. Select an option ([Sharpness: Strength], [Saturation], or [Hue]), adjust the effect level, then press the < > button. Sharpness: Strength 0: Weak outline emphasis 7: Strong outline emphasis Saturation −4: Low +4: High Reds −4: Toward magenta +4: Toward yellow Hue* Greens...
Page 402 Manually setting the ISO speed to 100–640 will make the dynamic range narrower. Canon Log offers a dynamic range of approx. 1600% at ISO 800 or higher. The following are expanded ISO speeds: ISO 100, 125, 160, 200, 250, 320, 400, 500...
Page 403 In particular, noise may become more noticeable if you enhance the contrast when color-grading your movies. With Canon Log, skies, white walls, and similar subjects may be affected by noise or uneven gradation, exposure, or colors. Horizontal banding is more likely to occur when recording somewhat dark, flat subjects.
Page 404: Pre-Recording Setting
Pre-Recording Setting With pre-recording, automatic movie recording is already in progress a specified amount of time before you manually start recording. This preliminary recording is referred to as pre-recording. The camera pre-records automatically during standby in movie recording mode. Select [ : Pre-recording set.].
Page 405 Select [Recording time]. Select the amount of time for pre-recording, before recording is started manually.
Page 406 Record the movie. Record the movie in the same way as normal movie recording. Movies are recorded with the pre-recorded part added. Caution Restrictions during pre-recording The following items are not displayed on the movie recording screen. • Electronic level •...
Page 407 Note Current information when recording begins is applied to movie Exif information.
Page 408: Time-Lapse Movies
Time-Lapse Movies Approx. Time Available for Recording Time-Lapse Movies Still photos shot at a set interval can be stitched together automatically to create a 4K or Full HD time-lapse movie. A time-lapse movie shows how a subject changes in a much shorter period of time than the actual time it took.
Page 409 Set [Interval]. Select [Interval]. As you set the number, refer to the [ ] time required (1) and [ playback time (2). Select an option (hours : minutes : seconds). Press the < > button to display [ ]. Set a value, then press the < >...
Page 410 Set [No. of shots]. Select [No. of shots]. As you set the number, refer to the time required ([ ]) and playback time ([ Select the digit. Press the < > button to display [ ]. Set a value, then press the < >...
Page 411 Select [Movie rec. size]. (3840×2160) The movie is recorded in 4K quality. The aspect ratio is 16:9. Additionally, the frame rate is 29.97 fps ( ) for NTSC and 25.00 fps ) for PAL, and movies are recorded in MP4 ( ) format with ALL-I ( ) compression.
Page 412 Set [Auto exposure]. Fixed 1st frame When taking the first shot, metering is performed to set the exposure automatically to match the brightness. The exposure setting for the first shot will be applied to subsequent shots. Other shooting-related settings for the first shot will also be applied for subsequent shots. Each frame Metering is also performed for each subsequent shot to set the exposure automatically to match the brightness.
Page 413 Set [Screen auto off]. Disable Even during time-lapse movie recording, the image will be displayed. (The screen turns off only at the time of shooting.) Note that the screen will turn off when approx. 30 min. elapse after the shooting started. Enable The screen will turn off when approx.
Page 414 Set [Beep per taken]. Set to [0] to prevent the camera from beeping for each shot. Check the settings. Time required (1) Indicates the time required to shoot the set number of shots with the set interval. If it exceeds 24 hours, “*** days” will be displayed. Playback time (2) Indicates the movie recording time (time required to play back the movie) when creating the time-lapse movie in 4K movie or Full HD...
Page 415 Read the message. Read the message and select [OK].
Page 416 Take a test shot. Press the < > button and double-check the Time required (1) and Interval (2) shown on the screen. As in still photo shooting, set the exposure and shooting functions, then press the shutter button halfway to focus. Press the shutter button completely to take a test shot, which is recorded to the card as a still photo.
Page 417 Press the movie shooting button. The camera is now ready to start recording a time-lapse movie. To return to step 12, press the movie shooting button again. Record the time-lapse movie. Press the shutter button completely to start recording the time- lapse movie.
Page 418 Note Using a tripod is recommended. Taking test shots as in step 12 or even recording test time-lapse movies beforehand is recommended. The movie's field of view coverage for both the 4K and Full HD time-lapse movie recording is approx. 100%. To cancel time-lapse movie recording in progress, either press the shutter button completely or press the movie shooting button.
Page 419 Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Time-lapse movies cannot be recorded when the camera is connected to a computer with the interface cable, or when an HDMI cable is connected.
Page 420 Time-lapse movie shooting ends if the power switch is set to < >, for example, and the setting is changed to [Disable]. Even if a flash is used, it will not fire. The following operations cancel standby for time-lapse movie recording and switch the setting to [Disable].
Page 421 Approx. Time Available for Recording Time-Lapse Movies For guidelines on how long you can record time-lapse movies (until the battery runs out), Movie recording.
Page 422: Movie Self-Timer
Movie Self-Timer Movie recording can be started by the self-timer. Select [ : Movie self-timer]. Select an option. Record the movie. After you press the movie shooting button or tap [ ], the camera displays the number of seconds left before recording and then beeps. Note To cancel the self-timer, either tap the screen or press the <...
Page 423: Image Stabilizer (Is Mode)
Image Stabilizer (IS Mode) IS Mode Movie Digital IS The camera's IS mode and movie digital IS features reduce camera shake as movies are recorded. They can provide effective stabilization even when non-IS lenses are used. The [IS mode] menu item is not shown when IS-equipped lenses are used. In that case, setting the lens Image Stabilizer switch to <...
Page 424 Movie Digital IS Select [ : IS (Image Stabilizer) mode]. Select a [ Digital IS] option. Off ( Image stabilization with Movie digital IS is disabled. On ( Camera shake will be corrected. The image will be slightly magnified. Enhanced ( Compared to when [On] is set, stronger camera shake can be corrected.
Page 425 With some lenses, even more effective stabilization (indicated by “+” next to the IS icon) is possible when the lens's IS is used in conjunction with IS on the camera. For details on lenses compatible with this feature, visit the Canon website (...
Page 426: Shutter Button Function For Movies
Shutter Button Function for Movies You can set the functions performed by pressing the shutter button halfway or completely during movie recording. Select [ : Shutter btn function for movies].
Page 427 Select an option. Half-press Specify the function performed by pressing the shutter button halfway. Fully-press Specify the function performed by pressing the shutter button completely. With [Fully-press] set to [Start/stop mov rec], you can start/stop movie recording not only with the movie shooting button but also by pressing the shutter button completely, or by using Remote Switch RS-60E3 (sold separately).
Page 428: False Color Settings
False Color Settings False Color Display Color-coded display in six colors based on the brightness level is shown on the screen during movie recording. This can help you adjust the exposure. Select [ : False color set.]. Select [False color]. Select [On].
Page 429 Note The following features are not available when the camera is set to use false colors. • Time-lapse movies • Auto Lighting Optimizer • Zebra display • View Assist for Canon Log • MF peaking...
Page 430: Zebra Settings
Zebra Settings To help you adjust exposure before or during movie recording, you can display a striped pattern over or around image areas of a specified brightness. Select [ : Zebra settings]. Select [Zebra]. Select [On].
Page 431 Select [Zebra pattern]. [Zebra 1]: Displays left-slanting stripes around areas of the specified brightness. [Zebra 2]: Displays right-slanting stripes over areas that exceed the specified brightness. [Zebra 1+2]: Displays both [Zebra 1] and [Zebra 2]. [Zebra 1] display takes precedence where [Zebra 1] and [Zebra 2] display areas overlap.
Page 432 [ : Highlight tone priority] and [ : Picture Style] settings. The maximum brightness value does not reach 100% when Canon Log is set. Checking the zebra display level in advance is recommended when you will set [Zebra pattern].
Page 433: Shooting Information Display
Shooting Information Display Recording Emphasis Aspect Marker You can customize the details and screens of information shown on the screen or in the viewfinder during movie recording. Note For details on the following topics, see Shooting Information Display Still Photo Shooting.
Page 434 Recording Emphasis Select [ : Shooting info. disp.]. Select [Recording emphasis]. Select an option. A red frame around the screen blinks while movie recording is in progress. No frame is displayed to call attention to recording in progress.
Page 435 Aspect Marker If you will change the image aspect ratio when editing the recorded movie, you can display aspect markers on the movie recording screen (during standby and recording) to be aware of the final angle of view after editing. Select [ : Shooting info.
Page 436 Note Markers are not shown during movie playback (recorded movies are not tagged with aspect marker information).
Page 437: Quick Control Screen
Quick Control Screen You can change the Quick Control ( ) views available during movie recording. Select [ : Quick Ctrl screen]. Select the view to display. Turn the < > dial to select Quick Control display options. For items you prefer not to display, press the < >...
Page 438: Time Code
Time Code Count Up Start Time Setting Movie Recording Count Movie Play Count HDMI Drop Frame Time codes record the time automatically as movies are recorded. Time codes always record elapsed hours, minutes, seconds, and frames. They are mainly used when movies are edited.
Page 439 Count Up Rec run The time code advances only during movie recording. Time codes in each movie file recorded continue from the last time code in the previous file. Free run The time code keeps advancing, even when you are not recording. Caution When set to [Free run], time codes are not added to movies recorded with the camera configured for High Frame Rate or Creative filter recording.
Page 440 Start Time Setting You can set the initial time of the time code. Manual input setting Enables you to set any starting hour, minute, second, and frame. Reset Resets the time set with [Manual input setting] or [Set to camera time] to “00:00:00.” or “00:00:00:”...
Page 441 Movie Recording Count You can select how time is displayed on the movie recording screen. Rec time During recording standby, displays the available recording time. During recording, displays the time that has elapsed since movie recording began (1). Time code Displays the time code during movie recording (2).
Page 442 Movie Play Count You can select how time is displayed on the movie playback screen. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback. Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting.
Page 443 HDMI Time code Time codes can be added to movies as you record them to an external device via HDMI. • Off No time code is added to HDMI video output. • On Time codes are added to HDMI video output. When [On] is set, [Rec Command] is displayed.
Page 444 Drop Frame The time code's frame count will cause a discrepancy between the actual time and the time code if the frame rate is set to (179.82 fps), (119.88 fps), (59.94 fps), or (29.97 fps). The discrepancy is corrected automatically when [Enable] is set. Enable Corrects the discrepancy automatically by skipping time code numbers (DF: drop frame).
Page 445: Other Menu Functions
Other Menu Functions Exposure comp. Exposure compensation can be adjusted in a range of ±3 stops, in 1/3-stop increments. For details on exposure compensation, see Manual Exposure Compensation. ISO speed settings ISO speed In [ ] mode, you can set the ISO speed manually. You can also select ISO Auto. ISO speed range You can set the manual ISO speed setting range (minimum and maximum).
Page 446 Av 1/8-stop incr. You can set aperture values on a finer scale when recording movies with RF or RF-S lenses. This feature is available in [ ] or [ ] recording mode. Select [Enable] to change the aperture increment from 1/3 stop (or 1/2 stop) to 1/8 stop. Caution Av 1/8-stop incr.] is not available (not displayed) when EF or EF-S lenses are used.
Page 447 Note Setting to [Disable] is recommended when recording moving subjects under low light, or when afterimages such as trails may occur.
Page 448 Lens aberration correction Peripheral illumination, distortion, focus breathing, and chromatic aberration can be corrected as you record movies. For details on lens aberration correction, see Lens Aberration Correction.
Page 449 Standby: Low res. Set to [On] to conserve battery power and control the rise of internal camera temperature during standby. As a result, it may enable you to record movies over a longer period. Caution The standby screen may differ from the movie recording screen in details such as image quality and angle of view.
Page 450 AF points, and so on is displayed on external monitors or other devices. Caution HDR PQ shooting and Canon Log are not available with [ : HDMI display] set to The HDMI output resolution and frame rate are automatically adjusted to suit the movie recording size.
Page 451 HDMI RAW output Set to [On] for RAW movie output at resolutions up to 6K from the HDMI terminal to compatible devices. As recording begins, the movies are also recorded to card [ ] (if it is in the camera) in MP4 format.
Page 452 [HDMI RAW output] is not available in [ ] mode. HDMI RAW output is set to Canon Log 3 and cannot be changed. Image display on external recording devices conforms to the device settings and differs from display on the camera.
Page 453: General Movie Recording Precautions
General Movie Recording Precautions Guidance Display Before Recording Warning Indicator Display in Movie Recording Guidance Display Before Recording Guidance may be displayed when the camera starts up, after settings are adjusted, or in other situations. The guidance warns that the camera may become hot internally if movies are recorded under the current settings, and that if you continue recording, the camera may turn off automatically.
Page 454 Warning Indicator Display in Movie Recording A 10-level indicator (1) is displayed during movie recording in case of excessive internal camera temperature. As the internal temperature rises, the level on the indicator extends to the right. How fast the level increases will depend on shooting conditions. Levels 1–7 are marked in white, but once the temperature reaches level 8, the color changes.
Page 455 Movies are recorded almost exactly as they appear on the screen (except with [ : Canon Log settings] set to [View Assist.]). Video and audio quality of recorded movies may be worse on other devices, and...
Page 456 If you use a card with a slow writing speed, an indicator may appear on the right of the screen during movie recording. The indicator shows how much data has not yet been written to the card (remaining capacity of the internal buffer memory), and it increases more quickly the slower the card is.
Page 457: Af/Drive
AF/Drive This chapter describes autofocus operation and drive modes and introduces menu settings on the AF [ ] tab. to the right of titles indicates functions only available in Creative Zone modes. Note AF stands for autofocus. MF stands for manual focus. •...
Page 458: Tab Menus: Af (Still Photos)
Tab Menus: AF (Still Photos) AF operation AF area Whole area tracking Servo AF Subject to detect Eye detection Switching tracked subjects Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab.
Page 459 Case 1 Case 2 Case 3 Case 4 Case A Tracking sensitivity Accel./decel. tracking One-Shot AF release prior. Preview AF Lens drive when AF impossible AF-assist beam firing...
Page 460 Touch & drag AF settings Limit AF areas AF area selection control sensitivity- AF pt select Orientation linked AF point Limit subject to detect L/R eye detection MF peaking settings Focus guide Movie Servo AF...
Page 461 Electronic full-time MF Lens electronic MF Focus/control ring Focus ring rotation RF lens MF focus ring sensitivity...
Page 462 In Basic Zone modes, the following screens are displayed. Note that available menus vary by shooting mode. AF area Whole area tracking Servo AF Subject to detect Eye detection Focus mode Preview AF AF-assist beam firing...
Page 463 Touch & drag AF settings sensitivity- AF pt select MF peaking settings Focus guide Movie Servo AF Focus ring rotation RF lens MF focus ring sensitivity...
Page 464: Tab Menus: Af (Movie Recording)
Tab Menus: AF (Movie Recording) Movie Servo AF AF area Subject to detect Eye detection Switching tracked subjects Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab. Movie Servo AF speed Movie Servo AF track sens.
Page 465 Lens drive when AF impossible Touch & drag AF settings Limit AF areas AF area selection control sensitivity- AF pt select Limit subject to detect L/R eye detection...
Page 466 MF peaking settings Focus guide Electronic full-time MF Lens electronic MF Focus/control ring Focus ring rotation RF lens MF focus ring sensitivity...
Page 467 In Basic Zone modes, the following screens are displayed. Available menus vary by shooting mode. Movie Servo AF AF area Subject to detect Eye detection Focus mode Touch & drag AF settings sensitivity- AF pt select...
Page 468 MF peaking settings Focus guide Focus ring rotation RF lens MF focus ring sensitivity...
Page 469: Af Operation
AF Operation One-Shot AF for Still Subjects Servo AF for Moving Subjects AI Focus AF for Automatic AF Mode Switching You can select the AF operation characteristics to suit the shooting conditions or subject. Set the focus mode to AF. For RF lenses without a focus mode switch Set [ : Focus mode] to [AF].
Page 470 Select [ : AF operation]. Select an option. Note If focus is not achieved, the AF point will turn orange. When using One-Shot AF, either recompose the shot and try to focus again or see Shooting Conditions That Make Focusing Difficult.
Page 471 One-Shot AF for Still Subjects This AF operation is suited for still subjects. When you press the shutter button halfway, the camera will focus only once. When focus is achieved, the AF point will turn green and the beeper will sound. The focus remains locked while you hold down the shutter button halfway, allowing you to recompose the image before taking the picture.
Page 472 After the AF point in focus turns green, keep the shutter button pressed halfway and recompose the shot. Press the shutter button completely to take the picture.
Page 473 Servo AF for Moving Subjects This AF operation is suited for moving subjects. While you hold down the shutter button halfway, the camera will keep focusing on the subject continuously. The AF point turns blue when Servo AF is active. The beeper will not sound even when focus is achieved.
Page 474 AI Focus AF for Automatic AF Mode Switching The AF mode is automatically switched from [One-Shot AF] to [Servo AF] based on subject status while you are pressing the shutter button halfway or shooting continuously.
Page 475: Movie Servo Af
Movie Servo AF Subject Detection AF With this function enabled, the camera focuses on the subject continuously during movie recording. Set the still photo shooting/movie recording switch to < >. Select [ : Movie Servo AF]. Select [Movie Servo AF].
Page 476 Select an option. Enable • The camera focuses on the subject continuously even when you are not pressing the shutter button halfway. • To keep the focus at a specific position, or if you prefer not to record mechanical sounds from the lens, you can temporarily stop Movie Servo AF by tapping [Movie Servo AF paused] (1) in the lower left of the screen.
Page 477 Caution Precautions when set to [Movie Servo AF: Enable] Shooting conditions that make focusing difficult • A fast-moving subject approaching or moving away from the camera. • A subject moving at a close distance to the camera. • When shooting with a higher aperture value. •...
Page 478 Subject Detection AF You can specify whether to use Movie Servo AF if the subject set in [ : Subject to detect] ( ) is not detected. Detect. priority Movie Servo AF is used for automatically selected subjects within the area set in [ AF area] ( Subjects set in [ : Subject to detect] are prioritized for automatic selection.
Page 479: Selecting The Af Area
Selecting the AF Area AF Area Selecting the AF Area Whole Area Tracking Servo AF Subject to Detect Eye Detection Switching Tracked Subjects Tracking with a Button Focus Mode Manually Setting AF Points or Zone AF Frames Magnified View AF Shooting Tips Shooting Conditions That Make Focusing Difficult AF Range...
Page 480 AF Area : Spot AF The camera focuses in a narrower area than 1-point AF. : 1-point AF The camera focuses using a single AF point [...
Page 481 : Expand AF area: Focuses using one AF point [ ] and the AF area outlined here in blue. Effective for moving subjects, which are difficult to track with 1-point AF. Focusing on your preferred subject is easier than with Flexible Zone AF. When Servo AF is used, first you will focus using an AF point [ : Expand AF area: Around Focuses using one AF point [...
Page 482 : Flexible Zone AF 1 By default, a square Zone AF frame is set. : Flexible Zone AF 2 By default, a vertical rectangular Zone AF frame is set.
Page 483 : Flexible Zone AF 3 By default, a horizontal rectangular Zone AF frame is set. With Flexible Zone AF 1–3, you can freely set the size of the Zone AF frame ( Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area, which makes focusing easier than with 1-point AF/Expand AF area and effective for moving subjects.
Page 484 Selecting the AF Area You can select the AF area to suit the shooting conditions or subject. If you prefer to focus manually, see Manual Focus. Select [ : AF area]. Select the AF area. The screen above is displayed when [ : Orientation linked AF point] ( ) is set to [Separate AF pts: Area+pt].
Page 485 Note To set the AF area, you can also press the < > button and then the < > button.
Page 486 Whole Area Tracking Servo AF You can set whether to switch to whole-area subject tracking during Servo AF (while the shutter button is pressed halfway with [ : AF operation] set to [Servo AF]). Select [ : Whole area tracking Servo AF]. Select an option.
Page 487 Subject to Detect You can specify conditions for automatic selection of the main subject to track. Selecting an option other than [None] will display a tracking frame [ ] for the main subject detected. The tracking frame will move to track subjects that start moving. You can shoot with the subject's eyes in focus by setting [ : Eye detection] to an option other than [Disable] (...
Page 488 None The camera determines the main subject automatically from how you compose shots, without detecting subjects. Tracking frames are not displayed. Caution The following kinds of subjects may not be detected. • Extremely small or large • Too bright or dark •...
Page 489 Manually selecting a subject for focus Check the tracking frame. Aim the camera at the subject. An AF point (or Zone AF frame) appears on the screen if you have set [ : AF area] to an option other than [Whole area AF]. In this case, aim the AF point over the subject.
Page 490 Focus and shoot/record. A tracking frame is displayed (in green for One-Shot AF or blue for Servo AF) when you press the shutter button halfway, and the camera beeps (only for One-Shot AF). An orange tracking frame indicates that the camera could not focus on subjects.
Page 491 Caution Tapping the screen to focus will focus with [One-Shot AF], regardless of the AF operation setting. If the subject's face is significantly out of focus, face detection will not be possible. Adjust the focus manually ( ) so that the face can be detected, then perform AF. AF may not detect subjects or people's faces at the edges of the screen.
Page 492 Eye Detection You can shoot with the eyes of people or animals in focus. Select [ : Eye detection]. Select an option. Disable Eye detection is not performed. Auto The eye for AF operation is selected automatically after eye detection. Right eye/Left eye Gives priority to the selected eye for AF, after eye detection.
Page 493 Aim the camera at the subject. A tracking frame is displayed around their eye. To choose an eye to focus on when [ : AF area] is set to [Whole area AF], either tap the screen or use < >. As you use < >, the tracking frame changes again to [ You can also tap the screen to choose an eye, when [...
Page 494 Switching Tracked Subjects You can specify how easily the camera switches AF points to track subjects. Initial priority Tracks the subject initially determined for AF, to the extent possible. On subject Tracks the subject initially determined for AF, to the extent possible. Switches to other subjects if the camera can no longer determine if the tracked subject is the main subject.
Page 495 Tracking with a Button You can press a button assigned to [Start/stop whole area AF tracking] in [ Customize buttons] to track subjects with a tracking frame [ ]. This example is based on assigning the < > button ( Check the tracking frame.
Page 496 Take the picture. Note The position of AF areas and points when tracking stops during shooting standby corresponds to the position before tracking. When tracking stops while the shutter button is pressed halfway or completely, the AF area reverts to the state before tracking, but the AF point is centered in the tracking frame when tracking stops (during [Servo AF]).
Page 497 Focus Mode You can set how the camera focuses. Select [ : Focus mode]. Select an option. The camera operates in autofocus mode. The camera operates in manual focus mode. Caution : Focus mode] is not displayed under these conditions. •...
Page 498 Manually Setting AF Points or Zone AF Frames You can manually set the AF point. Screens such as these are shown when set to Flexible Zone AF 1. Check the AF point. An AF point (1) is displayed. Move the AF point. Use <...
Page 499 Focus and shoot/record. Aim the AF point over the subject and press the shutter button halfway. Once the subject is in focus, the AF point changes color (to green for One-Shot AF or blue for Servo AF) and the camera beeps (only for One-Shot AF).
Page 500 Magnified View You can check the focus by pressing the < > button to magnify display by approx. 5× or 10×. Magnification is centered on the tracking frame when the tracking frame is white (as an active frame) after subject detection. Magnification is centered on the AF point (in the center of the screen) when subjects are detected and the tracking frame is gray, or when subjects cannot be detected.
Page 501 AF Shooting Tips Even when focus is achieved, pressing the shutter button halfway will focus again. Image brightness may change before and after autofocusing. Depending on the subject and shooting conditions, it may take longer to focus, or the continuous shooting speed may decrease. If the light source changes as you shoot, the screen may flicker, and focusing may be difficult.
Page 502 Shooting Conditions That Make Focusing Difficult Subject with low-contrast such as the blue sky, solid-color flat surfaces or when highlight or shadow details are clipped. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards, etc.).
Page 503 AF Range The available autofocus range varies depending on the lens used and settings such as aspect ratio, movie recording size, and Movie digital IS.
Page 504: Preview Af
Preview AF This function keeps subjects generally in focus. The camera is ready to focus immediately when you press the shutter button halfway. Select [ : Preview AF]. Select [Enable]. Caution Fewer shots are available when set to [Enable], because the lens is driven continuously and battery power is consumed.
Page 505: Touch & Drag Af Settings
Touch & Drag AF Settings Touch & Drag AF Positioning Method Active Touch Area Relative Sensitivity You can move the AF point or Zone AF frame by tapping or dragging on the screen as you look through the viewfinder. Touch & Drag AF Select [ : Touch &...
Page 506 Select [Enable].
Page 507 Positioning Method You can set how positions are specified by tapping or dragging. Set [Positioning method]. Absolute The AF point moves to the tapped or dragged position on the screen. Relative The AF point moves in the direction you drag, by an amount corresponding to the amount you drag, no matter where you tap the screen.
Page 508 Active Touch Area You can specify the area of the screen used for tap and drag operations. Select [Active touch area]. Set the area that will respond to touch. Note A round orange frame [ ] is displayed when you tap the screen with [ : AF area] set to [Whole area AF].
Page 509 Relative Sensitivity By setting [Positioning method] to [Relative], you can specify the amount of movement in response to tapping or dragging. Select [Rel. sensitivity]. Set the amount of movement. For faster AF point positioning, set toward the positive end, and for slower positioning, set toward the negative end.
Page 510: Manual Focus
Manual Focus Setting MF Peaking (Outline Emphasis) Focus Guide If focusing is not possible with autofocus, you can magnify the image and focus manually. Set the focus mode to MF. For RF lenses without a focus mode switch Set [ : Focus mode] to [MF].
Page 511 For RF lenses with a focus mode switch Set the lens's focus mode switch to < >. Magnify the image. Each press of the < > button changes the magnification ratio, as follows. Move the magnified area. Use < > to move the magnified area into position for focusing. To center the magnified area, press <...
Page 512 Focus manually. While looking at the magnified image, turn the lens focusing ring to focus. After achieving focus, press the < > button to return to the normal view. Note In magnified view, the exposure is locked. Even when focusing manually, you can use Touch Shutter to shoot.
Page 513 Setting MF Peaking (Outline Emphasis) Edges of subjects in focus can be displayed in color to make focusing easier. You can set the outline color and adjust the sensitivity (level) of edge detection. Select [ : MF peaking settings]. Select [Peaking]. Select [On].
Page 514 If necessary, lower the ISO speed or set [Peaking] to [Off]. Note Peaking display shown on the screen is not recorded in images. MF peaking may be hard to discern when Canon Log is set. If necessary, set [View Assist.] to [On].
Page 515 Focus Guide Setting [ : Focus guide] to [On] provides a guide frame that shows which direction to adjust focus and the extent of adjustment needed. Select [ : Focus guide]. Select [On]. To display the guide frame on the face of the person detected as the main subject, set [ : Subject to detect] to an option other than [None].
Page 516 The guide frame indicates the current position in focus and adjustment amount as follows. Much adjustment needed toward infinity Slight adjustment needed toward infinity In focus Slight adjustment needed toward close range Much adjustment needed toward close range...
Page 517 Adjustment information not detected Caution Under difficult shooting conditions for AF ( ), the guide frame may not be displayed correctly. Higher aperture values are more likely to prevent correct guide frame display. No AF points are displayed while the guide frame is displayed. The guide frame is not displayed in these situations.
Page 518: Servo Af Characteristics
Servo AF Characteristics Case Details Case 1: Versatile Multi-Purpose Setting Case 2: Continue to Track Subjects, Ignoring Possible Obstacles Case 3: Instantly Focus on Subjects Suddenly Entering AF Points Case 4: For Subjects That Accelerate or Decelerate Quickly Case A: Tracking Automatically Adapts to Subject Movement Parameters Adjusting Case Parameters Shooting with Servo AF can be easily tailored to your subjects or shooting situations by...
Page 519 Case Details Case 1 to Case A are five combinations of settings for “Tracking sensitivity” and “Acceleration/deceleration tracking.” Referring to the following table, select the case for your subject and shooting situation. Case Icon Description Examples of Shooting Situations Case 1 Versatile multi purpose setting Moving subjects in general Continue to track subjects, ignoring...
Page 520 Case 1: Versatile Multi-Purpose Setting Default • Tracking sensitivity: 0 • Accel./decel. tracking: 0 Standard setting suited to moving subjects in general. Suitable for many kinds of subjects and scenes. In the following situations, select [Case 2] to [Case 4] instead: non-subjects moving across AF points, elusive subjects, or subjects that suddenly appear or change speed.
Page 521 Case 2: Continue to Track Subjects, Ignoring Possible Obstacles Default • Tracking sensitivity: Locked on: –1 • Accel./decel. tracking: 0 Setting to continue focusing on the subject even if non-subjects move across AF points, or if the subject strays from AF points. Effective if you prefer the focus not to switch to non- subjects or the background.
Page 522 Case 3: Instantly Focus on Subjects Suddenly Entering AF Points Default • Tracking sensitivity: Responsive: +1 • Accel./decel. tracking: +1 Setting to focus on a series of subjects at different distances in the AF points, one after another. Focus switches to any new subject that appears in front of the target subject. Also effective when you want to always focus on the closest subject.
Page 523 Case 4: For Subjects That Accelerate or Decelerate Quickly Default • Tracking sensitivity: Responsive: 0 • Accel./decel. tracking: +1 Setting to keep tracking and focusing on subjects even if they suddenly change speed. Effective for subjects having sudden movements, sudden acceleration/deceleration, or sudden stops.
Page 524 Case A: Tracking Automatically Adapts to Subject Movement Useful when you prefer to shoot with parameters set automatically, based on how subjects change. Tracking sensitivity and acceleration/deceleration tracking are set automatically.
Page 525 Parameters Tracking sensitivity Setting for Servo AF subject-tracking sensitivity in response to non-subjects moving across AF points or subjects straying from AF points. Standard setting. Suitable for moving subjects in general. Locked on: –2 / Locked on: –1 The camera will try to continue focusing on the subject even if non-subjects move across AF points or if the subject strays from the AF points.
Page 526 Acceleration/deceleration tracking Setting for subject-tracking sensitivity in response to sudden, significant changes in speed, as when subjects suddenly start or stop moving. Suited for subjects that move at a steady speed (minor changes in moving speed). –2 / –1 Suited for subjects that move at a steady speed (minor changes in moving speed). Effective when a setting of 0 makes focus unstable, due to slight subject movement or an obstruction in front of the subject.
Page 527 Adjusting Case Parameters You can manually adjust the parameters ((1) Tracking sensitivity and (2) Acceleration/ deceleration tracking) for Case 1 to Case 4. Select a case. Turn the < > dial to select the number of a case to adjust. Press the <...
Page 528 Make the adjustment. Default settings are indicated by a light gray [ ] icon. To confirm the adjustment, press the < > button. To return to the screen in step 1, press the < > button. Note To restore default parameter settings for (1) and (2) to each case, press the <...
Page 529: Customizing Af Functions
Customizing AF Functions 2] (In Movie Recording) You can configure AF functions in detail to suit your shooting style or subject.
Page 530 One-Shot AF release priority You can specify whether to prioritize focus or release timing for One-Shot AF (except when shooting with Touch Shutter). ] Focus The picture will not be taken until focus is achieved. Useful when you want to achieve focus before capturing the image.
Page 531 Lens operation when AF is not available You can specify lens operation that applies when autofocusing on a subject is not possible. ] Continue focus search If focus cannot be achieved with autofocus, the lens is driven to search for the precise focus.
Page 532 AF-assist beam firing You can enable or disable AF-assist beam firing of the camera or a Speedlite for EOS cameras. Select [ : AF-assist beam firing]. Select an option. [ON] Enable Enables firing of the AF-assist beam, when needed. [OFF] Disable Disables firing of the AF-assist beam.
Page 533 Caution Speedlite AF-assist beam firing is disabled when the Speedlite's [ : AF-assist beam firing] Custom Function is set to [Disable].
Page 534 Limit AF areas You can limit the AF areas available to the areas that you normally use. Select available AF areas and press the < > button to add a checkmark [ ]. Select [OK] to register the setting. For details on AF areas, see Area.
Page 535 AF area selection control You can set how AF area selection methods are switched. →M-Fn button Press the < > button, then the < > button. Each press switches the AF area. →Main Dial Press the < > button, then turn the < >...
Page 536 Orientation-linked AF points You can set separate AF areas/points or separate AF point positions for vertical and horizontal shooting. ] Same for both vert/horiz The same AF points or Zone AF frames in the same AF areas are used in both vertical and horizontal shooting.
Page 537 Limit subject to detect You can limit the available setting options in [ : Subject to detect] to your preferred options. Select an option to exclude and press the < > button to clear [ ]. Select [OK] to register the setting. Caution The [ ] mark cannot be cleared from all items at the same time.
Page 538 Note An asterisk to the right of [ : L/R eye detection] indicates that the default setting has been modified.
Page 539 Electronic full-time MF Operation of manual focus adjustment using the electronic focusing ring when certain lenses are attached is customizable. Check the Canon website for compatible lenses ( Disable Operation of manual focus adjustment corresponds to the [Lens electronic MF] setting.
Page 540 ] One-Shot→enabled (magnify) You can manually adjust the focus after the AF operation if you keep holding down the shutter button halfway. You can magnify the area in focus and adjust the focus manually by turning the lens focusing ring. ] Disable in AF mode Manual focus adjustment is disabled when the lens's focus mode switch is set to <...
Page 541 Use as a focusing or control ring Menu-based switching of lens focus/control ring functionality. Caution Available when using lenses that have a combination focusing ring/control ring but have no switch to switch between these features. Use as focus ring The ring works as a focusing ring. Use as control ring The ring works as a control ring.
Page 542 Focusing ring rotation You can reverse the direction that the focusing ring of RF lens is rotated to adjust settings. ] Normal ] Reverse direction Focusing ring sensitivity of RF lenses You can set the sensitivity of the RF lens focusing ring. ] Varies with rotation speed Focusing ring sensitivity varies depending on rotation speed.
Page 543 * Lenses supporting slow focus transition during movie recording USM and STM lenses released in and after 2009 are compatible. For details, refer to the Canon website ( Caution With certain lenses, even if you adjust the AF speed, the speed may not change.
Page 544 Note Operation when inactive is equivalent to when [AF speed] is set to [Standard (0)]. An asterisk “*” to the right of [ : Movie Servo AF speed] indicates that the default setting has been modified. Movie Servo AF tracking sensitivity You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness if the subject strays from the AF point during Movie Servo AF, as when interfering objects move across AF points or when you pan.
Page 545: Selecting The Drive Mode
Selecting the Drive Mode Single and continuous drive modes are provided. You can select the drive mode suiting the scene or subject. Press the < > button ( With an image displayed on the screen, press the < > button. Select the drive mode item.
Page 546 ] Single shooting When you hold down the shutter button completely, only one shot will be taken. ] High-speed continuous shooting + When you hold down the shutter button completely, you can shoot continuously as described below while you keep holding it down, based on the [ : Shutter mode] setting.
Page 547 Caution ] enables approx. 12 shots/sec. continuous shooting speed when set to [Elec. 1st-curtain] or [Mechanical] under these conditions. • Room temperature (23°C / 73°F) • Fully charged LP-E6NH (note that continuous shooting speed may become slower when using batteries with weak recharge performance) •...
Page 548 Continuous shooting speed with Servo AF may be slower depending on subject conditions or the lens used. Visit the Canon website for details on lenses supporting the maximum continuous shooting speed ( When you shoot under a flickering light source, the continuous shooting speed may be lower.
Page 549: Using The Self-Timer
Using the Self-Timer Use the self-timer when you want to be in the picture such as a commemorative photograph. Press the < > button ( With an image displayed on the screen, press the < > button. Select the drive mode item. Press the <...
Page 550 Take the picture. Focus on the subject, then press the shutter button completely. To check operation, look at the self-timer lamp, listen for beeps, or watch the countdown in seconds on the screen. Self-timer lamp blinking accelerates and the camera beeps quickly approx.
Page 551: Remote Control Shooting
Remote Control Shooting Wireless Remote Control BR-E1 Remote Switch RS-60E3 Remote control shooting is supported with Wireless Remote Control BR-E1 or Remote Switch RS-60E3 (Bluetooth and wired connections, respectively; sold separately). Wireless Remote Control BR-E1 You can shoot remotely up to approx. 5 meters/16.4 feet from the camera. First, pair the camera and BR-E1 ( For operating instructions, refer to the BR-E1 instruction manual.
Page 552 Remote Switch RS-60E3 Once connected to the camera, the switch enables you to shoot remotely over a wired connection. For operating instructions, refer to the RS-60E3 instruction manual. Open the terminal cover. Connect the plug to the remote control terminal.
Page 553: Customizing Operation
Customizing Operation Switching AF Areas with the < > Dial Choosing One Subject from Several People with < > Adjusting the Zone AF Frame Size This section describes ways to customize AF operation. You can also use a combination of customized settings.
Page 554 Note Before switching among Flexible Zone AF 1–3, it is convenient to change the Zone AF frame to your preferred size (...
Page 555 Choosing One Subject from Several People with < > You can choose one subject from several people to lock the tracking frame on that person. Note Before this customization, some other settings must be set as follows. • [AF area]: [Whole area AF] •...
Page 556 Press the shutter button halfway, then release it. A tracking frame ( ) is displayed if multiple subjects are detected. Use < > to set your preferred subject. Either press < > straight in or press it left or right. The tracking frame changes to [ ] and locks on to that subject for tracking.
Page 557 Adjusting the Zone AF Frame Size You can resize the Zone AF frame displayed for Flexible Zone AF 1–3. Press the < > button during shooting screen display. Press the < > button repeatedly, select Flexible Zone AF 1, 2, or 3, then press the <...
Page 558: Playback
Playback This chapter covers topics related to playback—playing back captured still photos and movies—and introduces menu settings on the playback [ ] tab. Caution Normal display or configuration on this camera may not be possible for images captured on other cameras, or images from this camera that have been edited or renamed on a computer.
Page 559 • Resuming from Previous Playback • Browsing Images with the Main Dial • Browsing Images with the Rate+Quick Control Dial 1 • Switching the Main Dial and Quick Control Dial 2 During Playback • Rate Button Function • Customizing Playback Information Display •...
Page 560: Tab Menus: Playback
Tab Menus: Playback Playback 1 Protect images Erase images Rotate stills Change mov rotate info Rating Image copy Playback 2 Print order Photobook Set-up...
Page 561 Playback 3 RAW processing (RAW/DPRAW) Creative Assist Quick Control RAW processing DPRAW processing Cloud RAW image processing Playback creative filters Playback 4 Resize Cropping HEIF→JPEG conversion...
Page 562 Playback 5 Slide show Set image search conditions View from last seen Magnification Playback 6 Image jump w/ Image jump w/ Switch during playback btn function...
Page 563 Playback 7 Playback information display Highlight alert AF point disp. Playback grid Movie play count HDMI HDR output...
Page 564 In Basic Zone modes, the following screens are displayed for [ 3], [ 4], [ 5] and [ Playback 3 Creative Assist Playback creative filters Resize Cropping Playback 4 Slide show Set image search conditions View from last seen Magnification...
Page 565 Playback 5 Image jump w/ Image jump w/ Switch during playback btn function Playback 6 Playback information display Highlight alert AF point disp. Playback grid Movie play count HDMI HDR output...
Page 566: Image Playback
Image Playback Single-Image Display Shooting Information Display Touch Playback Single-Image Display Switch to playback. Press the < > button. The last image captured or played back is displayed.
Page 567 Browse images. To play back images starting with your most recent shot, turn the < > dial counterclockwise. To play back images starting with the first captured image, turn the dial clockwise. Each time you press the < > button, the display will change. No information Basic information display Shooting information display...
Page 568 Note Lines indicating the image area are shown on RAW images captured with [ Cropping/aspect ratio] set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)] ( If the search conditions are set with [ : Set image search conditions] ( ), only the filtered images will be displayed.
Page 569 Shooting Information Display With the shooting information screen displayed ( ), you can press < > up or down to view other information. You can also customize the information displayed, in [ : Playback information display] (...
Page 570 Touch Playback The camera features a touch-screen panel that you can touch to control playback. Supported touch operations are like those used with smartphones and similar devices. First, press the < > button to prepare for touch playback. Browse images Jump display Index display...
Page 571 Magnified view Note You can also magnify display by double-tapping with one finger.
Page 572: Magnified Image Display
Magnified Image Display Setting the Initial Magnification Ratio Setting the Initial Magnification Position Magnification for Subsequent Images You can magnify display of your captured images. Magnify the image. Press the < > button. The magnified view will appear. The position of the magnified area (1) is displayed in the lower right of the screen, along with [ To magnify images, turn the <...
Page 573 Scroll the image. Use < > to scroll around the magnified image. Press the < > or < > button to exit magnified view. Note To switch to other images while maintaining magnified view, turn the < > dial. Magnification is not available for movies.
Page 574 Setting the Initial Magnification Ratio You can set the initial magnification ratio. Select [ : Magnification]. Select [Magnificatn (apx)].
Page 575 Select an option. 2x, 4x, 8x, 10x Magnified view starts at the selected magnification ratio. Actual size Displays images essentially full-size, based on their pixels. Same as last Magnified view resumes from the same ratio as the last time you exited magnified view by pressing the <...
Page 576 Setting the Initial Magnification Position You can set the initial magnification position. Select [ : Magnification]. Select [Magnified position].
Page 577 Select an option. From center Magnified view starts from the center of the screen. From focus pt Magnified view starts from the AF point in focus. If the photo is taken with manual focus, the magnified view starts from the center of the screen.
Page 578 Magnification for Subsequent Images You can specify whether to maintain the same position for magnified view or to use the position set in [Magnified position] when displaying subsequent images. Select [ : Magnification]. Select [Maintain position].
Page 579 Select an option. Enable The current magnified position is maintained when displaying subsequent images in magnified view. Disable The position set in [Magnified position] is used when displaying subsequent images in magnified view.
Page 580: Index Display (Multiple-Image Display)
Index Display (Multiple-Image Display) Switch to the index display. During image playback, turn the < > dial counterclockwise. The 4-image index display will appear. The selected image is highlighted with an orange frame. Turning the < > dial further counterclockwise will switch the display from 9 to 36 to 100 images.
Page 582 Browse images. Use < > or the < > dial to move the orange frame for image selection. Press the < > button in the index display to show the selected image in single-image display.
Page 583: Movie Playback
Movie Playback Switch to playback. Press the < > button. Select a movie. Turn the < > dial to select a movie to play. In single-image display, the [ ] icon displayed in the upper left of the screen indicates a movie. In index display, perforations at the left edge of a thumbnail indicate a movie.
Page 584 In single-image display, press the < > button. The movie playback panel will appear. Play the movie. Press the < > button or tap [ The movie will start playing back. Sound is played through the speaker (1). You can pause playback and access the movie playback panel by pressing the <...
Page 585 Movie playback panel Item Playback Operations Skips backward approx. 1 sec. each time you press < > left. Skip backward Holding < > to the left rewinds the movie. Previous frame Displays the previous frame each time you turn the < >...
Page 586 Digest movie playback panel Item Playback Operations Previous clip Press < > left to display the first frame of the previous clip. Previous frame Displays the previous frame each time you turn the < > dial left. Pressing the < >...
Page 587 Controls not on the previous two screens are as follows. Item Playback Operations Displays the editing screen ( Edit Adjust the slow motion speed by turning the < > dial. The slow Slow motion motion speed is indicated in the upper right of the screen. Erases the current clip.
Page 588: Editing A Movie's First And Last Scenes
Editing a Movie's First and Last Scenes You can edit out the first and last scenes of a movie in approx. 1-sec. increments. Pause movie playback. The movie playback panel will appear. Press the < > button, then select [...
Page 589 Specify the part to be edited out. Select either [ ] (Cut beginning) or [ ] (Cut end). Press < > left or right to go back or forward one frame. Keep pressing the Multi-controller to fast rewind or fast forward frames. Each turn of the <...
Page 590 Compress and save is not available for the following movies. • Movies recorded with [ : HDR shooting ] set to [Enable] • Movies recorded with [ : Canon Log settings] set to [On ( • Movies recorded in (NTSC), (PAL), or (NTSC) sizes •...
Page 591: Frame Extraction From 4K Movies Or 4K Time-Lapse Movies
Frame Extraction from 4K Movies or 4K Time-Lapse Movies From 4K or 4K time-lapse movies, you can select individual frames to save as JPEG or HEIF still images. This is referred to as “frame grabbing.” Select a 4K movie or 4K time-lapse movie. Turn the <...
Page 592 Select a frame to grab. Use the movie playback panel to select the frame to grab as a still image. For movie playback panel instructions, see Movie playback panel. Press the < > button, then select [ Save. Select [OK] to save the current frame as a JPEG still image. HEIF images are saved if you grab frames from movies recorded with : HDR shooting ] set to [Enable].
Page 593 Frame grabbing is not possible from the following 4K movies. • Movies recorded with [ : Canon Log settings] set to [On ( • Movies recorded with other cameras Frame grabbing is not possible while the camera is connected to a computer.
Page 594: Digest Movie Editing
Digest Movie Editing Individual chapters (clips) recorded in < > mode can be erased. Be careful when erasing clips, because they cannot be recovered. Switch to playback. Press the < > button. Select a still photo with an attached digest movie. Turn the <...
Page 595 Select a clip. Use [ ] or [ ] to select a clip. Erase the clip. Press the < > button, then select [ ]. Select [OK]. The clip is erased, and the digest movie is overwritten.
Page 596 Note For other instructions on using the movie playback panel for digest movies, see Digest movie playback panel.
Page 597: Playback On A Tv Set
Playback on a TV Set By connecting the camera to a television with a commercially available HDMI cable, you can play back the captured still photos and movies on the television. If the image does not appear on the TV screen, confirm that [ : Video system] is correctly set to [For NTSC] or [For PAL] (depending on the video system of your television).
Page 598 Press the < > button. Images are now displayed on the television, with nothing displayed on the camera screen. The images will automatically be displayed at the optimum resolution matching the connected television. Caution Adjust movie sound volume with the television. The sound volume cannot be adjusted with the camera.
Page 599: Protecting Images
Protecting Images Protecting Individual Images Specifying the Range of Images to Protect Protecting All Images in a Folder or on a Card You can protect important images from being accidentally erased. Caution If you format the card ( ), the protected images will also be erased. Note Once an image is protected, it cannot be erased by the camera's erase function.
Page 600 Select [Select images]. Select the image to protect. Turn the < > dial to select an image to protect. Protect the image. Press the < > button to protect the selected image, after which it will be labeled with a [ ] icon (1) at the top of the screen.
Page 601 Specifying the Range of Images to Protect While looking at the images in the index display, you can specify the first and last images for a range to protect all the specified images at once. Select [Select range]. Select [Select range] in [ : Protect images].
Page 602 Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ : Protect images], all the images in the folder or on the card will be protected.
Page 603: Erasing Images
Erasing Images Erasing Images Individually Selecting ([ ]) Multiple Images to Erase Together Specifying the Range of Images to Erase Erasing All Images in a Folder or on a Card You can either select and erase unnecessary images individually or erase them in one batch.
Page 604 Erase the images. JPEG/HEIF/RAW images or movies Select [Erase]. RAW+JPEG/RAW+HEIF images Select an option. Series of images captured in [ ], [ ], or [ ] drive mode are erased when you select [Erase scene including image] during playback.
Page 605 Selecting ([ ]) Multiple Images to Erase Together By adding checkmarks to the images to be erased, you can erase all those images at once. Select [ : Erase images]. Select [Select and erase images]. Select an image. Turn the < >...
Page 606 Erase the images. Select [OK].
Page 607 Specifying the Range of Images to Erase While looking at the images in the index display, you can specify the first and last images for a range to erase all the specified images at once. Select [Select range]. Select [Select range] in [ : Erase images].
Page 608 Erase the images. Select [OK].
Page 609 Erasing All Images in a Folder or on a Card You can erase all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ : Erase images], all the images in the folder or on the card will be erased.
Page 610: Rotating Still Photos
Rotating Still Photos You can use this feature to rotate the displayed image to the desired orientation. Select [ : Rotate stills]. Select an image to rotate. Turn the < > dial to select the image. Rotate the image. Each time you press the < >...
Page 611 Note If you set [ : Auto rotate] to [On ) before taking pictures, you need not rotate the image with this function. If the rotated image is not displayed in the rotated orientation during image playback, set [ : Auto rotate] to [On Movies cannot be rotated.
Page 612: Changing Movie Orientation Information
Changing Movie Orientation Information You can manually edit movie playback orientation information (which determines which side is up). Select [ : Change mov rotate info]. Select a movie. Turn the < > dial to select a movie with orientation information to change.
Page 613 Change the orientation information. As you watch the camera and icon in the upper left of the screen, press the < > button to specify which side is up. Each press of the < > button edits the movie rotation information as follows: [ ] →...
Page 614: Rating Images
Rating Images Rating Individual Images with the < > Button Rating Individual Images via the Menu Rating by Specifying the Range Rating All Images in a Folder or on a Card You can rate images on a scale of 1–5 ( ).
Page 615 Note In the detailed settings for [Rating] in [ btn function], you can select the rating to apply.
Page 616 Rating Individual Images via the Menu Select [ : Rating]. Select [Select images]. Select the image to be rated. Turn the < > dial to select the image to be rated.
Page 617 Rate the image. Press the < > button so that the current rating is outlined in blue, as shown. Turn the < > dial to select a rating mark, then press the < > button. When you append a rating mark to the image, the number beside the set rating will increase by one.
Page 618 Rating by Specifying the Range While looking at the images in the index display, you can specify the first and last images for a range to rate all the specified images at once. Select [Select range]. Select [Select range] in [ : Rating].
Page 619 Rate the image. Turn the < > dial to select a rating mark, then select [OK]. All the images in the specified range will be rated (same rating) at once.
Page 620 Rating All Images in a Folder or on a Card You can rate all the images in a folder or on a card at once. Under [ : Rating], when you select [All images in folder] or [All images on card], all the images in the folder or on the card will be rated.
Page 621 Note Values next to ratings are displayed as [###] if more than 1,000 images have that rating. With [ : Set image search conditions] and [ : Image jump w/ ], you can display only the images given a specific rating.
Page 622: Copying Images
Copying Images Copying Individual Images Copying a Range of Images Copying All Images in a Folder or on a Card You can copy the images on one card to the other card to save duplicates. All images in a folder or on a card can also be copied at the same time. Caution For extensive copying, consider using a household power outlet accessory (sold separately).
Page 623 Copying Individual Images Select [ : Image copy]. Select [Sel.Image]. Check the source and target card numbers and the free space on the target card. Select [Sel.Image], then press the < > button.
Page 624 Select the folder. (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number Select the source folder, then press the < > button. When selecting the folder, refer to the images displayed at right of the screen.
Page 625 Press the < > button. Select [OK]. Check the target card, then select [OK]. Select the target folder. Select the folder to copy the image to, then press the < > button. To create a new folder, select [Create folder].
Page 626 Select [OK]. Check the information about the source and target card, then select [OK]. Results are displayed after copying is finished. Select [OK] to return to the screen in step 2.
Page 627 Copying a Range of Images You can copy all specified images at once by selecting the first and last images in a range as you look at images in the index display. Select [Range]. Select the folder. Select the source folder, then press the < >...
Page 628 Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select another image to copy, repeat step 3. Press the <...
Page 629 Copying All Images in a Folder or on a Card You can copy all the images in a folder or on a card at once. Selecting [Sel. ] or [All images] in [ : Image copy] copies all the images it contains.
Page 630: Print Ordering (Dpof)
Print Ordering (DPOF) Setting Print Options Selecting Images for Printing DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or create a print order for a photofinisher. You can set the print settings such as print type, date imprinting, file number imprinting, etc.
Page 631 Set the options as desired. Set [Print type], [Date], and [File No.] options. Prints one image on one Standard sheet. Multiple thumbnail images Index Print type are printed on one sheet. Prints both the standard Both and index prints. Date [On] imprints the recorded date of the captured image.
Page 632 Caution If you print an image with a large image size using the [Index] or [Both] setting ), the index print may not be printed with certain printers. In this case, resize the image ( ), then print the index print. Even if [Date] and [File No.] are set to [On], the date or file number may not be imprinted, depending on the print type setting and printer.
Page 633 Selecting Images for Printing Selecting images Select and specify the images individually. Press the < > button to save the print order to the card. Standard/Both (1) Quantity (2) Total images selected Press the < > button to set the print quantity for the current image to 1. By turning the <...
Page 634 Selecting multiple images Select range Select [Select range] in [Multiple]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be specified for printing. All images in a folder Select [Mark all in folder] and select the folder.
Page 635: Photobook Set-Up
Photobook Set-up Specifying Individual Images Specifying the Image Range for a Photobook Specifying All Images in a Folder or on a Card You can specify up to 998 images to be printed in a photobook. When you use EOS Utility (EOS software) to import images to a computer, the specified images for a photobook will be copied to a dedicated folder.
Page 636 Select an image for the photobook. Use the < > dial to select an image for the photobook, then press the < > button. To select other images to be specified for a photobook, repeat step 3.
Page 637 Specifying the Image Range for a Photobook While looking at the images in the index display, you can specify the range (start point to end point) of images to be specified for a photobook at once. Select [Multiple]. Select [Multiple] in [ : Photobook Set-up].
Page 638 Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select other images, repeat step 3.
Page 639 Specifying All Images in a Folder or on a Card You can specify all the images in a folder or on a card at once for a photobook. All images in the folder or on the card are specified for the photobook when you select [All images in folder] or [All images on card] in the [Multiple] option for [ : Photobook Set- up].
Page 640: Raw Processing (Raw/Dpraw)
RAW Processing (RAW/DPRAW) Magnified View Processing Images with Specified Aspect Ratios RAW Image Processing Options You can process images with the camera to create JPEG or HEIF images. The RAW images remain the same as when captured, so you can adjust the processing conditions to create multiple JPEGs or HEIFs.
Page 641 Select an option, then select images. You can select multiple images to process at once. Select images Turn the < > dial to select an image to process, then press the < > button. Press the < > button. Select range Select the first image (start point).
Page 642 Set the desired processing conditions. Use shot settings Images are processed using image settings at the time of capture. Images captured with [ : HDR PQ settings] set to [Enable] are processed to create HEIFs, and images captured with this function set to [Disable] are processed to create JPEGs.
Page 643 Save. When using [Set up processing→JPEG] or [Set up processing→ HEIF], select [ ] (Save). Read the message and select [OK]. To process other images, select [Yes] and repeat steps 2–4. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Page 644 Magnified View You can magnify images displayed for [Set up processing→JPEG] or [Set up processing →HEIF] by pressing the < > button. The magnification ratio varies depending on the [Image quality] setting. With < >, you can scroll around the magnified image. To cancel the magnified view, press the <...
Page 645 Processing Images with Specified Aspect Ratios JPEG or HEIF images at the specified aspect ratio are created when you process RAW images shot with [ Cropping/aspect ratio] ( ) set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)].
Page 646 RAW Image Processing Options Brightness adjustment You can adjust the image brightness up to ±1 stop in 1/3-stop increments. White balance ( You can select the white balance. Selecting [ ] enables you to select [Auto: Ambience priority] or [Auto: White priority]. If you select [ ], you can set the color temperature.
Page 647 Image quality ( You can set the image quality when creating a JPEG or HEIF image. Color space ( You can select either sRGB or Adobe RGB. Since the camera screen is not compatible with Adobe RGB, the difference in the image will hardly be perceptible when either color space is set.
Page 648 • Diffraction correction ( The diffraction by the lens aperture degrading the image sharpness can be corrected. If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, magnify the image ( Caution Processing RAW images in the camera will not produce exactly the same results as processing RAW images with Digital Photo Professional (EOS software).
Page 649: Creative Assist
Creative Assist You can process RAW images by applying your preferred effects and saving as JPEGs. Select [ : Creative Assist]. Select an image. Turn the < > dial to select an image to process, then press the < > button.
Page 650 Select an effect. Turn the < > dial to select an effect. By selecting [Preset] and pressing the < > button, you can choose [VIVID], [SOFT], or other preset effects. [AUTO1], [AUTO2], and [AUTO3] are effects recommended by the camera based on image conditions.
Page 651 To reset the settings, press the < > button and select [OK] after a confirmation message is displayed. To confirm the effect, press the < > button. Select [OK] to save the image.
Page 652: Quick Control Raw Processing
Quick Control RAW Processing You can select the type of RAW image processing performed from the Quick Control screen. Select [ : Quick Control RAW processing].
Page 653 Select an option. Creative Assist RAW processing that applies your preferred effect ( RAW image processing RAW processing according to conditions you specify (...
Page 654: Dual Pixel Raw Processing
Dual Pixel RAW Processing Portrait Relighting Background Clarity When you use the camera in RAW image processing ( ) for images captured with Dual Pixel RAW enabled ( ), dual pixel data and detailed face information can be used in image correction.
Page 655 Select [Portrait relighting]. Turn the < > dial to select an image to adjust, then press the < > button.
Page 656 Adjust the image. Select [ ], then press the < > button. Adjust the image, then press the < > button. (1) Use < > to position the light source. (2) represents the position of the selected face. By adjusting (1) relative to (2), you can adjust the direction of lighting.
Page 657 Caution Selection is possible from up to 10 people. Faces cannot be selected unless they are large enough and away from the edge of the screen, and the camera must be able to acquire detailed face information. Save. Select [ ] (Save), read the message, and select [OK].
Page 658 Background Clarity To adjust hazy backgrounds in images of people and landscapes, you can set the level of clarity in a range of 0–4. Select [ : DPRAW processing]. Select [Background clarity]. Turn the < > dial to select an image to adjust, then press the < >...
Page 659 Adjust the image. Select [ ], then press the < > button. With [ ] selected, you can select the level by turning the < > or < > dial without pressing the < > button. Turn the < > or < >...
Page 660 Save. Select [ ] (Save), read the message, and select [OK]. Note For settings other than [Portrait relighting] and [Background clarity], you can specify processing based on setting items of [ : RAW processing (RAW/ DPRAW)] ( Caution Portrait relighting and background clarity HEIF images cannot be processed this way.
Page 661: Cloud Raw Image Processing
Complimentary enrollment at image.canon must be completed in advance. Note that cloud RAW image processing requires a paid subscription. For subscription details, visit the image.canon website. Images generated by this image processing are saved on image.canon servers. The processed images are not saved to the camera. Note...
Page 662 Checking Processing Capacity You can check how many images you can process at image.canon. Select [ : Cloud RAW image processing]. Select [Check proc. capacity (refresh)]. The camera accesses image.canon. Check the quantity in [Proc. capacity]. Information in [Proc. capacity] is updated.
Page 663 Caution [Proc. capacity] is [0] unless you have a paid subscription for cloud RAW image processing. You will receive subscription information at the email address on record at image.canon if you check the processing capacity without a subscription.
Page 664 Adding Images to Process Select [Add images to process].
Page 665 Select an option, then select images. You can select multiple images to process at once. Select images Turn the < > dial to select an image to process, then press the < > button. Press the < > button. Select range Select the first image (start point).
Page 666 Set the desired processing conditions. Use shot settings Images are processed using image settings at the time of capture. Images captured with [ : HDR shooting ] set to [Enable] are processed to create HEIFs, and images captured with this function set to [Disable] are processed to create JPEGs.
Page 667 Select [Save]. When using [Set up processing→JPEG] or [Set up processing→ HEIF], select [ ] (Save). Add to the upload list. Read the message and select [OK].
Page 668 Checking/Removing Selected Images Select [Check/remove selected images]. Browse your images. Turn the < > dial to check images. To remove from the upload list, press the < > button. [ ] is displayed. To check image processing conditions, press the < >...
Page 669 Remove the current image from the upload list as needed. Select [OK] when a message is displayed about removing images from the upload list.
Page 670 Uploading Images Select [Send]. Read the message. Read the message, then tap [Send]. You will be notified at the email address on record for your Canon ID when your files have been received for processing and when processing is complete. Caution The number of images and processing capacity may not be updated correctly if an [Err 138] transmission error occurs during uploading.
Page 671: Playback Creative Filters
Playback Creative Filters Creative Filter Characteristics You can apply the following filter processing to an image and save it as a separate image: Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, and Miniature effect. Select [ : Playback creative filters].
Page 672 Select a filter effect ( Adjust the filter effect. Adjust the filter effect, then press the < > button. For [Miniature effect], you can move the area that looks sharp (the white frame). • By tapping [ ], you can switch between vertical and horizontal scene frame orientation.
Page 673 Save. Select [OK]. Check the destination folder and image file number, then select [OK]. To apply filter processing to other images, repeat steps 2–5. Note RAW images cannot be selected. Note that for images captured in RAW+JPEG shooting, filter processing is applied to the JPEG image before saving the results. Images processed using the fish-eye effect filter will not have Dust Delete Data ) appended.
Page 674 Creative Filter Characteristics Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness.
Page 675: Resizing Jpeg/Heif Images
Resizing JPEG/HEIF Images You can resize a JPEG or HEIF image to reduce the pixel count and save it as a new image. Resizing is available for , , or JPEGs or HEIFs (in sizes except ), including those captured in RAW+JPEG and RAW+HEIF shooting. images and RAW images or movies cannot be resized.
Page 676 Select the desired image size. Select the desired image size (1). Save. Select [OK] to save the resized image. Check the destination folder and image file number, then select [OK]. To resize another image, repeat steps 2 to 4.
Page 677: Cropping Jpeg/Heif Images
Cropping JPEG/HEIF Images You can crop a captured JPEG or HEIF image and save it separately. RAW images and frame-grab images from 4K movies cannot be cropped. Select [ : Cropping]. Select an image. Turn the < > dial to select the image to crop. Press the <...
Page 678 Set the cropping frame. The image area within the cropping frame will be cropped. Resizing the cropping frame size Turn the < > dial to resize the cropping frame size. The smaller the cropping frame, the more magnified the cropped image will look. Correcting tilt You can correct image tilt by ±10°.
Page 679 Save. Turn the < > dial to select [ ], then press the < > button. Select [OK] to save the cropped image. Check the destination folder and image file number, then select [OK]. To crop another image, repeat steps 2 to 5. Caution The position and size of the cropping frame may change depending on the angle set for tilt correction.
Page 680: Converting Heif To Jpeg
Converting HEIF to JPEG Converting Individual Images Specifying the Range of Images to Convert You can convert HEIF images captured in HDR shooting and save them as JPEG images. Note HEIF images that have been converted to JPEGs are labeled [ Converting Individual Images Select [ : HEIF→JPEG conversion].
Page 681 Select an image. Turn the < > dial to select an HEIF image to convert to JPEG, then press the < > button. To select another image to convert, repeat step 3. Press the < > button to convert to JPEG. Save.
Page 682 Select the images to use for display. Select [Original image] to use the original HEIF images for display. Select [Processed img.] to use the converted JPEG images for display. Note Some scenes may look different after conversion if the original and converted images are compared.
Page 683 Specifying the Range of Images to Convert Select [Select range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 684 Save. Select [OK] to save the JPEG image. If there are other images for conversion, select [Yes]. Select the images to use for display. Select [Original image] to use the original HEIF images for display. Select [Processed img.] to use the converted JPEG images for display.
Page 685: Slide Show
Slide Show You can play back the images on the card as an automatic slide show. Specify the images to be played back. To play back all the images on the card, go to step 2. If you want to specify the images to be played back in the slide show, filter the images with [ : Set image search conditions] ( Select [...
Page 686 Set the playback as desired. Select [Set up]. Set the [Display time] and [Repeat] (repeated playback) settings for the still photos. After completing the settings, press the < > button. Display time Repeat...
Page 687 Start the slide show. Select [Start]. After [Loading image...] is displayed, the slide show will start. Exit the slide show. To exit the slide show and return to the setting screen, press the < > button. Note To pause the slide show, press the < >...
Page 688: Setting Image Search Conditions
Setting Image Search Conditions Clearing the Search Conditions You can filter image display according to your search conditions. After setting the image search conditions, you can play back and display only the found images. You can also protect, rate, play a slide show, erase, and apply other operations to filtered images. Select [ : Set image search conditions].
Page 689 Set the search conditions. Turn the < > dial to select an option. Turn the < > dial to set the option. A checkmark [ ] (1) is appended to the left of the option. (Specified as the search condition.) If you select the option and press the <...
Page 690 Apply the search conditions. Press the < > button and read the message displayed. Select [OK]. The search condition is applied. Display the found images. Press the < > button. Only the images that match the set conditions (filtered) will be played back.
Page 691 Note Search conditions may be cleared after operations involving camera power or card changes and editing, adding, or erasing images. Auto power off time may be extended while the [ : Set image search conditions] screen is displayed. Clearing the Search Conditions Access the screen in step 2, then press the <...
Page 692: Resuming From Previous Playback
Resuming from Previous Playback Select [ : View from last seen]. Select an option. [Enable]: Playback resumes from the last image displayed (unless you have just finished shooting). [Disable]: Playback resumes from your most recent shot whenever the camera is restarted.
Page 693: Browsing Images With The Main Dial
Browsing Images with the Main Dial In single-image display, you can turn the < > dial to jump through the images forward or backward according to the jump method set. Select [ : Image jump w/ Select the jump method. Note With [Jump images by the specified number], you can turn the <...
Page 694 Browse by jumping. (1) Jump method (2) Playback position Press the < > button. In single-image display, turn the < > dial. You can browse by the jump method set. Note You can also change the jump method by pressing < >...
Page 695: Browsing Images With The Rate+Quick Control Dial 1
Browsing Images with the Rate+Quick Control Dial 1 In single-image display, you can turn the < > dial while holding down the < > button to jump through the images forward or backward according to the jump method set. Select [ : Image jump w/ Select the jump method.
Page 696 Browse by jumping. (1) Jump method (2) Playback position Press the < > button. In single-image display, turn the < > dial while holding down the < > button. You can browse by the jump method set.
Page 697: Switching The Main Dial And Quick Control Dial 2 During Playback
Switching the Main Dial and Quick Control Dial 2 During Playback You can switch the functions assigned to these dials, as used on the image playback screen. Select [ : Switch during playback]. Select an option. Disable Image jump Magnify/Index view Enable Magnify/Index view Image jump...
Page 698: Rate Button Function
Rate Button Function You can assign image rating/protection/erasure or browsing of rated or protected images to the < > button. Select [ btn function].
Page 699 Select an option. ] Rating Assigns rating to the < > button. (Default setting.) You can press the < > button to select the rating to use. During playback, you can rate images or clear ratings by pressing the < >...
Page 700: Customizing Playback Information Display
Customizing Playback Information Display Histogram You can specify screens and accompanying information displayed during image playback. Select [ : Playback information display]. Add a checkmark [ ] next to the number of screens to display. Select numbers with the < >...
Page 701 Histogram The histograms show signal levels across the tonal range. Brightness display (for checking the general exposure level and overall gradation) and RGB display (for checking saturation and gradation of red, green, and blue) are available. You can switch the histogram displayed by pressing the <...
Page 702 [Brightness] display This histogram is a graph showing the distribution of the image's brightness level, with the horizontal axis indicating the brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each brightness level. The more pixels there are toward the left, the darker the image, and the more pixels there are toward the right, the brighter the image.
Page 703 [RGB] display This histogram is a graph showing the distribution of each primary color's brightness level in the image (RGB or red, green, and blue), with the horizontal axis indicating the color's brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each color brightness level.
Page 704: Displaying The Highlight Alert
Displaying the Highlight Alert You can specify blinking display of overexposed highlights on the playback screen. To obtain more detailed gradation in the blinking areas where you want the gradation to be faithfully reproduced, set the exposure compensation to a negative amount and shoot again for a better result.
Page 705: Af Point Display
AF Point Display You can display the AF points that were used to focus, which will be outlined in red on the playback screen. Select [ : AF point disp.]. Select [Enable].
Page 706: Playback Grid
Playback Grid You can display a grid over still photos shown in single-image display on the playback screen. This function is convenient for checking the image's vertical or horizontal tilt as well as composition. Select [ : Playback grid]. Select an option. Note When panoramic images are displayed, a single vertical and horizontal line are shown if [Playback grid] is set to an option other than [Off].
Page 707: Movie Play Count
Movie Play Count You can select how time is displayed on the movie playback screen. Select [ : Movie play count].
Page 708 Select an option. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback. Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting. The [Movie play count] setting in [ : Time code] is linked to the [ : Movie...
Page 709: Hdmi Hdr Output
HDMI HDR Output You can view RAW or HEIF images in HDR by connecting the camera to an HDR TV. Select [ : HDMI HDR output]. Select [On]. Note Make sure the HDR TV is set up for HDR input. For details on how to switch inputs on the TV, refer to the TV manual.
Page 710: Still Photo Extraction From Raw Burst Images
Still Photo Extraction from RAW Burst Images You can extract any image from the sets (“rolls,” ) that are captured in RAW burst mode as a JPEG, HEIF, or RAW image. Switch to playback. Press the < > button. Select a roll. Turn the <...
Page 711 Select an image. Turn the < > dial to select the image to extract. To delete unneeded portions at the beginning and end of the roll, press the < > button ( Press the < > button. Select an image format and save the extracted image. With [Extract as ] or [Extract as ], you can choose [Edit...
Page 712: Communication Functions
Caution Important Note that Canon cannot be held liable for any loss or damage caused by erroneous wireless communication settings when using the camera. In addition, Canon cannot be held liable for any other loss or damage caused by use of the camera.
Page 713: Tab Menus: Communication Functions
Tab Menus: Communication Functions Communication functions 1 Connect to smartphone(tablet) Connect to Wireless Remote Connect to EOS Utility Upload to image.canon Communication functions 2 Transfer images to FTP server Advanced connection...
Page 714 Communication functions 3 Airplane mode Wi-Fi settings Bluetooth settings Camera name GPS device settings Error details Reset communication settings Caution Some menu items cannot be configured while the camera is connected to computers or other devices via an interface cable. The Wi-Fi connection will be terminated if you set the camera's power to <...
Page 715: Connecting To A Smartphone Or Tablet
Connecting to a Smartphone or Tablet Preparing the Smartphone Connecting to a Smartphone via Wi-Fi Main Functions of Camera Connect Maintaining a Wi-Fi Connection When the Camera Is Off Canceling the Pairing Automatic Image Transfer to a Smartphone as You Shoot Sending Images to a Smartphone from the Camera You can do the following after pairing the camera with a smartphone.
Page 716 Preparing the Smartphone Turning on Bluetooth and Wi-Fi on a Smartphone Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that pairing with the camera is not possible from the smartphone's Bluetooth settings screen. Installing Camera Connect on a Smartphone The dedicated app Camera Connect (free of charge) must be installed on the smartphone on which Android or iOS is installed.
Page 717 Connecting to a Smartphone via Wi-Fi Select [ Connect to smartphone(tablet)]. Select [OK]. This screen is not displayed if the Wi-Fi setting is already set to [Enable]. Select [Add a device to connect to].
Page 718 Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable]. Press the < > button. Start pairing. Press the < > button to start pairing. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press the <...
Page 719 Start Camera Connect. Following the instructions in the app, select the camera for pairing. Establish a Bluetooth connection. When a message appears on the smartphone, use the smartphone as indicated. Press the < > button.
Page 720 Complete the pairing process. Press the < > button to finish pairing. The name of the connected device is displayed. Caution The camera cannot be connected to two or more devices at the same time via Bluetooth. To switch to a different smartphone for the Bluetooth connection, see Reconnecting via Wi-Fi/Bluetooth.
Page 721 Tap a Camera Connect function. For details on Camera Connect functions, see Main Functions of Camera Connect. Tap a Camera Connect function to initiate a Wi-Fi connection. In iOS, tap [Join] when a message is displayed to confirm camera connection. Confirm that the devices are connected via Wi-Fi.
Page 722 [ Wi-Fi on] screen Send to smartphone after shot Images can be transferred to a smartphone automatically ( Confirm Wi-Fi settings You can check setting details for Wi-Fi connections. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the Wi-Fi connection.
Page 723 Main Functions of Camera Connect Images on camera Images can be browsed, deleted, or rated. Images can be saved on a smartphone. Effects can be applied to RAW images and saved to a smartphone (Creative Assist). Remote live view shooting Enables remote shooting as you view a live image on the smartphone.
Page 724 Maintaining a Wi-Fi Connection When the Camera Is Off Even when the camera power switch is set to < >, as long as it is paired to a smartphone via Bluetooth, you can use the smartphone to browse images on the camera or perform other operations.
Page 725 Canceling the Pairing Cancel pairing with a smartphone as follows. Select [ Connect to smartphone(tablet)]. Select [Edit/delete device]. Select the smartphone to cancel pairing with. Smartphones currently paired with the camera are labeled [ ].
Page 726 Select [Delete connection information]. Select [OK]. Clear the camera information on the smartphone. In the smartphone's Bluetooth setting menu, clear the camera information registered on the smartphone.
Page 727 Automatic Image Transfer to a Smartphone as You Shoot Your shots can be automatically sent to a smartphone. Before following these steps, make sure the camera and smartphone are connected via Wi-Fi. Select [ Connect to smartphone(tablet)]. Select [Send to smartphone after shot]. Set [Auto send] to [Enable].
Page 728 Set [Size to send]. Take the picture.
Page 729 Sending Images to a Smartphone from the Camera You can use the camera to send images to a smartphone connected via Wi-Fi. Switch to playback. Press the < > button. Select [ Send images to smartphone]. If you perform this step while connected via Bluetooth, a message is displayed requesting you to establish a Wi-Fi connection.
Page 730 (1) Sending images individually Select an image to send. Turn the < > dial to select an image to send, then press the < > button. Images can be selected by touch from index display ( Select [Send img shown]. In [Size to send], you can select the image sending size.
Page 731 (2) Sending multiple selected images Press the < > button. Select [Send selected].
Page 732 Select images to send. Turn the < > dial to select an image to send, then press the < > button. To switch to selecting images from 3-image display, turn the < > dial counterclockwise. To return to single-image display, turn the <...
Page 733 Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. Select [Send].
Page 734 (3) Sending a specified range of images Press the < > button. Select [Send range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
Page 735 Press the < > button. Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. Select [Send].
Page 736 (4) Sending all images on the card Press the < > button. Select [Send all card].
Page 737 Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. Select [Send].
Page 738 (5) Sending images that match the search conditions Send all the images that match the search conditions set in [ : Set image search conditions] at once. For details on [ : Set image search conditions], see Setting Image Search Conditions.
Page 739 Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. Select [Send].
Page 740 Ending image transfer Press the < > button on the image transfer screen. To end the Wi-Fi connection, select [Disconnect] on the [ Wi-Fi on] screen. Caution During the image transfer operation, a picture cannot be taken even if the camera's shutter button is pressed.
Page 741: Connecting To A Wireless Remote Control
Connecting to a Wireless Remote Control Canceling the Pairing This camera can also be connected to Wireless Remote Control BR-E1 (sold separately, via Bluetooth for remote control shooting. Select [ Connect to Wireless Remote]. Select [Add a device to connect to]. Select [OK].
Page 742 Pair the devices. When the screen shown above appears, press and hold the <W> and <T> buttons on the BR-E1 simultaneously for at least 3 sec. After a message confirms that the camera is paired with the BR-E1, press the < >...
Page 743 Canceling the Pairing Before pairing with a different BR-E1, clear the information about the connected remote control. Select [ Connect to Wireless Remote]. Select [Delete connection information]. Select [OK].
Page 744: Connecting To Eos Utility
Connecting to EOS Utility Operating the Camera Using EOS Utility Transferring Images from the Camera to a Computer (Direct Transfer) Transferring RAW+JPEG or RAW+HEIF Images Creating and Registering Captions This section describes how to connect the camera to a computer via Wi-Fi and perform camera operations using EOS software or other dedicated software.
Page 745 Select [OK]. This screen is not displayed if the Wi-Fi setting is already set to [Enable]. Select [Add a device to connect to].
Page 746 Check the SSID (network name) and password. Check the SSID (1) and Password (2) displayed on the camera screen. To establish a Wi-Fi connection using an access point, press the < > button. Follow the instructions for the connection method used.
Page 747 Steps on the computer (1) Select the SSID, then enter the password. Computer's screen (sample) On the computer's network setting screen, select the SSID checked in step 4 in Steps on the camera (1). For the password, enter the password checked in step 4 in Steps on the camera (1).
Page 748 Steps on the camera (2) Select [OK]. The following message is displayed. “******” represents the last six digits of the MAC address of the camera to be connected.
Page 749 Steps on the computer (2) Start EOS Utility. In EOS Utility, click [Pairing over Wi-Fi/LAN]. If a firewall-related message is displayed, select [Yes]. Click [Connect]. Select the camera to connect to, then click [Connect].
Page 750 Steps on the camera (3) Establish a Wi-Fi connection. Select [OK]. Wi-Fi on] is displayed on the camera screen ( The Wi-Fi connection to a computer is now complete. Operate the camera using EOS Utility on the computer. To reconnect via Wi-Fi, see Reconnecting via Wi-Fi/Bluetooth.
Page 751 Wi-Fi on] screen Image sel./transfer You can use the camera to transfer images to a computer ( Set up direct transfer You can specify the format of images to transfer to a computer ( Confirm Wi-Fi settings You can check setting details for Wi-Fi connections. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect...
Page 752 Transferring Images from the Camera to a Computer (Direct Transfer) With the camera connected to a computer (via Wi-Fi or an interface cable) and the main EOS Utility window displayed, you can use the camera to transfer images to a computer. If you will transfer many images, consider using a household power outlet accessory (sold separately).
Page 753 Select the image to transfer. Use the < > dial to select an image to transfer, then press the < > button. Use the < > dial to add a checkmark [ ] in the upper left of the screen, then press the < >...
Page 754 Selecting multiple images Multiple images can be transferred at once after you choose a selection method. Access the [Image sel./transfer] screen. Follow steps 1–2 in Selecting images to transfer. Select a selection method.
Page 755 Select range Select [Range]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be sent. After image selection, press the < >...
Page 756 In a folder Select [Sel. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images in the selected folder for which transfer failed. • Selecting [Select images not transferred] selects all unsent images in the selected folder.
Page 757 Select [OK] to register the images in [Images to transfer]. Go to step 5 of Selecting images to transfer.
Page 758 In a card Select [All images]. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images on the card for which transfer failed. • Selecting [Select images not transferred] selects all unsent images on the card. •...
Page 759 Transferring RAW+JPEG or RAW+HEIF Images For RAW+JPEG or RAW+HEIF images, you can specify which image to transfer. Access the [Image sel./transfer] screen. Follow step 1 in Selecting images to transfer. Select [Set up direct transfer]. Select the type of images to transfer. RAW+JPEG transfer Choose from [JPEG only], [RAW only] or [RAW+JPEG].
Page 760 Creating and Registering Captions You can create captions and register them on the camera to use them as described in Adding a Caption Before Transfer. Start EOS Utility and select [Camera settings]. Select [WFT Captions]. Enter the captions. Enter up to 31 characters (in ASCII format). To acquire caption data stored on the camera, select [Load settings].
Page 761 Set the captions on the camera. Select [Apply to camera] to set your new captions on the camera.
Page 762: Uploading Images To Image.canon
Link the camera to image.canon to send images directly from the camera. A smartphone with a browser and internet connection is required. For instructions on how to use image.canon services and details on countries and regions where it is available, visit the image.canon site (https://image.canon/).
Page 763 Select [Connect]. If the dedicated app has not been installed, select [Install]. Select [OK]. Scan the QR code with the dedicated app. Select [OK].
Page 764 Establish a Wi-Fi connection. Connect to an access point via Wi-Fi. Follow the instructions for the connection method used. • Connecting via WPS ( • Connecting manually to detected networks ( • Connecting manually by specifying access point information ( Confirm that the number is displayed in the dedicated app.
Page 765 Complete the settings. Press the < > button. The setting menu is displayed on the camera screen. Note The [ ] icon changes to [ Check the dedicated app. Confirm that the camera model name is registered in the dedicated app.
Page 766 [Upload to image.canon] screen Auto send You can choose whether to upload images automatically. Type to send You can select the type of images uploaded. Switch network You can change the settings for Wi-Fi connections. Clear camera web link settings...
Page 767 Uploading Images to image.canon Images are automatically uploaded to image.canon after the camera starts up (or recovers from auto power off). Images uploaded to image.canon can be downloaded to a computer or transferred to other web services. Uploading is not possible during interval timer shooting.
Page 768 Set [Type to send]. Stills only Uploading only applies to still photos. Stills+movies Uploading applies to both still photos and movies. Restart the camera. Note Uploaded images are stored at image.canon for 30 days at the original image size, without storage limitations.
Page 769: Transferring Images To An Ftp Server
Transferring Images to an FTP Server Connecting the Camera to an FTP Server Transferring Images Individually Transferring Multiple Images at Once Adding a Caption Before Transfer Auto Retry If Transfer Fails Protecting Images after Transfer Using the Power Saving Function Viewing Transferred Images Transferring Images with Mobile File Transfer By connecting to an FTP server, you can send images on the camera to a computer.
Page 770 Select [OK]. This screen is not displayed if the Wi-Fi setting is already set to [Enable]. Select [Add a device to connect to]. Select a setting method. To skip configuration of access point connection settings, select [Configure offline] and go to step 6 to configure FTP server settings. Select this option when specifying an access point at a remote location.
Page 771 Establish a Wi-Fi connection. Connect to an access point via Wi-Fi. Follow the instructions for the connection method used. • Connecting via WPS ( • Connecting manually to detected networks ( • Connecting manually by specifying access point information ( After the Wi-Fi connection is established, go to the next screen.
Page 772 Select [Address setting]. Select [OK] to go to the next screen. Enter the FTP server IP address. Use the virtual keyboard ( ) to enter the IP address. If DNS is used, enter the domain name. To confirm input and return to the screen in step 7, press the <...
Page 773 Configure the port number. Normally, set [Port number setting] to 00021 (for FTP/FTPS) or 00022 (for SFTP). Select [OK] to go to the next screen. Go to step 11 if you selected [FTP] or [FTPS] in step 6. Go to step 10 if you selected [SFTP].
Page 774 Configure the passive mode setting. Not displayed if you selected [SFTP] in step 6. Select [OK] to go to the next screen. Enable this setting in network environments protected by a firewall. If an Error 41 (Cannot connect to FTP server) is displayed in step 14, setting [Passive mode] to [Enable] may resolve it.
Page 775 Configure the login method. Not displayed if you selected [SFTP] in step 6. Select [OK] to go to the next screen. Specify a target folder. Select [Root folder] to have images saved in the root folder, as specified in FTP server settings ( Select [Select folder] to specify a target folder in the root folder.
Page 776 Press the < > button. If you selected [Configure online] in step 4, the [ Wi-Fi on] screen appears ( Not displayed if you selected [Configure offline] in step 4. Connection settings for FTP transfer are now complete.
Page 777 [ Wi-Fi on] screen Image sel./transfer Images can be transferred to an FTP server ( Transfer with caption You can add a registered caption to individual images before transfer ( FTP transfer settings You can configure settings related to FTP transfer and power saving ( Confirm Wi-Fi settings You can check setting details for Wi-Fi connections.
Page 778 Importing a root certificate for FTPS If you specified [FTPS] FTP mode when configuring connection settings, the root certificate used by the FTP server must be imported to the camera. Only the root certificate with a file name of “ROOT.CER,” “ROOT.CRT,” or “ROOT.PEM” can be imported to the camera.
Page 779 Select [Load root certif from card]. Select [OK]. The root certificate is imported. Select [OK] on the confirmation screen to return to the [Set root certif] screen. Note To delete the root certificate imported to the camera, select [Delete root certificate] on the screen in step 4.
Page 780 Transferring Images Individually Automatic transfer after each shot Transferring the current image Specifying sizes or types of images to transfer Automatic transfer after each shot Each image can be immediately transferred to the FTP server automatically after your shot. You can continue shooting still photos as usual while images are being transferred. Before shooting, make sure a card is in the camera.
Page 781 Select [Automatic transfer]. Select [Enable]. Take the picture. The captured image is transferred to the FTP server. Caution Images cannot be erased during image transfer. Note During continuous shooting, images are transferred to the FTP server in the order they are captured. Captured images are also stored on the card.
Page 782 Transferring the current image Enables you to transfer the image you are viewing simply by pressing the < > button. You can continue shooting still photos as usual while images are being transferred. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot.
Page 783 Specifying sizes or types of images to transfer You can specify which images to transfer when recording images of different sizes to both cards, or when shooting RAW+JPEG or RAW+HEIF images. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot.
Page 784 Select the type of images to transfer. Shooting RAW+JPEG Choose from [JPEG only], [RAW only] or [RAW+JPEG]. Shooting RAW+HEIF Choose from [HEIF only], [RAW only] or [RAW+HEIF]. Note [Separate JPEGs] or [Separate HEIFs] determines the image size transferred if Rec options] in [ : Record func+card/folder sel.] is selected with different image quality set for each card ( When the camera is set to record RAW images to one card and JPEGs or HEIFs to the other, specify which images to transfer in the [Shooting RAW+JPEG] or...
Page 785 Transferring Multiple Images at Once Selecting images to transfer Selecting multiple images After shooting, you can select multiple images and transfer them all at once, or you can transfer unsent images or images that could not be sent previously. You can continue shooting still photos as usual during transfer. Caution Image transfer in progress is paused while the still photo shooting/movie recording switch is set to <...
Page 786 Select [Sel.Image]. For options other than [Sel.Image], see Selecting multiple images. Select the image to transfer. Use the < > dial to select an image to transfer, then press the < > button. Use the < > dial to add a checkmark [ ] in the upper left of the screen, then press the <...
Page 787 Select [Transfer]. Select [OK]. The selected images are transferred to the FTP server.
Page 788 Selecting multiple images Multiple images can be transferred at once after you choose a selection method. You can continue shooting still photos as usual while images are being transferred. Access the [Image sel./transfer] screen. Follow steps 1–2 in Selecting images to transfer.
Page 789 Select range Select [Range]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be sent. After image selection, press the < >...
Page 790 In a folder Select [Sel. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images in the selected folder for which transfer failed. • Selecting [Select images not transferred] selects all unsent images in the selected folder.
Page 791 Select [OK] to register the images in [Images to transfer]. Go to step 5 of Selecting images to transfer.
Page 792 In a card Select [All images]. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images on the card for which transfer failed. • Selecting [Select images not transferred] selects all unsent images on the card. •...
Page 793 Adding a Caption Before Transfer You can add a registered caption to each image before transfer. This is convenient if you want to inform the recipient of the printing quantity, for example. Captions are also added to images saved to the camera. You can check captions added to images by examining the Exif information, in the user comments.
Page 794 Specify the caption. Select [Caption], and on the screen displayed, select the content of the caption. Select [Transfer]. The image is transferred with the caption. After transfer, display returns to the [Image transfer] screen. Caution Other images cannot be selected from the [Transfer with caption] screen. To select another image for transfer with a caption, view that image before following these steps.
Page 795 Auto Retry If Transfer Fails If transfer fails, the Wi-Fi icon blinks temporarily. In this case, the following screen is displayed after you press the < > button and select [ Transfer images to FTP server]. To resolve the error displayed, see Responding to Error Messages.
Page 796 Protecting Images after Transfer You can automatically protect transferred images. Select [ Transfer images to FTP server]. Select [FTP transfer settings]. Select [Protect images]. Select [Enable] to automatically protect images in the camera that were transferred via FTP (...
Page 797 Using the Power Saving Function When [Enable] is set and no image is transferred for a certain period, the camera will log off from the FTP server and end the Wi-Fi connection. The connection is re-established automatically when the camera is ready for image transfer again. If you prefer not to end the Wi-Fi connection, set to [Disable].
Page 798 Viewing Transferred Images Images transferred to the FTP server are stored in the following folder as specified in the FTP server settings. Target folder of the FTP server Under the default settings of the FTP server, images are stored in [C drive] → [Inetpub] folder →...
Page 799 Transferring Images with Mobile File Transfer Using the Mobile File Transfer smartphone app, you can transfer images from the camera to FTP servers over a mobile network connection. For information about the app, see Software/Apps.
Page 800: Advanced Connections
Advanced Connections Connecting to a Smartphone or Tablet This section describes how to establish a direct Wi-Fi connection with a smartphone and use Camera Connect to control the camera. Connecting to a Smartphone or Tablet Select [ : Advanced connection]. Select [OK].
Page 801 Select [Connect to smartphone(tablet)]. Select [Add a device to connect to]. Start searching for access points. Press the < > button to start searching. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press the <...
Page 802 Establish a Wi-Fi connection. Connect to an access point via Wi-Fi. Follow the instructions for the connection method used. • Connecting via WPS ( • Connecting manually to detected networks ( • Connecting manually by specifying access point information ( Start Camera Connect and tap the camera name.
Page 803: Basic Communication Settings
Basic Communication Settings Preparation Checking the Type of Access Point Connecting via WPS (PBC Mode) Connecting via WPS (PIN Mode) Connecting Manually to Detected Networks Connecting Manually by Specifying Networks Connecting in Camera Access Point Mode Setting the IP Address Before using the following camera communication functions, configure camera and computer settings as described starting in Preparation.
Page 804 Preparing to use communication functions EOS Utility A computer with EOS Utility (EOS software) installed is required. For EOS Utility installation instructions, visit the Canon website. FTP transfer A computer running one of the following OSes is required. The computer must also be set up in advance to function as an FTP server.
Page 805 Checking the Type of Access Point When connecting via an access point, check whether the access point supports WPS*, which simplifies connections between Wi-Fi devices. If you are unsure about WPS compatibility, refer to the access point user manual or other documentation.
Page 806 Connecting via WPS (PBC Mode) Instructions in this section are continued from Checking the Type of Access Point. This is a connection method used with access points compatible with WPS. In pushbutton connection mode (PBC mode), the camera and access point can be connected simply by pressing the WPS button on the access point.
Page 807 Connect to the access point. Press the access point's WPS button. For details on where the button is and how long to press it, refer to the access point user manual. Select [OK] to initiate connection with the access point. The following screen is displayed once the camera is connected to the access point.
Page 808 Connecting via WPS (PIN Mode) Instructions in this section are continued from Checking the Type of Access Point. This is a connection method used with access points compatible with WPS. In PIN code connection mode (PIN mode), an 8-digit identification number indicated on the camera is entered on the access point to establish a connection.
Page 809 Enter the PIN code. On the access point, enter the 8-digit PIN code displayed on the camera screen. For instructions on entering PIN codes on the access point, refer to the access point's Instruction Manual. After entering the PIN code, select [OK] on the camera. Connect to the access point.
Page 810 Set the IP address. Go to Setting the IP Address.
Page 811 Connecting Manually to Detected Networks Instructions in this section are continued from Checking the Type of Access Point. Connect to an access point by selecting its SSID (or ESS-ID) in a list of active access points nearby. Selecting the access point Select an access point on the [Select a network] screen.
Page 812 Entering the access point encryption key Enter the encryption key (password) set on the access point. For details on the encryption key that has been set, refer to the access point's user manual. The screens displayed in steps 2–3 vary depending on the authentication and encryption set on the access point.
Page 813 Set the IP address. Go to Setting the IP Address.
Page 814 Connecting Manually by Specifying Networks Instructions in this section are continued from Checking the Type of Access Point. Connect to an access point by entering its SSID (or ESS-ID). Entering the SSID Select [Manual settings] on the [Select a network] screen. Enter the SSID (network name).
Page 815 Setting the access point authentication method Select the authentication method. Select an option and then [OK] to go to the next screen. On the [Encryption settings] screen displayed if [Open system] is selected, select [Disable] or [WEP]. Entering the access point encryption key Enter the encryption key (password) set on the access point.
Page 816 Enter the encryption key. Press the < > button to access the virtual keyboard ( ), then enter the encryption key. Select [OK] to initiate connection with the access point. The following screen is displayed once the camera is connected to the access point.
Page 817 Connecting in Camera Access Point Mode Camera access point mode is a connection method for directly connecting the camera and other devices via Wi-Fi without using an access point. Two connection methods are available, as follows. Connecting with Easy connection Network settings for camera access point mode are configured automatically.
Page 818 Use the other device to connect to the camera. (1) SSID (network name) (2) Encryption key (password) In other device's Wi-Fi settings, select the SSID (network name) shown on the camera screen, then enter the password. Complete the connection settings based on the device to connect to. Connecting to EOS Utility ( Image transfer to FTP servers (...
Page 819 Connecting with Manual connection Network settings for camera access point mode are configured manually. Set [SSID], [Channel setting], and [Encryption settings] on each screen displayed. Select [Manual connection]. Select [OK]. Enter the SSID (network name). Press the < > button to access the virtual keyboard ( ), then enter the SSID.
Page 820 Select a channel setting option. To specify the settings manually, select [Manual setting], then turn the < > dial. Select [OK]. Select an encryption setting option. For encryption, select [AES]. Select [OK]. When [AES] is selected, the [Password] screen is displayed. Press the <...
Page 821 Select [Auto setting]. Select [OK]. If an error is displayed for [Auto setting], set the IP address manually Use the other device to connect to the camera. (1) SSID (network name) (2) Encryption key (password) Complete connection settings for the communication function.
Page 822 Setting the IP Address Select a method of setting the IP address, and then set the IP address on the camera. Setting the IP address automatically Set up the IP address settings automatically. Select [Auto setting]. Select [OK]. If an error is displayed for [Auto setting], set the IP address manually Select an IPv6 option.
Page 823 Setting the IP address manually Set up the IP address settings manually. Note that the items displayed vary depending on the communication function. Select [Manual setting]. Select [OK].
Page 824 Select an option to configure. Select an option to access the screen for numerical input. To use a gateway, select [Enable], then select [Address]. To use a DNS address, select [Manual setting], then select [Address].
Page 825 Enter the number. Turn the < > dial to switch to other input fields at the top of the screen, and turn the < > dial to select numbers to enter. Press the < > button to enter the selected number. To delete the number just entered, press the <...
Page 826 Select an IPv6 option. Select an option and then [OK] to go to the next screen. Select [Enable] to use IPv6. Complete the connection settings based on the device to connect to.
Page 827: Reconnecting Via Wi-Fi/Bluetooth
Reconnecting via Wi-Fi/Bluetooth The camera keeps a record of past Wi-Fi or Bluetooth connections. You can use this record to reconnect to the same device. Here, [ Transfer images to FTP server] is used as an example. Select the record for the device to connect to. After the [Wi-Fi on] screen appears, select [Disconnect], then repeat step 1.
Page 828 Use the connected device as needed.
Page 829: Editing/Deleting Devices For Connections
Editing/Deleting Devices for Connections Changing Device Nicknames Deleting Connection Information FTP Server Before editing or deleting connection settings for other devices, end the Wi-Fi connection. Here, [ Transfer images to FTP server] is used as an example. Changing Device Nicknames You can change the nickname of devices the camera connects to.
Page 830 Select the device for the connection. Select [Change device nickname]. Change the nickname. Use the virtual keyboard ( ) to enter the nickname. Press the < > button, then select [OK].
Page 831 Deleting Connection Information Access the screen for the connected device. Follow steps 1–3 in Changing Device Nicknames. For [ Connect to Wireless Remote], see Canceling the Pairing. Select [Delete connection information]. Select [OK].
Page 832 FTP Server You can configure FTP server settings. This is displayed when [ Transfer images to FTP server] is selected. Access the connection settings screen. Follow steps 1–3 in Changing Device Nicknames. Select [FTP server]. Select an option. Change the settings as needed. The following are items not described in Connecting the Camera to an Server.
Page 833 Directory structure Default The server root folder is used for image storage. If you have created a subfolder in the root folder by changing the [Target folder] setting, images are saved in that folder. Camera Automatically creates a folder structure matching that of the camera's (such as A/DCIM/ 100EOSR6) in the server's root folder for image storage.
Page 834 Trusting target servers Set to [Enable] if you prefer to connect to FTP servers even when trust cannot be established based on the root certificate used. In this case, take suitable security measures.
Page 835: Airplane Mode
Airplane Mode You can temporarily disable Wi-Fi and Bluetooth functions. Select [ : Airplane mode]. Set to [On]. ] is displayed on the screen. Note ] may not be displayed in still photo shooting, movie recording, or playback, depending on display settings. If it is not displayed, press the < >...
Page 836: Wi-Fi Settings
Wi-Fi Settings 802.1X Authentication Checking the MAC Address Select [ : Wi-Fi settings].
Page 837 Select an option. Wi-Fi When the use of electronic devices and wireless devices is prohibited, such as on board airplanes or in hospitals, set it to [Disable]. 802.1X authentication Configure these settings when connecting to networks that require 802.1X authentication. MAC address You can check the MAC address of the camera.
Page 838 Note that the camera supports following protocols. Protocol Supported Authentication EAP-TLS X.509 EAP-TTLS MS-CHAP v2 PEAP MS-CHAP v2 Setup wizard Follow the wizard to configure the authentication settings. Confirm settings Select to check authentication settings. Delete settings Select to delete authentication settings. Selecting [OK] on the screen displayed deletes the settings.
Page 839 Checking the MAC Address You can check the camera's MAC address. Select [ : Wi-Fi settings]. Select [MAC address]. Check the MAC address.
Page 840: Bluetooth Settings
Bluetooth Settings Select [ : Bluetooth settings]. Select an option. Bluetooth If you will not use the Bluetooth function, select [Disable]. Bluetooth address You can check the camera's Bluetooth address. Connect to You can check the name and communication status of the paired device.
Page 841: Camera Name
Camera Name You can change the camera name (displayed on smartphones and other cameras) as needed. Select [ : Camera name]. Change the camera name. Use the virtual keyboard ( ) to enter the camera name. Press the < > button, then select [OK].
Page 842: Gps Device Settings
GPS Device Settings GP-E2 Smartphone GPS Connection Display You can geotag images with GPS Receiver GP-E2 (sold separately) or a smartphone. GP-E2 Attach GP-E2 to the camera. Attach GP-E2* to the camera's hot shoe and turn it on. For details, refer to the GP-E2 Instruction Manual.
Page 843 Update the GP-E2 firmware to Ver. 2.0.0 or later. Firmware updating requires an interface cable. For updating instructions, visit the Canon website. GP-E2 cannot be connected to the camera with a cable. The camera does not record the shooting direction.
Page 844 Smartphone Complete these settings after installing the dedicated Camera Connect app ( ) on the smartphone. On the smartphone, activate location services. Establish a Bluetooth connection. Start Camera Connect and pair the camera and smartphone via Bluetooth. Select [ : GPS device settings]. Select [Select GPS device].
Page 845 Select [Smartphone]. Take the picture. Images are geotagged with the information from the smartphone.
Page 846 GPS Connection Display You can check the status of smartphone location information acquisition in the GPS connection icon on the screens for still photo shooting or movie recording ( respectively). Gray: Location services are off Blinking: Location information cannot be acquired On: Location information acquired For details on how GPS connection status is indicated when GP-E2 is used, refer to the GP-E2 Instruction Manual.
Page 847 Caution The smartphone can acquire location information only while it is paired with the camera via Bluetooth. Direction information is not acquired. Acquired location information may not be accurate, depending on traveling conditions or smartphone status. It may take some time to acquire location information from the smartphone after you turn the camera on.
Page 848: Error Details
Error Details You can display details of errors affecting the camera's wireless communication functions. Select [ : Error details]. Details of errors that have occurred are displayed. For more information on errors, see Responding to Error Messages.
Page 849: Resetting Communication Settings
Resetting Communication Settings All wireless communication settings can be deleted. By deleting the wireless communication settings, you can prevent their information from being exposed when you lend or give your camera to other people. Select [ : Reset communication settings]. Select [OK].
Page 850: Virtual Keyboard Operations
Virtual Keyboard Operations Input area, for entering text Cursor keys, for moving in the input area Current no. of characters/no. available Keyboard Switch input modes Space Delete a character in the input area Exit input Use the < > dial to move within (1). Use <...
Page 851: Responding To Error Messages
Responding to Error Messages When an error occurs, display the details of the error by following one of the procedures below. Then, eliminate the cause of the error by referring to the examples shown in this chapter. Select [ : Error details]. Select [Error details] on the [Wi-Fi on] screen.
Page 852 11: Connection target not found In the case of [Connect to smartphone(tablet)], is Camera Connect running? • Establish a connection using Camera Connect ( In the case of [Connect to EOS Utility], is EOS Utility running? • Start EOS Utility and try to connect again ( Are the camera and the access point set to use the same encryption key for authentication? •...
Page 853 22: No response from DNS server What to check on the camera On the camera, the DNS address is set to [Manual setting]. Is this the correct setting? • If no DNS server is used, set the camera's DNS address setting to [Disable] ( On the camera, does the DNS server's IP address setting match the server's actual address? •...
Page 854 23: Device with same IP address exists on selected network Is another device on the camera network using the same IP address as the camera? • Change the camera's IP address to avoid using the same address as another device on the network. Otherwise, change the IP address of the device that has a duplicate address.
Page 855 41: Cannot connect to FTP server What to check on the camera The camera's proxy server setting is [Enable]. Is this the correct setting? • If no proxy server is used, set the camera's proxy server setting to [Disable] ( Do the camera's [Address setting] and [Port No.] settings match those of the proxy server? •...
Page 856 What to check on the FTP server Is the FTP server working correctly? • Configure the computer correctly to function as an FTP server. • If applicable, ask your network administrator for the FTP server address and port number, then set them on the camera. Is the power of the FTP server on? •...
Page 857 What to check on the proxy server Is the proxy server on? • Turn on the proxy server. Is the proxy server working correctly? • Check the proxy server settings to make sure the server is working correctly as a proxy server.
Page 858 43: Cannot connect to FTP server. Error code received from server. What to check on the proxy server Is the proxy server on? • Turn on the proxy server. Is the proxy server working correctly? • Check the proxy server settings to make sure the server is working correctly as a proxy server.
Page 859 45: Cannot login to FTP server. Error code received from server. What to check on the camera On the camera, is the [Login name] set correctly? • Check the login name for accessing the FTP server. Check upper- and lower-case letters, and make sure the correct login name is set on the camera ( On the camera, is [Password] set correctly? •...
Page 860 46: For the data session, error code received from FTP server What to check on the FTP server The connection was terminated by the FTP server. • Restart the FTP server. Do the user rights for the FTP server allow reading, writing, and log access? •...
Page 861 61: Selected SSID wireless LAN network not found Are any obstacles blocking the line of sight between the camera and the antenna of the access point? • Move the antenna of the access point to a position clearly visible from the point of view of the camera.
Page 862 A problem other than error code number 121 to 126 occurred while the camera is connected to the Web service. • Try again to establish the Wi-Fi connection to image.canon. 130: The server is currently busy Please wait a moment and try again The image.canon site is busy at the moment.
Page 863 • Reconfigure camera web link settings and scan the QR code displayed again on the camera. 138: Communication error with server. Please send again. Could not connect to the server for some reason. • Check the status of cloud RAW image processing online at image.canon and try uploading the images again.
Page 864: Wireless Communication Precautions
Wireless Communication Precautions Distance Between the Camera and the Smartphone Installation Location of Access Point Antenna Nearby Electronic Devices Precautions for Using Multiple Cameras If the transmission rate drops, the connection is lost, or other problems occur when using the wireless communication functions, try the following corrective actions.
Page 865 Distance Between the Camera and the Smartphone If the camera is too far from the smartphone, a Wi-Fi connection may not be established even when Bluetooth connection is possible. In this case, bring the camera and the smartphone closer together, then establish a Wi-Fi connection. Installation Location of Access Point Antenna When using indoors, install the device in the room where you are using the camera.
Page 866: Security
Security If security settings have not been properly set, the following problems may occur. Transmission monitoring Third parties with malicious intent may monitor wireless LAN transmissions and attempt to acquire the data you are sending. Unauthorized network access Third parties with malicious intent may gain unauthorized access to the network you are using to steal, modify, or destroy information.
Page 867: Checking Network Settings
Checking Network Settings Windows Open the Windows [Command Prompt], then enter ipconfig/all and press the <Enter> key. In addition to the IP address assigned to the computer, the subnet mask, gateway, and DNS server information are also displayed. macOS In macOS, open the [Terminal] application, enter ifconfig -a, and press the <Return> key. The IP address assigned to the computer is indicated in the [enX] item (X: number) next to [inet], in the format “***.***.***.***”.
Page 868: Wireless Communication Status
Wireless Communication Status Wireless communication status can be checked on the screen. Quick Control screen Information display screen during playback (1) Wi-Fi function (2) Bluetooth function (3) Wireless signal strength Screen Communication Status Wi-Fi Function Wireless Signal Strength Wi-Fi: Disable Not connected Wi-Fi: Enable Connecting...
Page 869 Bluetooth Function Indicator Bluetooth Function Connection Status Screen Bluetooth connected Other than [Disable] Bluetooth not connected [Disable] Bluetooth not connected Not displayed...
Page 870: Set-Up
Set-up This chapter describes menu settings on the set-up [ ] tab. to the right of titles indicates functions only available in Creative Zone modes. • Tab Menus: Set-up • Selecting Cards for Recording/Playback • Folder Settings • File Numbering •...
Page 871 • Copyright Information • Other Information...
Page 872: Tab Menus: Set-Up
Tab Menus: Set-up Set-up 1 (1) Record func+card/folder sel. • Selecting Cards for Recording/Playback • Creating a Folder File numbering File name Format card Auto rotate rotate info Date/Time/Zone Set-up 2 Language Video system Help text size Mode guide Feature guide...
Page 873 Set-up 3 Beep Volume Headphones Power saving Set-up 4 Screen/viewfinder display Screen brightness Viewfinder brightness Screen/viewfinder color tone Fine-tune VF color tone UI magnification HDMI resolution...
Page 874 Set-up 5 Touch control Multi function lock Shutter at shutdown Sensor cleaning Choose USB connection app Set-up 6 Reset camera Custom shooting mode (C1-C3) Battery info. Copyright information Manual/software URL Certification Logo Display Firmware...
Page 875: Selecting Cards For Recording/Playback
Selecting Cards for Recording/Playback Recording Method with Two Cards Inserted Recording/Playback Selection with Two Cards Inserted Recording is possible when card [ ] or [ ] is in the camera (except under some conditions). With only one card inserted, there is no need to follow these steps. With two cards inserted, you can select the recording method and card to use for recording and playback as follows.
Page 876 Set the recording method. separate • Select [Enable] for automatic configuration of the recording method for still photos and movies. Still photos are recorded to card [ and movies to card [ • Without card [ ] inserted, still photos can be captured but not saved.
Page 877 Rec options Set the recording method for still photos. • Standard Records still photos to the card selected in [ Record/play]. • Auto switch card Same as [Standard], but additionally, the camera switches to the other card when one card becomes full. At this time, a new folder is created.
Page 878 Note Rec. separately/Rec. to multiple Images are recorded with the same file number to card The number of shots available as shown in the viewfinder and on the Quick Control screen is for the card with less free space. [Card* full] is displayed when one of the cards becomes full, and shooting is no longer possible.
Page 879 Rec options Set the recording method for movies. • Standard Records movies to the card selected in [ Record/play]. • Auto switch card Same as [Standard], but recording ends when the card becomes full. When you resume recording, the camera switches to the other card for recording.
Page 880 Caution Auto switch card Recording only switches to the other card when the current card has no remaining free space, and then movies with a frame rate of 179.8/150 fps can be recorded. Note that this occurs when an exFAT-formatted card is in one of the slots. Rec.
Page 881 Recording/Playback Selection with Two Cards Inserted With [ Rec options]/[ Rec options] set to [Standard] or [Auto switch card], select the card for recording and playback. With [ Rec options] set to [Rec. separately] or [Rec. to multiple], or with [ options] set to [Rec.
Page 882 Note With [Priority: ] set, the camera switches to the priority card when cards are inserted or removed.
Page 883: Folder Settings
Folder Settings Creating a Folder Renaming Folders Selecting a Folder You can freely create and select the folder where the captured images are to be saved. You can also rename folders. Creating a Folder Select [ : Record func+card/folder sel.]. Select [Folder].
Page 884 Select [Create folder]. Select [OK]. To rename the folder, select [Change folder name].
Page 885 Renaming Folders Enter letters and numbers of your choice. You can enter five characters. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < > button. Use the < >...
Page 886 Selecting a Folder (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number Select a folder on the folder selection screen. Captured images are stored in your selected folder. Note Folders A folder can contain up to 9999 images (file number 0001–9999). When a folder becomes full, a new folder with the folder number increased by one is created automatically.
Page 887: File Numbering
File Numbering Continuous Auto Reset Manual Reset The captured images saved in a folder are assigned a file number from 0001 to 9999. You can change how the image files are numbered. (Example) (1) File number Select [ : File numbering].
Page 888 Set the item. Select [Numbering]. Select [Continuous] or [Auto reset]. If you want to reset the file numbering, select [Manual reset] ( Select [OK] to create a new folder, and the file number will start with 0001. Caution If the file number in folder 999 reaches 9999, shooting will not be possible even if the card still has free space.
Page 889 Continuous For continuous file numbering regardless of switching cards or creating folders File numbering is continuous up to 9999, even if you replace a card, create a folder, or switch the target card (as in → ). This is useful when you want to save images numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one folder on a computer.
Page 890 Auto Reset For restarting file numbering from 0001 after switching cards or creating folders File numbering is reset to 0001 if you replace a card, create a folder, or switch the target card (as in → ). This is useful if you want to organize images by cards or folders. Note that file numbering may continue from any existing images in cards or folders that you switch to.
Page 891 Manual Reset For resetting file numbering to 0001 or starting from 0001 in new folders When you reset the file numbering manually, a new folder is created automatically and the file numbering of images saved to that folder starts from 0001. This is useful, for example, if you want to use different folders for the images taken yesterday and the ones taken today.
Page 892: File Naming
File Naming Registering/Changing File Names File names consist of four alphanumeric characters followed by a four-digit file number ( and file extension. You can change the first four alphanumeric characters, which by default are unique for each camera and set when the camera is shipped. User setting 1 enables you to register four characters of your choice.
Page 893 Enter letters and numbers of your choice. Enter four characters for User setting 1 or three for User setting 2. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < >...
Page 894 Select a registered file name. Select [File name], then choose a registered file name. Caution An underscore (“_”) cannot be used as the first character. Note User setting 2 Shooting after you have selected “*** + image size” (as registered to User setting 2) will add a character representing the current image size to your file name as the fourth character.
Page 895: Card Formatting
Card Formatting If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera. Caution When the card is formatted, all images and data on the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep.
Page 896 Format the card. Select [OK]. For low-level formatting, press the < > button to add a checkmark [ ] to [Low level format], then select [OK].
Page 897 Conditions requiring card formatting The card is new. The card was formatted by a different camera or a computer. The card is full of images or data. A card-related error is displayed ( Low-level formatting Perform low-level formatting if the card's writing or reading speed seems slow or if you want to totally erase the data on the card.
Page 898: Auto Rotate
Auto Rotate You can change the auto rotation setting that straightens images shot in vertical orientation when they are displayed. Select [ : Auto rotate].
Page 899 Select an option. Automatically rotates images for display on both the camera and computers. Automatically rotates images only for display on computers. Images are not automatically rotated. Caution Images captured with auto rotation set to [Off] will not rotate during playback even if you later set auto rotation to [On].
Page 900: Adding Orientation Information To Movies
Adding Orientation Information to Movies For movies recorded with the camera held vertically, orientation information indicating which side is up can be added automatically to enable playback in the same orientation on smartphones or other devices. Select [ : Add rotate info].
Page 901: Date/Time/Zone
Date/Time/Zone When you turn on the power for the first time or if the date/time/zone have been reset, follow these steps to set the time zone first. By setting the time zone first, you can simply adjust this setting as needed in the future and the date/time will be updated to match it.
Page 902 Select the time zone. If your time zone is not listed, press the < > button, then set the difference from UTC in [Time difference]. Select a [Time difference] option (+–/hour/minute), then press the < > button. After setting the item, press the < >...
Page 903 Set daylight saving time. Set it as necessary. Select [ ] or [ ], then press the < > button. When the daylight saving time is set to [ ], the time set in step 3 will advance by 1 hour. If [ ] is set, the daylight saving time will be canceled and the time will go back by 1 hour.
Page 904: Language
Language Select [ : Language Set the desired language.
Page 905: Video System
Video System Set the video system of any television used for display. This setting determines the frame rates available when you record movies. Select [ : Video system]. Select an option. For NTSC For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.).
Page 906: Help
Help Changing the Help Text Size When [ Help] is displayed, you can display a description of the feature by pressing the < > button. Press it again to exit Help display. To scroll the screen when a scrollbar (1) appears on the right, turn the <...
Page 907 Example: [ : Multi function lock] < >...
Page 908 Changing the Help Text Size Select [ : Help text size]. Select an option.
Page 909: Shooting Mode Guide
Shooting Mode Guide A brief description of the shooting mode can be displayed when you switch shooting modes. The default setting is [Enable]. Select [ : Mode guide]. Select [Enable]. Turn the Mode dial. A description of the selected shooting mode will appear.
Page 910 Tap [ The rest of the description will appear. To clear the mode guide, press the < > button. In < >/< > mode, you can display the shooting mode selection screen.
Page 911: Feature Guide
Feature Guide A brief description of functions and items can be displayed when you use Quick Control. Select [ : Feature guide]. Select an option.
Page 912 Sample screens (1) Feature guide Note To clear a description, either tap it or continue performing operations.
Page 913: Beeps
Beeps Select [ : Beep]. Select an option. Enable The camera beeps after focusing and in response to touch operations. Disable Disables beeping for focusing, self-timer, shutter, and touch operations. Note By default, beeping volume for touch operations is set to [0] (...
Page 914: Volume
Volume The volume of camera sounds is adjustable. Select [ : Volume]. Select an option. Adjust the volume. Turn the < > dial to adjust the volume, then press the < > button.
Page 915: Headphones
Headphones Volume Audio Monitoring Volume Select [ : Headphones]. Select [Volume].
Page 916 Adjust the volume. Turn the < > dial to adjust the volume, then press the < > button. Note You can check sound from the built-in microphone or an external microphone on headphones when [ : Sound recording] is set to an option other than [Disable] and [High Frame Rate] is set to [Disable].
Page 917 Audio Monitoring You can choose the audio during movie recording that is used for headphone output. To reduce noise in audio recording, configure [Audio noise reduc.] ( Select [Audio monitoring]. Select an option. Real-time audio (without NR) Audio output without noise reduction. Recorded audio (NR applied) Audio output with noise reduction.
Page 918: Power Saving
Power Saving You can adjust the timing of when the screen dims and then turns off, when the camera turns off, and when the viewfinder turns off after the camera is left idle (Screen dimmer, Screen off, Auto power off, and Viewfinder off). Select [ : Power saving].
Page 919 Note [Screen dimmer] and [Screen off] apply while the shooting screen is displayed. These settings do not apply during menu display or image playback. The camera turns off during menu display or image playback after the time set in [Screen dimmer], [Screen off], and [Auto power off] elapses. To protect the screen, the screen turns off 30 min.
Page 920: Screen And Viewfinder Display
Screen and Viewfinder Display You can specify to use the screen or viewfinder for display, to avoid accidentally activating the viewfinder sensor when the screen is open. Select [ : Screen/viewfinder display]. Select an option. AUTO1: Auto 1 ( : only screen) Always use the screen for display when it is open.
Page 921 Note You can also switch between viewfinder and screen display by pressing a button you have customized by assigning to switching. With this setting set to [AUTO1] or [AUTO2], the camera responds to the viewfinder sensor accordingly. With [AUTO1] set, the camera does not respond to the viewfinder sensor when the screen is open.
Page 922: Screen Brightness
Screen Brightness Select [ : Screen brightness]. Make the adjustment. Referring to the gray image, turn the < > dial to adjust brightness, then press the < > button. Check the effect on the screen. Note To check the image's exposure, referring to the histogram is recommended (...
Page 923: Viewfinder Brightness
Viewfinder Brightness Select [ : Viewfinder brightness]. Turn the < > dial and select either [Auto] or [Manual]. Auto Press the < > button. Check the effect in the viewfinder while shooting. Manual Turn the < > dial to adjust viewfinder brightness, then press the <...
Page 924: Screen And Viewfinder Color Tone
Screen and Viewfinder Color Tone Select [ : Screen/viewfinder color tone]. Make the adjustment. Turn the < > dial to select an item, then press the < > button.
Page 925: Fine-Tuning Viewfinder Color Tone
Fine-Tuning Viewfinder Color Tone Select [ : Fine-tune VF color tone]. Make the adjustment. Referring to the gray image, use < > for adjustment, then press the < > button. Check the effect in the viewfinder.
Page 926: Ui Magnification
UI Magnification You can magnify menu screens by double-tapping with two fingers. Double-tap again to restore the original display size. Select [ : UI magnification]. Select [Enable]. Caution Use camera controls when configuring menu functions with the display magnified. Touch-screen operations are not supported.
Page 927: Hdmi Resolution
HDMI Resolution Set the image output resolution used when the camera is connected to a television or external recording device with an HDMI cable. Select [ : HDMI resolution]. Select an option. Auto The images will automatically be displayed at the optimum resolution matching the connected television.
Page 928: Touch Control
Touch Control Select [ : Touch control]. Select an option. [Sensitive] makes the touch-screen panel more responsive than [Standard]. To disable touch operations, select [Disable]. Caution Precautions for touch-screen panel operations Do not use sharp objects such as fingernails or ballpoint pens for touch operations. Do not use wet fingers for touch operations.
Page 929: Multi-Function Lock
Multi-Function Lock Specify camera controls to lock when the Multi-function lock is enabled. This can help prevent accidentally changing settings. Select [ : Multi function lock]. Select camera controls to lock. Press the < > button to add a checkmark [ ]. Select [OK].
Page 930: Shutter At Shutdown
Shutter at Shutdown You can set whether to leave the shutter open or close it when the camera's power switch is set to < >. Select [ : Shutter at shutdown]. Select an option. : Closed Closes the shutter. Normally set to closed, to prevent dust from adhering to the sensor when you switch lenses.
Page 931: Sensor Cleaning
Sensor Cleaning Cleaning Now Cleaning Automatically Cleaning Manually The camera's sensor cleaning feature cleans the front of the image sensor. Note For best results, clean with the camera in a stable position on a desk or other flat surface. Cleaning Now Select [ : Sensor cleaning].
Page 932 Select [Clean now Select [OK] on the confirmation screen. Note Even if you repeat the sensor cleaning, the result will not improve much. Note that [Clean now ] may not be available immediately after cleaning.
Page 933 Cleaning Automatically Select [Auto cleaning Select an option. Turn the < > dial to select an option, then press the < > button. Note When set to [At pwr off] or [Enable], the sensor is cleaned when the screen goes off, including when it has been turned off automatically.
Page 934 Always use a fully charged battery. The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. Select [Clean manually]. Select [OK].
Page 935 If the battery level becomes low while cleaning the sensor, the beeper will sound as a warning. Stop cleaning the sensor. If a smudge that cannot be removed with a blower remains, having the sensor cleaned by a Canon Service Center is recommended.
Page 936: App Selection For Usb Connections
The resolution and frame rate of image output is 2K (1920×1080) at 30 fps. Canon app(s) for iPhone Select if you will use an iOS app. Connecting the camera to a smartphone requires a cable for this purpose. For details, refer to the Canon website.
Page 937 Caution When the camera is used with [Video calls/streaming], power is not supplied to the camera. Consider using an optional household power outlet accessory when using the camera over extended periods.
Page 938: Resetting The Camera
Resetting the Camera The camera's settings for shooting functions and menu functions can be restored to their defaults. Select [ : Reset camera]. Select an option. Basic settings Restores default settings for camera shooting functions and menu settings. Other settings Settings for individual selected options can be reset.
Page 939 Note Still photo Custom shooting modes are reset when [Custom shooting mode (C1- C3)] in [Other settings] is selected in still photo shooting mode, and movie Custom shooting modes are reset when this option is selected in movie recording mode.
Page 940: Custom Shooting Mode (C1-C3)
Custom Shooting Mode (C1–C3) Automatic Update of Registered Settings Canceling Registered Custom Shooting Modes You can register current camera settings such as shooting, menu, and Custom Function settings as Custom shooting modes assigned to < > to < > modes. You can register different functions to use when shooting still photos or movies.
Page 941 Register the desired items. Select the Custom shooting mode to register, then select [OK] on the [Register settings] screen. The current camera settings are registered to Custom shooting mode In still photo shooting, the registered shooting mode is indicated in the Custom shooting mode icon (as in [ ], [ ], [...
Page 942 Canceling Registered Custom Shooting Modes If you select [Clear settings] in step 2, the settings of each mode can be restored to default settings, as they were before registration. Note You can also change shooting and menu settings in Custom shooting modes.
Page 943: Battery Information
Battery Information Registering Batteries to the Camera Labeling Batteries with Serial Numbers Checking the Remaining Capacity of a Registered Battery Not in Use Deleting the Registered Battery Information You can check the conditions of the battery you are using. By registering multiple batteries to the camera, you can check their approximate remaining capacity and usage history.
Page 944 (Green): Battery recharge performance is slightly degraded. (Red): Purchasing a new battery is recommended. Caution Using a genuine Canon Battery Pack LP-E6NH/LP-E6N is recommended. If you use batteries that are not genuine Canon products, the camera's full performance may not be attained or malfunction may result.
Page 945 Note The shutter count is the number of still photos taken (not including movie recording). Battery information is also displayed when an optional Battery Grip BG-R10 is used. If a battery communication error message is displayed, follow the instructions in the message.
Page 946 Registering Batteries to the Camera You can register up to six LP-E6NH/LP-E6N/LP-E6 battery packs to the camera. To register multiple batteries to the camera, follow the procedure below for each battery. Press the < > button. With the battery info. screen displayed, press the < >...
Page 947 Labeling Batteries with Serial Numbers It is convenient to label registered LP-E6NH/LP-E6N/LP-E6 battery packs with their serial numbers, using commercially available labels. On a label approx. 25×15 mm, write the serial number (1). Apply the label. Set the power switch to < >.
Page 948 Caution Do not apply the label on any part other than as shown in the illustration in step 2. Otherwise, the misplaced label may make it difficult to insert the battery or impossible to turn on the power. When you use Battery Grip BG-R10 (sold separately), the label may peel off after repeated insertion and removal from the battery magazine.
Page 949 Checking the Remaining Capacity of a Registered Battery Not in Use You can check the remaining capacity of batteries not currently in use, as well as their last date of use. Find the matching serial number. On the battery history screen, find the battery serial number (1) matching the serial number that the battery is labeled with.
Page 950 Deleting the Registered Battery Information Select [Delete info.]. Registering Batteries to the Camera, select [Delete info.] in step 2. Select the battery information to delete, then press the < > button. [ ] is displayed. Press the < > button. Select [OK] on the confirmation screen.
Page 951: Copyright Information
Copyright Information Checking the Copyright Information Deleting the Copyright Information When you set the copyright information, it will be recorded to the image as Exif information. Caution If the entry for “Author” or “Copyright” is long, it may not be displayed entirely when you select [Display copyright info.].
Page 952 Enter text. Use the < > dial or < > to select a character, then press the < > button to enter it. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < >...
Page 953 Deleting the Copyright Information When you select [Delete copyright information] in step 2, you can delete the [Author] and [Copyright] information.
Page 954: Other Information
Other Information Manual/software URL To download instruction manuals, select [ : Manual/software URL] and scan the displayed QR code with a smartphone. You can also use a computer to access the website at the URL displayed and download software. Certification Logo Display Select [ : Certification Logo Display] to display some of the logos of the camera's certifications.
Page 955: Custom Functions/My Menu
Custom Functions/My Menu You can fine-tune camera functions and change the functionality of buttons and dials to suit your shooting preferences. You can also add menu items and Custom Functions that you adjust frequently to My Menu tabs. • Tab Menus: Custom Functions •...
Page 956: Tab Menus: Custom Functions
Tab Menus: Custom Functions Custom Functions 1 Exposure level increments ISO speed setting increments Speed from metering/ISO Auto Bracketing auto cancel Bracketing sequence Number of bracketed shots Safety shift Custom Functions 2 Same expo. for new aperture AE lock meter. mode after focus Set shutter speed range Set aperture range...
Page 957 Custom Functions 3 direction to set Tv/Av direction to set Tv/Av Switch when shooting Customize buttons Customize dials Clear customized settings Custom Functions 4 Add cropping information Audio compression Default Erase option Release shutter w/o lens Retract lens on power off Add IPTC information...
Page 958 Custom Functions 5 Clear all Custom Func. (C.Fn) Selecting [ : Clear all Custom Func. (C.Fn)] clears all Custom Function settings.
Page 959: Custom Function Setting Items
Custom Function Setting Items C.Fn1 C.Fn2 C.Fn3 C.Fn4 C.Fn5 You can customize camera features on the [ ] tab to suit your shooting preferences. Any settings you change from default values are displayed in blue.
Page 960 C.Fn1 Exposure level increments Sets 1/2-stop increments for the shutter speed, aperture value, exposure compensation, AEB, flash exposure compensation, etc. 1/3: 1/3-stop 1/2: 1/2-stop Note Display when set to [1/2-stop] is as follows. ISO speed setting increments You can change the manual ISO speed setting increment to a whole stop. 1/3: 1/3-stop 1/1: 1-stop Note...
Page 961 Speed from metering/ISO Auto You can set the ISO speed status after the metering timer ends in cases where, for ISO Auto operation in /<Tv>/<Av>/<M>/ mode, the camera has adjusted the ISO speed during metering or during the metering timer. : Restore Auto after metering : Retain speed after metering Bracketing auto cancel...
Page 962 Number of bracketed shots The number of shots taken with AEB and white balance bracketing can be changed. When [Bracketing sequence] is set to [0, -, +], the bracketed shots will be taken as shown in the following table. 3: 3 shots 2: 2 shots 5: 5 shots 7: 7 shots...
Page 963 Safety shift If the subject brightness changes and the standard exposure cannot be obtained within the autoexposure range, the camera will automatically change the manually selected setting to obtain the standard exposure. [Shutter speed/Aperture] applies to <Tv> or <Av> mode. [ISO speed] applies to , <Tv>, or <Av>...
Page 964 C.Fn2 Same expo. for new aperture The maximum aperture value may decrease (the lowest f/number may increase) in <M> mode (manual exposure shooting) with ISO speed set manually (except when set to ISO Auto) if you (1) Change lenses, (2) Attach an extender, or (3) Use a zoom lens with a variable maximum aperture value.
Page 965 AE lock meter. mode after focus For each metering mode, you can specify whether to lock the exposure (AE lock) once subjects are in focus with One-Shot AF. The exposure will be locked while you keep pressing the shutter button halfway. Select metering modes for AE lock and add a checkmark [ ].
Page 966 Set aperture range You can set the aperture value range. In <Fv>, <Av>, <M>, or mode, you can set the aperture value manually within your specified range. In or <Tv> mode, or in <Fv> mode with the aperture value set to [AUTO], the aperture value is set automatically within your specified range.
Page 967 C.Fn3 direction to set Tv/Av Dial turning direction when setting the shutter speed and aperture value can be reversed. Reverses the turning direction of the < >, < >, and < > dial in <M> shooting mode and only the < >...
Page 968 Customize buttons You can assign frequently used functions to camera buttons that are easy for you to use. Different functions, for use when shooting still photos or movies, can be assigned to the same button. Select [ : Customize buttons]. Select a camera control.
Page 969 Note : Customize buttons] settings are not cleared even if you select [ : Clear all Custom Func. (C.Fn)]. To clear the settings, select [ : Clear customized settings].
Page 970 Functions available for customization ●: Default ○: Available for customization : AF stop ○ ○ ○ ○ ○ ○ ● : Metering and AF start ● ● ○ ○ ○ ○ : AF point selection ○ ○ ○ ○ ● ○...
Page 971 : Eye detection ○ ○ ○ ○ ○ ○ ○ ○ : Spot detection ○ ○ ○ ○ ○ ○ ○ ○ : Focus mode ○ ○ ○ ○ ○ ○ ○ ○ : Peaking ○ ○ ○ ○ ○ ○...
Page 972 Exposure ●: Default ○: Available for customization : Metering start ○ : AE lock ○ ○ ○ ○ ○ ○ ○ : AE lock (hold) ○ ○ ○ ●* ○ ○ ○ : AE lock, AF stop ○ ○ ○ ○...
Page 973 : FE lock* ○ ○ ○ ○ ○ ○ ○ * 1: Cannot be assigned as a function available in movie recording. * 3: Default in still photo shooting. * 4: Default in movie recording.
Page 974 Image ●: Default ○: Available for customization : Image quality* ○ ○ ○ ○ ○ ○ ○ ○ : One-touch image quality setting* ○ ○ ○ ○ ○ ○ ○ ○ : One-touch image quality (hold)* ○ ○ ○ ○ ○...
Page 975 : Rating ○ ○ ○ ○ ○ ○ ○ : Record func+card/folder sel. ○ ○ ○ ○ ○ ○ ○ * 1: Cannot be assigned as a function available in movie recording. * 2: Cannot be assigned as a function available in still photo shooting.
Page 976 Movies ●: Default ○: Available for customization : False color* ○ ○ ○ ○ ○ ○ ○ ○ : Zebra* ○ ○ ○ ○ ○ ○ ○ : Movie recording ● ○ ○ ○ ○ ○ ○ : Pause Movie Servo AF* ○...
Page 977 Operation ●: Default ○: Available for customization : Flash function settings* ○ ○ ○ ○ ○ ○ ○ ○ ● : Quick flash group control* ○ ○ ○ ○ ○ ○ ○ ○ ○ : Dial function settings ○ ● ○...
Page 978 : Menu display ○ ○ ○ ○ ○ ○ ○ ○ : Touch Shutter* ○ ○ ○ ○ ○ ○ ○ ○ : Create folder* ○ ○ ○ ○ ○ ○ ○ ○ : OVF sim. view assist* ○ ○ ○...
Page 979 : Wi-Fi/Bluetooth connection ○ ○ ○ ○ ○ ○ ○ ○ : No function (disabled) ○ ○ ○ ○ ○ ●* ○ ○ ○ ○ * 1: Cannot be assigned as a function available in movie recording. * 3: Default in still photo shooting. * 4: Default in movie recording.
Page 980 Customize dials Frequently used functions can be assigned to the < >/< >/< >/< > dials. Select [ : Customize dials]. Select a camera control. Select a function to assign. Press the < > button to set it. You can configure advanced settings for functions labeled with [ Detail set.] in the lower left of the screen by pressing the <...
Page 981 Note : Customize dials] settings are not cleared even if you select [ : Clear all Custom Func. (C.Fn)]. To clear the settings, select [ : Clear customized settings]. Setting [ : Switch when shooting] to [Enable] also changes the functions you can assign.
Page 982 Functions available for dials ●: Default ○: Available for customization Function Direct AF point selection ○ ○ Select AF area ○ ○ ○ Select AF area (while holding metering button) ○ Change shutter speed ○ Change aperture value ○ Exposure compensation ○...
Page 983 Clear customized settings Select [ : Clear customized settings]. Select [OK]. [Customize buttons] and [Customize dials] are restored to defaults.
Page 984 C.Fn4 Add cropping information Adding cropping information displays vertical lines for the aspect ratio specified in shooting, so that you can compose shots as if shooting with a medium- or large-format camera (6×6 cm, 4×5 inch, and so on). When you shoot, instead of cropping images recorded to the card, the camera adds aspect ratio information to images for cropping in the Digital Photo Professional (EOS software).
Page 985 Audio compression Sets audio compression for movie recording. [Disable] allows higher audio quality than when audio is compressed, but file sizes are larger. ON: Enable OFF: Disable Caution Editing movie files recorded with [Disable] and then saving them with compression will also compress the audio.
Page 986 Retract lens on power off You can set whether to retract gear-type STM lenses (such as RF35mm F1.8 Macro IS STM) automatically when the camera's power switch is set to < >. ON: Enable OFF: Disable Caution With auto power off, the lens will not retract regardless of the setting. Before detaching the lens, make sure that it is retracted.
Page 987 C.Fn5 Clear all Custom Func. (C.Fn) Selecting [ : Clear all Custom Func. (C.Fn)] clears all Custom Function settings except [Customize buttons] and [Customize dials]. Note To clear settings configured with [ : Customize buttons] and [ : Customize dials], select [ : Clear customized settings].
Page 988: Tab Menus: My Menu
Tab Menus: My Menu Add My Menu tab Delete all My Menu tabs Delete all items Menu display...
Page 989: Registering My Menu
Registering My Menu Creating and Adding My Menu Tabs Registering Menu Items on My Menu Tabs My Menu Tab Settings Deleting All My Menu Tabs/Deleting All Items Menu Display Settings On the My Menu tab, you can register menu items and Custom Functions you often adjust.
Page 990 Creating and Adding My Menu Tabs Select [Add My Menu tab]. Select [OK]. You can create up to five My Menu tabs by repeating steps 1 and 2.
Page 991 Registering Menu Items on My Menu Tabs Select [MY MENU*: Configure]. Select [Select items to register]. Register the desired items. Select an item, then press the < > button. Select [OK] on the confirmation screen. You can register up to six items. To return to the screen in step 2, press the <...
Page 992 My Menu Tab Settings You can sort and delete items on the menu tab, and rename or delete the menu tab itself. Sort registered items You can change the order of the registered items in My Menu. Select [Sort registered items], select an item to rearrange, then press the <...
Page 993 Rename tab You can rename the My Menu tab from [MY MENU*]. Select [Rename tab]. Enter text. Use the < > or < > dial or < > to select a character, then press the < > button to enter it. By selecting [ ], you can change the input mode.
Page 994 Deleting All My Menu Tabs/Deleting All Items You can delete all the created My Menu tabs or My Menu items registered on them. Delete all My Menu tabs You can delete all My Menu tabs you created. When you select [Delete all My Menu tabs], all the tabs from [MY MENU1] to [MY MENU5] will be deleted and the [ ] tab will revert to its default.
Page 995 Menu Display Settings You can select [Menu display] to set the menu screen that is to appear first when you press the < > button. Normal display Displays the last displayed menu screen. Display from My Menu tab Displays with the [ ] tab selected.
Page 996: Reference
Reference This chapter provides reference information on camera features. • Importing Images to a Computer • Importing Images to a Smartphone • Using a USB Power Adapter to Charge/Power the Camera • Using a Battery Grip • Troubleshooting Guide • Error Codes •...
Page 997: Importing Images To A Computer
Importing Images to a Computer Connecting to a Computer with an Interface Cable Using a Card Reader Connecting to a Computer via Wi-Fi You can use EOS software to import images from the camera to a computer. Connecting to a Computer with an Interface Cable Install EOS Utility ( In [ : Choose USB connection app], select [Photo Import/Remote Control] (...
Page 998 Caution With a Wi-Fi connection established, the camera cannot communicate with the computer even if they are connected with an interface cable.
Page 999 Using a Card Reader You can use a card reader to import images to a computer. Install Digital Photo Professional ( Insert the card into the card reader. Use Digital Photo Professional to import the images. Refer to the Digital Photo Professional Instruction Manual. Note When downloading images from the camera to a computer with a card reader without using EOS software, copy the DCIM folder on the card to the computer.
Page 1000 Connecting to a Computer via Wi-Fi You can connect the camera to the computer via Wi-Fi and import images to the computer 1000...
Page 1001: Importing Images To A Smartphone
When using AD-P1, refer to the instruction manual included with AD-P1. Use of a Canon USB cable (Interface Cable IFC-100U or IFC-400U) is recommended when connecting Android smartphones. For details on USB cables used to connect iPhones, visit the Canon website.

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